I Do Miss Making A Difference… (Part One)

On the bass about to play along with some of my students during a school assembly… (2007)

In order for me to even begin addressing this part of my life properly, I have to flash all the way back to the summer of 2005 to a spot in Washington D.C. called Cada Vez. I was invited to Common’s listening party for Be, which I thought was dope because at the time I wanted to hear what he had to say about this new and upcoming album that was supposed to “bring old Common back” or “bring hip hop back” or whateverthehell…. I can’t remember which one it was supposed to do, but you know how that silliness goes with music. Anyway, I ended up meeting more than a few D.C. kats there, including Raheem DeVaughn and an emcee who I was already very familiar with as I listened to his music while in college… Asheru. We met and immediately landed on the same page after we started conversing about music, in general – then, for whatever reason he asked me out of the clear blue sky, “Man, you ever thought about teaching?” I probably took an awkward pause as the thought of teaching had never entered my mind…. like at ALL. EVER. In LIFE. I think I responded with… “Naaaaaaaaaaah maaaaan…” or “Ehhhhhh, I’m good on that.”  …Or something similar as I had friends who were teachers and NONE of the stories they used to share with me from the classroom were positive. We exchanged information anyway and said that we would keep in touch, particularly since I was planning to move east anyway.

…Fast forward to April of 2006. I had been in Maryland for only two months and was working sales at a gym in Gaithersburg, MD and hating every last minute of it. I quickly got connected with a kat named Omar Hunter who was looking for a keyboardist to play at this weekly joint he had over in NE D.C., a spot called Roses Dream. I soon found out that Omar was tight with Asheru… As a matter of fact, O had just started teaching at the school Asheru was Director of Arts and Education at… AND the two of them were in a group called The ELs – pretty small world. Once the dots were connected on how everyone was affiliated, the two of them damn near started a “Free Zo! (from his wack ass gym job)” campaign to get me working at the school. At that point, I wasn’t caring about the fact that I had zero teaching experience whatsoever. I also could have cared less about the fact that this Level 5 Special Education school was basically the step between a daily educational setting and a correctional facility for most of the kids who were attending – I just wanted OUT of that damn gym. Finally in June, Asheru set up an interview for me at the school… I suited up, went in and got the job, no problem. I would have LIKED to have thought that it was my “accomplished musician with a few credits under my belt” credentials that earned me the teaching position…………………… But uhhhh…. It was pretty much the fact that I knew Asheru. So it goes, so it goes… Regardless, I was all set up to start at the top of the summer semester which began July 5, 2006. One of the craziest things was, I’ve never really been nervous performing in front of large crowds of people before, but I’d have to say I was a bit nervous having to try and teach classes and hold the attention of 5-10 kids (per class) whom I’ve never met or seen before… Oh, did I mention that they were all diagnosed with either ED, LD, ADD, ADHD, ODD, MR, OHI or a combination of a few on that list?

“CHALLLOOOOOOONNNGGE!!!!” © Howard “Sandman” Sims

The dope part about the position was that Omar and I were set-up in the same class – a co-teaching situation. He had a semester’s worth of experience under his belt at the school already and many of the older kids either knew him or knew of him, so that was my open door to step through. We set each class up as a band. Different kids would play different instruments. We had a couple of keyboards, 4-5 guitars and eventually a bass guitar and a drum set. A good number of the kids took to it because hell, who doesn’t like music?! The fact that they were able to play music they were familiar with was usually the icing on the cake. We found that teaching theory to a high school kid with “oppositional defiant disorder” through music originally crafted by The Roots, Jay-Z, and The Isley Brothers, for example, worked much more effectively than passing along the “traditional” training that I received and hated as I was growing up. We had these kids playing together at every talent show, assembly, and school program there was and they took great pride in their performances. Their personal appearance at these shows was just as important as how they sounded. The kids usually agreed to coordinate colors as a group so that they would look like an actual “band” and we encouraged them to do so – it made them feel as though they were a part of something important. With the “new educator”  energy that we brought into the classroom everyday, we also felt personally responsible for not only their performances, but the therapeutic impacts the music was having on them as the music training served as a natural confidence builder for most of the kids. Matter of fact, I’ll just show you what I’m talking about. Here’s a peek at one of my classes from Spring Semester 2008 playing a pretty common R&B chord progression that I taught them… They learned it, practiced it as a class and put their own spin on it.

