The Foreign Exchange In Europe: Day 1/2 – London

Call me what you want… but when I went in to the school to teach today, I was definitely more focused on how my first shows and performances in Europe were gonna go moreso than the activities occurring in my own classroom – I can’t lie. I would catch myself zoning out rather regularly throughout the workday, only because I was so anxious to not only see what it was like in the U.K., but I wanted to check out London’s response to our music and actually be able to shake hands with everyone and thank them for supporting for all these years. So you can imagine how quickly I rushed outta that school when 3:30pm came around so that I could get some last minute running around done before finally getting on the road to Dulles Airport. I made sure to pack half of a library, iPod, and all other essentials to keep me busy for the upcoming 7-hour plane ride to Heathrow. I even made sure to grab a nice skrong draink to down fairly quickly to help with the napping process. Met up with our bass player, Kush in the terminal not too long before boarding the plane and got it moving to our gate. Apparently the Strong Island Iced Tea that I had assisted me in my quest for sleep because the entire plane ride over, I attempted to watch the movie “Wall Street 2” and could NOT make it through the entire thing… shameful considering the fact that I had over seven hours to do so. I would wake up to rolling credits, rewind it…. doze off again and wake up to another part in the movie that was completely unfamiliar looking to me. COme to think of it, I didn’t even stay awake long enough to catch the take-off. When I woke up the first time, I thought we were still taxiing on the damn runway… until I leaned forward to look out of a window and found out that this was NOT the case. By that time we were 30,000 feet in the air pretty much set at our cruising altitude. While the plane ride wasn’t too bad at all (I think my much needed sleep played a significant part in that as well), the length of my legs require my upgrading the seat on the return flight, so uh-ruh… I’ll be doing that for next week. Once we arrived, of course we had to fill out our “landing card” before making our way through UK customs. Passports and work permits were presented, and we were good to go. We walked down to baggage REclaim as they call it and picked up our bags, connected with our people and were out. I didn’t know what to expect once I arrived in London. The first thing I noticed was the consistent rain… It wasn’t pouring, but it was certainly dreary as all hell. This didn’t stop me from having my camera out at all times snapping pictures of any and ALL things on the drive to the hotel. Once we arrived at the hotel and got up to the room, I walked in and saw the size of the beds… Lawd.

When I laid stomach-down on the bed to connect my laptop to the net, even with me positioning myself diagonally my feet were STILL on the wall. lol The free wi-fi was non-existent at the Thistle Hotel as I had to kick out £9.99 ($15.55) for just 24 hours of low-speed net access. I love it.

I went on a food mission that didn’t take me far at all as I was on foot and the rain had picked up pretty significantly by this time. I ventured across the street to a hole-in-the-wall spot and got a simple chicken sandwich and chips. The sandwich consisted of… well… a grilled chicken patty on a bun. Therefore, you will find NO pics of this plate on the net as I had to doctor it up to the point that I damn near remade the thing. Had to throw that meal down pretty quickly in order to make it to soundcheck/rehearsal on time as we had to run the entire set with a new drummer for the tour, Laurie Lowe… Our regular drummer, Biscuit was unable to make the trip with us this time. We made it up to Cargo, which looked like a nice spot to me… and more importantly, once soundcheck started the soundman got our levels right and had us sounding GOOD together. So at this point, I was even MORE hyped up than before for the show to begin. We hurried back to the room for a QUICK turnaround of about 30 minutes, just enough time for a quick shower and a change of clothes. It was at this very moment that I realized I would have to supply myself with my own washcloths upon returning to Europe because there aren’t any in the hotel rooms. I used a hand towel to wash up with… Just a side note. lol

