Thursday, May 4, 2017 – Washington, D.C.
Zo! + Carmen Rodgers
(The SkyBreak Tour)
With Aaron Abernathy with Live Band Nat Turner
2001 14th St NW, Washington, D.C. 20009
Doors: 7p | Show: 8p
Thursday, May 4, 2017 – Washington, D.C.
Zo! + Carmen Rodgers
(The SkyBreak Tour)
With Aaron Abernathy with Live Band Nat Turner
2001 14th St NW, Washington, D.C. 20009
Doors: 7p | Show: 8p
Had the pleasure of stopping by WPFW last night an participating in a “Soul Conversation” …and to be honest, it turned out to be one of my favorite interviews in a long time. I’m sure if there was no time limit, we would probably STILL be conversing now. You can listen to it in full HERE …or by pressing ‘play’ below.
SkyBreak Tour Dates
Past SkyBreak Tour Dates:
May 22, 2016 – Silver Spring, MD (SkyBreak Listening Party) • June 15, 2016 – Boston, MA • August 4, 2016 – Dallas, TX • August 6, 2016 – Houston, TX (Houston International Jazz Festival) • August 11, 2016 – Bethesda, MD • August 18, 2016 – Atlanta, GA • August 20, 2016 – Cincinnati, OH • August 21, 2016 – Indianapolis, IN • August 26, 2016 – Detroit, MI • August 27, 2016 – Chicago, IL • September 16, 2016 – Richmond, VA • September 18, 2016 – Raleigh, NC • September 25, 2016 – New York City, NY • October 1, 2016 – Cleveland, OH • November 10, 2016 – Oakland, CA • November 11, 2016 – Los Angeles, CA • November 13, 2016 – San Diego, CA • November 25, 2016 – Detroit, MI (6th Annual Tux & Chucks Fundraiser Event) • December 17, 2016 – Atlanta, GA (Acoustic & Personal) • March 3, 2017 – Philadelphia, PA • March 4, 2017 – Pittsburgh, PA • March 18, 2017 – St. Louis, MO • May 4, 2017 – Washington, D.C. • May 6, 2017 – New York City, NY • July 20, 2017 – Detroit, MI • September 2, 2017 – Toronto, ON • September 22, 2017 – Cleveland, OH • September 23, 2017 – Cincinnati, OH • October 14, 2017 – Richmond, VA • October 16, 2017 – Philadelphia, PA (Kindred Presents) • November 3, 2017 – New Orleans, LA • November 4, 2017 – Houston, TX • November 5, 2017 – Dallas, TX • November 25, 2017 – Baltimore, MD (Opening for Kindred The Family Soul) • December 9, 2017 – Atlanta, GA (Acoustic & Personal)
Making SkyBreak Documentary Screenings
January 12, 2018 – HOUSTON, TX
Film Screening + Live Q&A with Zo!
*This is not a performance*
Green Mill Social Club
Doors: 6:30p | Film Starts: 7p
January 25-28, 2018 – DENTON, TX
(‘Making SkyBreak’ selected to the Denton Black Film Festival)
*This is not a performance*
Saturday, March 31, 2018 – WASHINGTON, DC
(‘Making SkyBreak’ selected to the MECCAcon Film Festival)
*This is not a performance*
2397 6th St NW, Washington D.C. 20059
10a – 5p
April 19-22, 2018 – SEATTLE, WA
(‘Making SkyBreak’ selected to the Langston Hughes African-American Film Festival)
*This is not a performance*
Making SkyBreak – Official Selections
Atlanta Docufest (Semi-Finalist)
Baltimore Black International Film Festival
Columbus Black International Film Festival (*Winner* Best Documentary Film)
DC Black Film Festival (*Winner* Best Documentary Feature)
Denton Black Film Festival
Docs Without Borders Film Festival
Gary International Black Film Festival
Greater Cleveland Urban Film Festival
Langston Hughes African-American Film Festival
MECCAcon Film Festival
Miami Independent Film Festival
Raleigh Film and Art Festival
Past Making SkyBreak Screening Dates:
March 12, 2017 – Dallas, TX • March 15, 16 & 19, 2017 – Chicago, IL • March 29, 2017 – Detroit, MI • June 23, 2017 – Oakland, CA • June 25, 2017 – Los Angeles, CA (MECCAcon Film Festival) • July 8, 2017 – Cincinnati, OH • August 5, 2017 – Columbus, OH (Columbus Black International Film Festival) • August 18, 2017 – Washington, D.C. (D.C. Black Film Festival) • September 16, 2017 – Detroit, MI (MECCAcon Film Festival) • September 23, 2017 – Montreal, QC (MECCAcon Film Festival) • September 24, 2017 – Cleveland, OH (Greater Cleveland Urban Film Festival) • October 8, 2017 – Baltimore, MD (Baltimore International Black Film Festival) • October 15, 2017 – Gary, IN (Gary International Black Film Festival) • October 19, 2017 – Atlanta, GA • October 21, 2017 – Raleigh, NC (Raleigh Film and Art Festival) • October 21, 2017 – St. Louis, MO • October 21, 2017 – Toronto, ON (MECCAcon Film Festival) • November 18, 2017 – Pittsburgh, PA
Zo! MasterClass Workshops
Sunday, October 22, 2017 – ST. LOUIS, MO
Zo! | Donnie Seals | Eric D. Seals