Ok, let me explain something to y’all, music is powerful… Let me say this again…….. MUSIC. IS. POWERFUL. It is so intensely powerful that it can become life-altering or even serve as a soundtrack to a major change in one’s life – I have seen it occur in many instances with the kids I taught. The same kids who had been kicked out of their neighborhood schools, abandoned by their families, in and out of juvenile facilities and/or jail, always performed at the bottom of their class, been told, “you ain’t worth shit” most of their lives are usually the ones who latch on to music the tightest. Why? Because when that kid finds something they are actually good, or in some cases great at… It will become something they almost obsess over. For example, Omar and I had a student who in his 8th grade year would run the hallways with his boys skipping classes, terrorizing other classes, and leaving school altogether… DAILY. Omar, who as I stated earlier was teaching at the school a semester before me ended up landing him in the music class he was assisting with and put a guitar in this child’s hands. Now, the one thing that was guaranteed to happen at that school on a daily basis was one word: unpredictability. No matter how much a kid said they loved music, or how badly they felt they wanted to be in your class and play <insert instrument of choice here>, the moment of truth came when they physically got on the instrument and started to mess around on it. The kid would either get frustrated and quit right on the spot, or stick it out and continue to work through the early difficulties of learning a new instrument. Well, this particular student caught on quickly by learning his notes and chord placement well before his classmates and even had a fairly nice tone when he played. Needless to say that after a few weeks, the child was hooked. As a music instructor, you know that the ones who are really serious about their instrument are the ones who make the effort to get access to that instrument in order to put in some time to play and practice it home – That’s exactly what this student did. One day, he walked into school with a brand new guitar and gig bag strapped to his back complete with a pair of sunglasses…You couldn’t tell him a THING that day. He told us that when he would get home from school, he would practice the guitar most of the evening and into the night. The results were very telling. Outside of the obvious fact that he became the top guitar player in the entire school, you also didn’t see him running the hallways as often. His grades began to improve slightly as did his overall classroom attendance. Later on, he even gave himself a “guitar influenced” stage name/nickname… The instrument and his newfound talent provided an unlimited amount of confidence that carried over into other aspects of his life and it was such a beautiful thing to witness. It assisted in his overall growth as a young man including coping skills and social abilities. He ended up graduating from high school and enrolling in college and now takes classes at a university in D.C. To this day, he and I continue to keep in touch as he is kid who I want to see WIN.

My students were even making a few waves outside of the classroom for what they were doing in it. One afternoon, I taught one of my classes the music to “Break You Off” by The Roots. After a day or two of practicing the piece, I let them know that I would be bringing my video camera in to record them in action as they loved when I had my camera on me – it let them know that they were improving, or at least good enough as a class to be recorded and posted on up on YouTube. Well, we worked out and agreed upon an intro arrangement and on the first take, they nailed it. I edited the footage and posted it up online and emailed the link to each student in the class (including a parent of one of the students who couldn’t believe that he was even sitting down in class long enough to learn an instrument). I then hopped on Twitter and sent a link in a DM to The Roots’ drummer and internationally known musical director, Ahmir “Questlove” Thompson letting him know that my class is playing his group’s song… and playing it WELL. He in turn, tweeted this to his 1 million+ followers…

The link he tweeted directed everyone to check this video…

…I saw the tweet, hit the “Favorite” button and took a screenshot so that the kids could see it too. The following day as I saw each of them throughout the day, I told them, “I have a surprise for y’all when you get to class today.” When 6th period came, I told them all to come around my desk where the computer was located so that I could show them what I had been talking about all day. Now, they pretty much knew who The Roots were just through song recognition. About half of the class knew who Questlove was, so I went into what his exact role was in the group as well as other places they may have seen him (i.e. Dave Chappelle’s Block Party , Late Night With Jimmy Kimmel, various award shows, etc). And I finally showed them the tweet he sent out about them…. They all stared at the tweet on the computer screen…..looked at each other and let out a collective,

“OOOHHHHHHHHHH!!!!!!!!!!!!”