We rode back to the Cargo and found out that we had to walk through the crowd to get to the dressing room… Welp! Ok… The funny thing is, I looked up and a flashlight ended up in MY hand to lead the crew through this packed up ass, shoulder-to-shoulder crowd. So I’m stumbling through people in order to clear the way for the crew, with a flashlight in hand looking like damn security of the first world. I could hear a couple people calling out our individual names as they gradually started to realize who was pushing their way through them. I even heard a few people say, “Zo!” …and others say, “Zo?” as I walked by them.
At the start of the show, I could already tell it was gonna be a night for the books. London was READY… We came out, and they were into the show from start to finish… From crowd response and participation to knowing all the words to the songs… they were ready to go. The personal highlight of the night for me on stage was the response I heard from Phonte simply saying, “I’ve got my man Zo on the keys.” The people got LOUD… The reaction caught me COMPLETELY off guard… so much to the point that I had to STOP playing the keyboard and just kinda stand there looking extra surprised. I couldn’t do anything but look at my kats on stage and say simply, “Wooooow.” Actually, someone asked me later on, “Why did you look so surprised when the crowd cheered for you?” Maaaaan, look. I haven’t heard a reception like that outside of Detroit and D.C. Very rewarding and humbling experience. Then to be able to walk right back out into the crowd after the show to take pictures, shake hands, sign albums, and greet everyone who has been following FE’s music and some who have been following my music for years was a huge bonus for me. Overall, the show was the perfect opening show for the European Tour run. Playing to a sold-out, hyped up crowd in a spot that I have never been before. Sounds pretty damn great to me.

AFTER the show, I was in for a not so great surprise as I decided to order the “Jerk Chicken Sandwich” at the venue and upon its arrival, I discovered that it was actually grilled chicken cutlets with lettuce and some damn chipotle mayo. :-/ Someone took it even further than that and ordered some calamari… I won’t even comment on it. I’ll just show you the picture.
Regardless, one a helluva show in London…… If this is any indication of how the remainder of this tour will be, then I. Can’t. WAIT for more.

SoulBounce Names Zo! Their 2010 Producer Of the Year!


Source: SoulBounce · By Ivory

While here at the SB headquarters we don’t always see eye-to-eye in terms of music, one thing we do agree on is that 2010 was, indeed, the year of Lorenzo Ferguson better known to all as Zo!. Many of the Detroit-bred, D.C.-based multi-instrumentalist and producer’s melodies provided the soundtrack to our 2010. Let’s face it, he seemed to be everywhere this year. Zo! managed to hit us off with stellar production work nearly every season this year, making him easily the SoulBounce Honors 2010 Producer of the Year.

Zo! kicked things off in the spring, when his fellow Foreign Exchange Music labelmate YahZarah released her highly-anticipated album, The Ballad of Purple Saint James. He lent his production talents to her single “Cry Over You” featuring Phonte. The funky, upbeat track provided the perfect backdrop for YahZarah’s sassy rebound tale.

By the time the summer release of his own full-length FE Music debut, SunStorm, we were practically foaming at the mouth with anticipation of the musical delicacies our ears were about to feast on. And boy, did he not disappoint. Drawing comparisions to Stevie Wonder‘s Songs in the Key of Life, SunStorm served up a delicious composition of musicianship and artistry. As previously stated in our review of the album, “While some producers may stumble when their musical ambitions find them dabbling in different genres, Zo! expertly navigates vast musical terrain.” Nearly six months later, this album continues to amaze with his wide-range of talents, sprinkling in a dash of jazz here, a spoonful of broken beat there and a whole lotta fun, spirited soul and hip-hop ingredients in between.

In with the cool weather of the fall, came the equally-cool third group project, Authenticity, from The Foreign Exchange. While most production was still held-down by FE co-founder Nicolay, Zo!’s fingerprints still remained all over this album. Picking up where the group’s previous project, Leave It All Behind, left all, this album was melancholy and slightly-experimental, where LIAB was hopeful and soulful. Zo! even took a turn on the mic–albeit a talkbox mic–on “Don’t Wait.” Whether he was leading us through the highs of love or guiding us through the dreary days of heartbreak, Zo! consistently used his musical prowess to help bring the vivid emotions to life. Through his fingertips, we were able to feel sentiment just as clearly as we could hear it.

And to think, Zo! managed to deliver a crop of good music all while holding down a full-time gig as a music teacher in Washington, D.C. By showcasing us such a versatile range of musical portraits in 2010, we can only imagine what Zo! has in store for us in 2011. If next year is anything like this past one has been, then you better make room on your iPods for more phenemonal music.

The Foreign Exchange Overseas Tour Schedule


Well, I’m happy to announce that not only will I be visiting Europe for the first time in my life, but I’ll be over there playing keys with The Foreign Exchange. The run begins in London, then continues to Amsterdam, Paris, Cologne, while ending in London as well. Check the dates and maybe I’ll see you at a show. In the meantime, I’ll be purchasing a brand new memory card for my camera as I’ll be doing nothing but snapping pictures and getting ready to try all types of FOOD. YES Lawd!!