Sonic Camp featuring Zo!, Donnie Seals & Eric Seals
*This is not a performance*
William A Kerr Foundation
21 O’Fallon St, St. Louis, MO 63102
Sonic Camp #1 with Zo!: 1 – 3p
Sonic Camp #2 with Donnie & Eric Seals: 3:45 – 5:45p
Next Wednesday, Zo! performs music from his latest album, ManMade. Featuring Deborah Bond and AB, along with DJ sets by DJ Stylus and Jahsonic. Before the show, we decided to have a sit down and hear from the man himself about his music, his process and his hopes for his sophomore release.
Based on the 1967 film “To Sir, With Love” starring Sidney Poitier, we celebrate and honor President Barack Obama with a creative twist.
Join us for a night of revelry that includes food, djs, live music performances and inauguration-inspired cocktails, all done with a 1960’s mod twist.
Attire: Attendees are encouraged to come in their best 1960’s mod-inspired evening look.
Zo! feat. Deborah Bond
Space is limited. Advance purchase and early arrival,
Montserrat House, 2016 9th St. NW, Washington D.C. 20001 | Sunday, January 20, 2013 | 8p-12a
In order for me to even begin addressing this part of my life properly, I have to flash all the way back to the summer of 2005 to a spot in Washington D.C. called Cada Vez. I was invited to Common’s listening party for Be, which I thought was dope because at the time I wanted to hear what he had to say about this new and upcoming album that was supposed to “bring old Common back” or “bring hip hop back” or whateverthehell…. I can’t remember which one it was supposed to do, but you know how that silliness goes with music. Anyway, I ended up meeting more than a few D.C. kats there, including Raheem DeVaughn and an emcee who I was already very familiar with as I listened to his music while in college… Asheru. We met and immediately landed on the same page after we started conversing about music, in general – then, for whatever reason he asked me out of the clear blue sky, “Man, you ever thought about teaching?” I probably took an awkward pause as the thought of teaching had never entered my mind…. like at ALL. EVER. In LIFE. I think I responded with… “Naaaaaaaaaaah maaaaan…” or “Ehhhhhh, I’m good on that.” …Or something similar as I had friends who were teachers and NONE of the stories they used to share with me from the classroom were positive. We exchanged information anyway and said that we would keep in touch, particularly since I was planning to move east anyway.
…Fast forward to April of 2006. I had been in Maryland for only two months and was working sales at a gym in Gaithersburg, MD and hating every last minute of it. I quickly got connected with a kat named Omar Hunter who was looking for a keyboardist to play at this weekly joint he had over in NE D.C., a spot called Roses Dream. I soon found out that Omar was tight with Asheru… As a matter of fact, O had just started teaching at the school Asheru was Director of Arts and Education at… AND the two of them were in a group called The ELs – pretty small world. Once the dots were connected on how everyone was affiliated, the two of them damn near started a “Free Zo! (from his wack ass gym job)” campaign to get me working at the school. At that point, I wasn’t caring about the fact that I had zero teaching experience whatsoever. I also could have cared less about the fact that this Level 5 Special Education school was basically the step between a daily educational setting and a correctional facility for most of the kids who were attending – I just wanted OUT of that damn gym. Finally in June, Asheru set up an interview for me at the school… I suited up, went in and got the job, no problem. I would have LIKED to have thought that it was my “accomplished musician with a few credits under my belt” credentials that earned me the teaching position…………………… But uhhhh…. It was pretty much the fact that I knew Asheru. So it goes, so it goes… Regardless, I was all set up to start at the top of the summer semester which began July 5, 2006. One of the craziest things was, I’ve never really been nervous performing in front of large crowds of people before, but I’d have to say I was a bit nervous having to try and teach classes and hold the attention of 5-10 kids (per class) whom I’ve never met or seen before… Oh, did I mention that they were all diagnosed with either ED, LD, ADD, ADHD, ODD, MR, OHI or a combination of a few on that list?
“CHALLLOOOOOOONNNGGE!!!!” © Howard “Sandman” Sims
The dope part about the position was that Omar and I were set-up in the same class – a co-teaching situation. He had a semester’s worth of experience under his belt at the school already and many of the older kids either knew him or knew of him, so that was my open door to step through. We set each class up as a band. Different kids would play different instruments. We had a couple of keyboards, 4-5 guitars and eventually a bass guitar and a drum set. A good number of the kids took to it because hell, who doesn’t like music?! The fact that they were able to play music they were familiar with was usually the icing on the cake. We found that teaching theory to a high school kid with “oppositional defiant disorder” through music originally crafted by The Roots, Jay-Z, and The Isley Brothers, for example, worked much more effectively than passing along the “traditional” training that I received and hated as I was growing up. We had these kids playing together at every talent show, assembly, and school program there was and they took great pride in their performances. Their personal appearance at these shows was just as important as how they sounded. The kids usually agreed to coordinate colors as a group so that they would look like an actual “band” and we encouraged them to do so – it made them feel as though they were a part of something important. With the “new educator” energy that we brought into the classroom everyday, we also felt personally responsible for not only their performances, but the therapeutic impacts the music was having on them as the music training served as a natural confidence builder for most of the kids. Matter of fact, I’ll just show you what I’m talking about. Here’s a peek at one of my classes from Spring Semester 2008 playing a pretty common R&B chord progression that I taught them… They learned it, practiced it as a class and put their own spin on it.
Ok, let me explain something to y’all, music is powerful… Let me say this again…….. MUSIC. IS. POWERFUL. It is so intensely powerful that it can become life-altering or even serve as a soundtrack to a major change in one’s life – I have seen it occur in many instances with the kids I taught. The same kids who had been kicked out of their neighborhood schools, abandoned by their families, in and out of juvenile facilities and/or jail, always performed at the bottom of their class, been told, “you ain’t worth shit” most of their lives are usually the ones who latch on to music the tightest. Why? Because when that kid finds something they are actually good, or in some cases great at… It will become something they almost obsess over. For example, Omar and I had a student who in his 8th grade year would run the hallways with his boys skipping classes, terrorizing other classes, and leaving school altogether… DAILY. Omar, who as I stated earlier was teaching at the school a semester before me ended up landing him in the music class he was assisting with and put a guitar in this child’s hands. Now, the one thing that was guaranteed to happen at that school on a daily basis was one word: unpredictability. No matter how much a kid said they loved music, or how badly they felt they wanted to be in your class and play <insert instrument of choice here>, the moment of truth came when they physically got on the instrument and started to mess around on it. The kid would either get frustrated and quit right on the spot, or stick it out and continue to work through the early difficulties of learning a new instrument. Well, this particular student caught on quickly by learning his notes and chord placement well before his classmates and even had a fairly nice tone when he played. Needless to say that after a few weeks, the child was hooked. As a music instructor, you know that the ones who are really serious about their instrument are the ones who make the effort to get access to that instrument in order to put in some time to play and practice it home – That’s exactly what this student did. One day, he walked into school with a brand new guitar and gig bag strapped to his back complete with a pair of sunglasses…You couldn’t tell him a THING that day. He told us that when he would get home from school, he would practice the guitar most of the evening and into the night. The results were very telling. Outside of the obvious fact that he became the top guitar player in the entire school, you also didn’t see him running the hallways as often. His grades began to improve slightly as did his overall classroom attendance. Later on, he even gave himself a “guitar influenced” stage name/nickname… The instrument and his newfound talent provided an unlimited amount of confidence that carried over into other aspects of his life and it was such a beautiful thing to witness. It assisted in his overall growth as a young man including coping skills and social abilities. He ended up graduating from high school and enrolling in college and now takes classes at a university in D.C. To this day, he and I continue to keep in touch as he is kid who I want to see WIN.