Thu Jan 6, 2011 at 7:00 PM
soulBEAUTIFUL inc presents · Cargo, London UK
The Foreign Exchange (Phonte + Nicolay) with live band
View Details · BUY TICKETS

Fri Jan 7, 2011 at 7:30 PM
Holland’s Got Soul · Paradiso, Amsterdam NL
The Foreign Exchange (Phonte + Nicolay) with live band
View Details · BUY TICKETS

Sat Jan 8, 2011 at 7:00 PM
Free Your Funk presents · La Bellevilloise, Paris FR
The Foreign Exchange (Phonte + Nicolay) with live band
View Details · BUY TICKETS

Sun Jan 9, 2011 at 7:00 PM
Club Bahnhof Ehrenfeld, Koln DE
The Foreign Exchange (Phonte + Nicolay) with live band
View Details · BUY TICKETS

Wed Jan 12, 2011 at 7:00 PM
soulBEAUTIFUL inc presents · Cargo, London UK
The Foreign Exchange (Phonte + Nicolay) with live band
View Details · BUY TICKETS

Four appearances on the New Foreign Exchange album… ‘Authenticity’

Well, as most of you all know, The Foreign Exchange just released their third album this past Tuesday on October 12th, Authenticity. I am proud to announce the fact that I appear on 4 of the 11 tracks on the album… 

“Fight For Love” was a song that Phonte and I wrote and demoed from scratch down in my spot back in June. I won’t post the original demo as it is extremely rough… it was basically Phonte with a melody and some lyrics and me on the keys creating and locking in a chord progression while charting at the same time so I wouldn’t forget what the hell I just played. The final result left me what the only outside production credit on the album (second FE album in a row), keys credit and also credit for the Moog synth solo. I also played piano on the lead single, “Maybe She’ll Dream Of Me” as well as “Everything Must Go”. I was requested to channel the late, great Roger Troutman by breaking out the talkbox at the end of “Don’t Wait”, which marked the first time that I had even recorded with the talkbox – It was a lot of fun, I will certainly admit that.

The Foreign Exchange’s Authenticity album is available right here. You can also listen to the entire album via that link as well. Enjoy it!

 

Phonte and I in East Wing Studios after working on the first draft of “Fight For Love” 6.9.10

Playing the Talkbox on The Foreign Exchange’s “Don’t Wait” – 08.09.10

I thought it would be fun to record myself laying down the first layer of talkbox vocals for The Foreign Exchange’s “Don’t Wait” track from their album Authenticity. This didn’t end up being the final take, but it’s very close… Those of you who have played around on the talkbox before can truly understand the musicianship and craft of the late Roger Troutman. He did this for a LIVING. Wow… Huge respect, and enjoy!

Zo! – SunStorm (2010) FULL Album Credits

ZoSunStormCoverArt

Zo!
SunStorm

PURCHASE ALBUM
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01. Greater Than The Sun featuring Phonte
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Vocals recorded and mixed by Khrysis
All Instruments by Zo!
Mixed by Zo!
Recorded at East Wing Studios, Silver Spring, MD and the Chopp Shopp, Durham, NC

02. Greatest Weapon Of All Time featuring Sy Smith
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
Written by Sy Smith for Sybersong Publishing (ASCAP)
Vocals Arranged and Produced by Sy Smith
Vocals Recorded and Mixed by Grant Nochols
All Instruments by Zo!
Mixed by Zo!
Recorded at East Wing Studios, Silver Spring, MD and Rumbo Studios, Winnetka, CA

03. Say How You Feel featuring Phonte & Carlitta Durand
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP) and Carlitta Durand for Durand Music Group (ASCAP)
Vocals by Phonte & Carlitta Durand
All Instruments by Zo!
Recorded and Mixed by Zo! at East Wing Studios, Silver Spring, MD

04. For Leslie
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
All Instruments by Zo!
Flute by Claudia Hayden
Recorded and Mixed by Zo! at East Wing Studios, Silver Spring, MD

05. Be Your Man featuring Darien Brockington
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
Written by Darien Brockington for Neidar Music Group (ASCAP) and Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Vocals by Darien Brockington
Background Vocals by Phonte
All Instruments by Zo!
Guitar Solo by Chris Boerner
Mixed by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