My students were even making a few waves outside of the classroom for what they were doing in it. One afternoon, I taught one of my classes the music to “Break You Off” by The Roots. After a day or two of practicing the piece, I let them know that I would be bringing my video camera in to record them in action as they loved when I had my camera on me – it let them know that they were improving, or at least good enough as a class to be recorded and posted on up on YouTube. Well, we worked out and agreed upon an intro arrangement and on the first take, they nailed it. I edited the footage and posted it up online and emailed the link to each student in the class (including a parent of one of the students who couldn’t believe that he was even sitting down in class long enough to learn an instrument). I then hopped on Twitter and sent a link in a DM to The Roots’ drummer and internationally known musical director, Ahmir “Questlove” Thompson letting him know that my class is playing his group’s song… and playing it WELL. He in turn, tweeted this to his 1 million+ followers…
The link he tweeted directed everyone to check this video…
…I saw the tweet, hit the “Favorite” button and took a screenshot so that the kids could see it too. The following day as I saw each of them throughout the day, I told them, “I have a surprise for y’all when you get to class today.” When 6th period came, I told them all to come around my desk where the computer was located so that I could show them what I had been talking about all day. Now, they pretty much knew who The Roots were just through song recognition. About half of the class knew who Questlove was, so I went into what his exact role was in the group as well as other places they may have seen him (i.e. Dave Chappelle’s Block Party , Late Night With Jimmy Kimmel, various award shows, etc). And I finally showed them the tweet he sent out about them…. They all stared at the tweet on the computer screen…..looked at each other and let out a collective,
I got hit with about 15-17, “OH, that’s VICIOUS, young!!”‘s and “He KNOW who we are, we’re famous!!!” They were hyped up for the remainder of the day off of that recognition. Very rarely had I ever seen my students get that excited about something positive. That class remained one of the most collectively talented and enthusiastic groups I taught…. They were only rivaled a couple years later by a 5th period class I had of all 9th graders who couldn’t WAIT until their lunch period was over to come into the classroom and start playing. Were they rowdy as all hell?… Yes. Did they get on my nerves……AND each other’s nerves constantly? Yes. But they certainly had a drive to improve that I hadn’t seen from any other class that I had ever taught especially since they were all first-time players. The bass player from that class ended up convincing his father to purchase a bass guitar and amp so that he could practice at home. The kid came in a couple of weeks later sounding like a completely different person on that instrument, the improvement was incredible. He was another one who walked into class carrying a bass guitar case on his back with newly found confidence that was through the roof. He would stop by my classroom early in the day to drop his instrument off because he didn’t trust that his classmates could keep their damaging hands off of it. Maaaan, the bright spots in the classroom sometimes felt few and far between, but they shined brightly once shown – YET it’s always the arts they want to cut from education first when money gets tight. Go figure…
I’m a homebody. Rarely do I EVER say, “You know what? I need to get outta the house and go somewhere.” There’s always too much to do right here. But with my musical sibling, Sy Smith singing background vocals for Sheila E. and her incredible band, I wasn’t about to be caught sitting at home reading the tweets of my people who were there. I wanted to see this show for myself and make sure that I was in the house to support Sy. I took my first trip to the restored and revamped Howard Theatre (ironically the same place where Robert Townsend as Donald “Duck” Matthews took his legendary keytar solo in The Five Heartbeats in 1972….Yes, you read that correctly. In 1972. Sorry, I STILL think that’s hilarious). I walked in and parked myself in the front, stage left and observed as Sheila and her crew brought the damn house down. From the first note, her show was exactly that… a SHOW. If there was a weak link in that band, I didn’t hear it… These kats were ridiculously tight and the added bonus was watching Sy up there murdering right along with them. This musical clinic of a performance went on for almost two hours and left everyone in the spot completely satisfied. Now of course, I told Sy a couple weeks before the show, “Ayo… You’ve gotta introduce me to Sheila when y’all get here.” She saw no problem with my request. When I got to talk with Sy after the show she told me the after party was gonna be at Tap and Parlour over on 11th and U… Bet! I’m there.
I headed over to the spot and even lucked up on an 11th Street parking place only a few yards from where I needed to be. ..Rolled up into Tap and Parlour, immediately got up with Sy and started talking about how dope the show was and how hyped up we were for our then upcoming Labor Day NYC show date at the Blue Note. I then decided it was time for a quick draink (yes, dammit… “DRAINK”), so I walked on over to the bar for a rum & coke and also grabbed a water for Sy….. By the time I made it back over to the rear of the place, Sheila was already over there hanging out. I handed the water over and as soon as Sy could, she introduced the two of us… “Great to finally meet you’s” along with a hug were both exchanged. It was dope because Sy has told me on a few different occasions that she was familiar with who I am because of shows and she and I do and my affiliation with +FE Music. I made it a point to let Sheila know that she gives a helluva performance and that they thoroughly shut the Howard Theatre down without question. Now…. when giving a compliment to someone you look up to and highly respect in your professional field, you never expect for them to return your compliment with a compliment….. or two. So imagine how blown away I was when she said to me…
“You know, I’m really diggin what you and Sy are doing…”
Hold up… What?!! Our live performances?!!?? You know, I’m not exactly sure what the expression on my face did in response to what she said, but I’m sure it was kind of along these lines. In the middle of my humbly thanking her about 48 times, she then hit me with…
“Yeah, I look you guys up on YouTube all the time…”
Aaaaand from that particular moment, to about 17 or 18 minutes afterward….. You couldn’t tell me shit. I was damn near on the verge of cussing at Ms. Escovedo out of excitement on some, “Sheila E., what the hell you say to me?!!?” …….In a good way though, in a good way!! The best part about it was, her words were truly genuine as she is about as down-to-earth as they come. The worst part about it was…. Where the hell do you take a conversation after that?! I had not a clue… We did end up chatting a little more and taking a picture with Sy (see above) and after I finished my drink, I was pretty much ready to head on outta there and call it a night………… That didn’t end up being the case. Why? Because as her band began to trickle in one by one, Sheila would pull each of them to the side, “Have you met Zo?… He and Sy tour together!” Maaaaan, lookahea… Somebody get another draink because I’m gonna be here for awhile. I got up with the majority of the band, including fellow Michigan native, drummer Chris Coleman, who by the way was kiiiiillin’ on stage! I couldn’t have asked for a better night – smiles, laughs, drainks and toasts consumed the remainder of it.
Believe it or not, as many times as something like this happens…. I’ll still be in disbelief, so don’t mind me and my excitable ass storytelling. This just completely goes to show that you never know who’s listening, watching, and most of all enjoying your music. Man, I love what I do…
Ever since we booked these two shows to play at Washington D.C.’s Blues Alley back in mid-April, I guess it’s pretty safe to say that I automatically got hyped up about the date. As a matter of fact, I think the last time I was THAT amped up for a show was in February when Sy and I played Privé Deux back home in Detroit… And the time before that? Well… when I was in Detroit on Mother’s Day 2011 with The Foreign Exchange, the show where my home gave me damn near a two-minute long ovation that had a brovah holding his eyes wide open and blinking to keep from dropping tears on stage… Yeah THAT one. You kinda see the pattern here? There’s just something undeniable about playing a touring or a major show in your hometown and/or your place of current residence. It is already certain that the energy will be at a higher level for your performance, so naturally, I almost have to monitor my adrenaline rushes and keep them under close surveillance as I used to have to for big games during my baseball playing days. I even hit Sy up not too long after the show was booked… “Maaaaan, I think I’ma have to suit it up for this one.” And speaking of that, allow me to let you in on a little something in case you didn’t know… Grown folks JUMP at the chance to dress up for some shit. The reason? We are rarely presented with a proper “dress up” occasion. And I’m not talking about some silly ass “color scheme” party where you’re limited to one or two colors to choose from. The next thing you know you’re posing in front of airbrushed backgrounds of champagne bottles for a picture that you’re rushing to post onto your “too much info offering” Facebook page. I’m talking about an all-out “damn, I’ve NEVER seen you look THAT good before!!” event. For example, ask a grown ass man the last time he wore a suit (outside of church and work) and I guarantee he’ll be able to tell you the exact date AND occasion. With all of that being said, when I pulled out my black suit to press and get ready for the show, I pulled a food receipt from my pocket from none other than… Blues Alley. The only other time I had ever been was to play keys for a New Year’s Prince tribute that YahZarah was doing to bring in 2011. So uhhh, I guess it had been a long time since my grown ass had been suited up too. We used to do it regularly when touring with The Foreign Exchange while promoting their album Leave It All Behind. We all looked great on stage, but carrying all of those clothes around on the road got to be a PROBLEM. Baggage fees and overpacking remained our arch enemies on the Leave It All Behind tour… Let’s just say we found close allies in T-shirts and jeans.