06. Free Your Mind featuring Lady Alma
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
Written by A-Drenaline for Sopo Publishing (ASCAP)
Vocals by Lady Alma
Background Vocals by The Lady Alma Choral Ensemble (Lady Alma & Preston Branch)
Vocals Recorded by Roscoe “Plug-In”Murphy
All Instruments by Zo!
Mixed by Focus…
Recorded at East Wing Studios, Silver Spring, MD and WHODUNIT Studios, Philadelphia, PA

07. SunStorm featuring YahZarah
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP) and YahZarah for She’s A Ladybug (ASCAP)
Vocals by YahZarah
Additional Vocals by Phonte, Darien Brockington & Jesse Boykins III
Vocals Recorded and Mixed by Phonte
All Instruments by Zo!
Mixed by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

08. If I Could Tell You No featuring Jesse Boykins III
Produced by Zo! and Phonte for Chapter 3hree, Verse 5ive Music/+FE Music LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Vocals by Jesse Boykins III
All Instruments by Zo!
Trumpet by Stan Graham
Mixed by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

09. This Could Be The Night featuring Eric Roberson, Darien Brockington & Rapper Big Pooh
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
Written by Eric Roberson for Blue Erro Soul/EMI Music Publishing (ASCAP), Darien Brockington for Neidar Music Group (ASCAP), Thomas Jones for Big Pooh Music (ASCAP) & Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Vocals by Eric Roberson, Darien Brockington & Rapper Big Pooh
Jive Talk by Scorpeze of Windimoto
Vocals Recorded and Mixed by Phonte
All Instruments by Zo!
Mixed by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

10. Flight Of The Blackbyrd featuring Phonte
Produced by Zo! and Phonte for Chapter 3hree, Verse 5ive Music/+FE Music LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Vocals by Phonte
Vocals Recorded and Mixed by Phonte
All Instruments by Zo!
Trumpet by Stan Graham
Mixed by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

11. All Is Well With Love featuring Chantae Cann
Produced by Zo! and Phonte for Chapter 3hree, Verse 5ive Music/+FE Music LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Vocals by Chantae Cann
Keys, Bass Guitar, and Cabasa by Zo!
Flugelhorn by Al Strong IV
Flute by Tim Smith
Trombone by Andrew Kleindienst
Congas and Wind Chimes by Brevan Hampden
Maracas and Additional Percussion by El Tigallo
Acoustic Guitar by Omar Hunter-El
Wood and Skins by “Biscuit” Bynum
Vocals Recorded and Mixed by Phonte
Mixed by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

12. MakeLuv2Me featuring Monica Blaire
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
Written by B. White for Vera’s Daughter (ASCAP)
Vocals by Monica Blaire
Vocals Recorded and Mixed by Shaphan “Maestro” Williams
All Instruments by Zo!
Mixed by Zo!
Recorded at East Wing Studios, Silver Spring, MD and Silent Riot Studios, Oak Park, MI

Mastered by Soiree Records

© 2010 Chapter 3hree, Verse 5ive, LLC/+FE Music, LLC

Heading West…!! July 20th – July 23rd …LA – PDX – SF

One week before the release of SunStorm, I’ll be out west doing a short run with The Foreign Exchange hitting Los Angeles (7/20), Portland (7/21), and two dates in San Francisco (7/22 and 7/23). To my West Coast family, I hope to see you all out there!.. I’ll be on edge a little bit due to the anticipation of the album, but it’s gonna be great to see y’all out there nonetheless…

Click the links for show info.

Download YahZarah’s “Why Dontcha Call Me No More”

I took an overnight trip to Raleigh, NC in late December armed with just a change of clothes, a few toiletries, and my bass guitar. The mission: Play on a couple of joints for YahZarah’s new album The Ballad Of Purple St. James. Phonte picked me up from the airport, we made a couple of stops before heading right over to SoundPure Studios to meet up with Yahz and guitarist/engineer Chris Boerner. I had already done my homework on the joints, learned all the changes and nuances in hopes to knocking um out in a single take… Drummer Lil’ John Roberts walked in and was ready to work… BUT, first things first, we ordered some sammiches, ate, and we were finally ready to go. John cut his drum parts first and was ridiculously on-point – Hell, the brotha has already worked with a who’s who of kats, including regularly touring with the one and only, Janet Jackson. I was next up on the bass… A couple of takes later, it was knocked out.