Anyway, as I recover from going way off track… Musician-wise, Sy and I already knew who we wanted to use on the show. We had to have Zach Cutler on that guitar and Chris “Biscuit” Bynum on drums. Zach is a super-talented, technically skilled kat who is a rhythm master that will find that pocket and play in it all night. PLUS, he knows our set like the back of his hand being as though this was his third show with us (he joined us in both NYC and Houston last month). Biscuit is pretty much the drummer who is highest in demand ’round D.C. I met him while playing a gig together back in April of 2006 and have hit him up for more than a few gigs since then, including that Leave It All Behind tour I mentioned previously. Once the two of them locked the date in, we knew that we only needed to rehearse together one good time and the remainder would be good to go… and that’s exactly what happened. We all got together, knocked out a tight rehearsal in my studio and got it together for showtime the following day.
Soundcheck at Blues Alley was at 4:30p… I was so hyped up, I was aiming to be at the spot at 4pm just so I could get there, load in, find a decent parking space (like most, I DESPISE parking in and around Georgetown) and properly prepare for our show. To begin with, I ALMOST walked out of the house without my freshly pressed black suit and shirts (one for the 8pm show and one for the 10pm). Next, the fact that it is always an adventure driving to the Georgetown area just added to the fun. My GPS got cussed out thoroughly for 1.) Leading me to a closed road, and 2.) Attempting to direct me down a one-way street… the WRONG way. My road rage was in the red by the time I pulled in to Blues Alley… But all existing anger took a backseat when I drove directly under this…….
*takes a deep breath*
*looks up at the sign again*
Well, they left off the “!”, but I’ll take it… At least they didn’t spell my name with a damn “e” at the end. Seeing that marquee put me right back on track on what I was there to be focused on… Putting on two helluva shows. I walked into the venue and saw that Sy had already been in there… Hell, she was probably just as pumped up as I was. As I set everything of mine up, Zach walked in. Our soundman, Melvin Prince wasn’t too far behind him. Sy came in not too long afterward and quickly set up her rig…….. while Biscuit, to no one’s surprise turned out to be the last man of the crew through the Blues Alley door. We hit a solid check and I walked up the block to 31st St. with Zach and Bis to get some kabob-e joojeh a/k/a chicken kabobs before the show. I wasn’t worried about any pre-show ‘itis” symptoms showing up as I was entirely too wound up. Sy and I were told by Frank Sheffield (the show’s booker and organizer) that the 8pm room was pretty much sold out. Upon hearing that news, I FELT like going downstairs and hopping on the mic with an enthusiastic, “I AM VERY HAPPY TO BE HERE!!” © Prince Akeem. …….But after evaluating that option a bit further, I decided against it and continued to get dressed for the first show.
The 8pm show began with Sy and I being led through the occupied tables of people in the dimly lit room via flashlight. We were introduced and jumped right into “Nights Over Egypt”. Normally, with a sit-down crowd you really don’t know what to expect, but this group of folks were VERY responsive and into what was happening on stage. There was one group right in front of me who I acknowledged during the show because they had no problem letting us know where they stood on things…
Sy: “I’m living in LA now”… Table up front: *SCREAM!! CHEER!!!!*
Sy: “Y’all know Zo is outta Detroit…” …Table up front: *SCREAM!! CHEER!!!!*
Me: “Weren’t y’all just yelling for LA? Maaan, y’all cheer for EVERYTHING!!”
They cheered for everything AND they knew every word to damn near every song we played too and THAT was dope. I can’t describe how great it feels to see folks come out to the shows who love being a part of what you love to do. Hats off to the “Table up front.” The second show was no different… Of course we were a bit more loose not only on the mic, but performance-wise as well and our 10pm crowd took to it extremely well. Overall, folks came out to have fun, party, and laugh with us – Even when we managed to crack a few jokes on some of their favorite artists. The fact that Blues Alley provided that baby grand on stage for us to utilize just made things even more interesting during out set. I took first crack at it during our performance of “Driving” and “Greater Than the Sun.” When it was Sy’s turn to tickle the baby grand ivories, I hopped on the bass guitar for her song “Stand Alone.” Most folks don’t even know that I play the bass… Well shit, there are still plenty who think I sing. So those types of “switch ups” are necessary sometimes on stage so that your people can literally see what you can do – plus, it’s always a nice change of pace within the set.
The love we received after both performances was unbelievable. The fact that we were praised by our elders who were in the crowd was a flattering experience and always is when it does happen. Both of us had family in the audience who ALL left with the widest of proud grins on their faces, which made the performances even that much more special. Sy AND I left the venue on much more of a high than when we both arrived for sound check. Shall I dare say that these two shows surpassed our Atlanta show as our best yet? ….Why yes I shall.