Editing took place throughout most of the night and “Why Dontcha Call Me No More” was born…

Zo! – ‘…just visiting too’ + FULL Album Credits

20091103-ZO

Zo!
…just visiting too
…just visiting too via Bandcamp

01. Perfect Angel featuring YahZarah
Produced by Zo!
All Instruments by Zo!
Vocals by YahZarah
Vocals Recorded and Mixed By Phonte at the Peanut Gallery, Raleigh, NC
Music Recorded and Mixed by Zo! at East Wing Studios, Silver Spring, MD

02. Nights Over Egypt featuring Carlitta Durand
Produced by Zo!
All Instruments by Zo!
Vocals by Carlitta Durand
Vocal Production by Phonte
Vocals Recorded and Mixed by Khrysis at Chopp Shopp Studios, Durham, NC
Music Recorded and Mixed by Zo! at East Wing Studios, Silver Spring, MD

03. Crazy You featuring Sy Smith
Produced by Zo!
All Instruments by Zo!
Vocals by Sy Smith
Vocals Recorded and Mixed by Grant “G-Nick” Nicholas at Rumbo Studios, Winnteka, CA
Music Recorded and Mixed by Zo! at East Wing Studios, Silver Spring, MD

04. Holding You, Loving You
Produced by Zo!
All Instruments by Zo!
Recorded and Mixed by Zo! at East Wing Studios, Silver Spring, MD

05. My Flame featuring Phonte
Produced by Zo!
All Instruments by Zo!
Lead Vocals by Phonte
Background Vocals by Carlitta Durand
Vocals Recorded and Mixed by Khrysis at Chopp Shopp Studios, Durham, NC
Music Recorded and Mixed by Zo! at East Wing Studios, Silver Spring, MD

06. Somethin’ Special featuring YahZarah
Produced by Zo!
All Instruments by Zo!
Lead Vocals by YahZarah
Background Vocals by Phonte
Handclaps and Fingersnaps by Phonte and YahZarah
Vocals Recorded and Mixed by Phonte at The Peanut Gallery, Raleigh, NC
Music Recorded and Mixed by Zo! at East Wing Studios, Silver Spring, MD

07. Highways Of My Life (Parts I & II) featuring Darien Brockington
Produced by Zo!
All Instruments by Zo!
Electric and Acoustic Guitar by Omar Hunter-El
Vocals by Darien Brockington
Backing Vocals (Part II) by Phonte
Vocals Recorded and Mixed by Darien Brockington at Chopp Shopp Studios, Durham, NC and by Phonte at The Peanut Gallery, Raleigh, NC
Music Recorded and Mixed by Zo! at East Wing Studios, Silver Spring, MD

…just visiting too: The Originals

01. Perfect Angel
Written by Stevie Wonder
Originally Performed by Minnie Riperton
From the Album “Perfect Angel” (Capitol Records, 1974)

02. Nights Over Egypt
Written by Cynthia Biggs and Dexter Wansel
Originally Performed by The Jones Girls
From the Album “Get As Much As You Can” (Philadelphia International Records, 1982)

03. Crazy You
Written and Originally Performed by Prince
From the Album “For You” (Warner Bros., 1978)

04. Holding You, Loving You
Written and Originally Performed by Don Blackman
From the Album “Blackman” (GRP Records, 1982)

05. My Flame
Written and Originally Performed by Bobby Caldwell
From the Album “What You Won’t Do For Love” (Sin-Drome, 1978)

06. Somethin’ Special
Written by Rod Temperton
Originally Performed by Quincy Jones; Lead Vocal by Patti Austin
From the Album “The Dude” (A&M, 1980)

07. Highways Of My Life (Parts I & II)
Written by Ernie Isley, Marvin Isley, Ronald Isley, O’Kelly Isley, Rudolph Isley, and Chris Jasper
Originally Performed by The Isley Brothers
From the Album “3+3” (T-Neck, 1973)

Questlove Talks About the “Purple Flip” joint…

As y’all may know from the last post, the brotha Ahmir Thompson a/k/a Questlove, the drummer from the Legendary Roots Crew programmed the drums on the “Purple Flip” joint that was leaked yesterday. Well here is what he had to say about the song itself…