I got hit with about 15-17, “OH, that’s VICIOUS, young!!”‘s and “He KNOW who we are, we’re famous!!!” They were hyped up for the remainder of the day off of that recognition. Very rarely had I ever seen my students get that excited about something positive. That class remained one of the most collectively talented and enthusiastic groups I taught…. They were only rivaled a couple years later by a 5th period class I had of all 9th graders who couldn’t WAIT until their lunch period was over to come into the classroom and start playing. Were they rowdy as all hell?… Yes. Did they get on my nerves……AND each other’s nerves constantly? Yes. But they certainly had a drive to improve that I hadn’t seen from any other class that I had ever taught especially since they were all first-time players. The bass player from that class ended up convincing his father to purchase a bass guitar and amp so that he could practice at home. The kid came in a couple of weeks later sounding like a completely different person on that instrument, the improvement was incredible. He was another one who walked into class carrying a bass guitar case on his back with newly found confidence that was through the roof. He would stop by my classroom early in the day to drop his instrument off because he didn’t trust that his classmates could keep their damaging hands off of it. Maaaan, the bright spots in the classroom sometimes felt few and far between, but they shined brightly once shown – YET it’s always the arts they want to cut from education first when money gets tight. Go figure…

Studio Campfire Stories: “Let It Go” (feat. Nicholas Ryan Gant)

I can remember being reintroduced to the original song by Pages back in the summer of 2009 when Questlove tweeted it one day saying that he currently had the joint on repeat. From there, hell… I had it on repeat. The joint is yet ANOTHER reason why I could give a damn about a “genre.” Because if you look at a picture of Pages, there’s no way you would think that they created the many soul-infused gems that they did. But I remember tweeting Questlove back and my man DJ Brainchild catching what I wrote and letting me know to check their albums out as well… So I ended up grabbing three of their albums including their self-titled joint that was released in 1978. Fast forward to 2011 to yet another phone conversation between Phonte and I where we were discussing song ideas… “Let It Go” came up. My first response came in the form of words spoken by the legendary Negro Physician, Dr. Dre, “HEY-ELL yeeeah.” 

As a listener, I felt it was gonna be VERY important to try and recapture the warmth of that 70’s recorded instrumentation from the original record. I could tell that the updating was going to begin with the drums… So once again, I started recording and programming the drums first, along with a live hi-hat and a cabasa pattern that mimicked the “Zimba-Ku” drum break. Once I heard the drums fully recorded, I couldn’t WAIT to lay the rest of the song. (I actually video recorded myself laying down the live bass on the record, which I’ll be sure to post later on…) The keys were the hardest to pick up on because I couldn’t hear them too well in certain places, Pages’ mix had those chords tucked real well in some spots. The FUN parts were the synth solos, particularly in the middle of the song where it breaks down… there are a few layering techniques I used to manipulate it sonically to where it is now. It was one of those solos where if I messed up while recording it, I wasn’t mad because it was fun as hell to play anyway!

Of course once the music was finished, we had to figure out who was going to sing in this high ass register provided to us by the Pages brothers… especially those hooks! At first we thought of two vocalists, one to sing the verses and the other to sing the hooks… but one of the vocalists we were going to ask to do it was on extended vocal rest. To make sure he remained healthy and continued to improve, Phonte brought up Nicholas Ryan Gant. Now, I met Nicholas right around the time I moved out to Maryland in 2006 as he was singing background for Muhsinah. The thing is, I didn’t realize how extremely vocally talented he was until maybe last year when he came on stage with us as The Foreign Exchange was performing “Maybe She’ll Dream Of Me” in NYC at BB King’s in October. Man look…. I don’t even think Nicholas understands how talented Nicholas is. He was killin’ on stage… We exchanged numbers very soon after that impromptu performance. lol Needless to say, when Phonte brought him up… I was all for it. He sent Nicholas the music and we waited…. In the meantime, Phonte hit me up with the “check your email” text… UH oh. I checked the joint…. and Tay has laid some background vocals on it, now the song is slowly starting to come to life. The part that was getting me was “Let cha!! …Love GO!!”  ……”Whoa-whooooa …whoaaaaawhooaaoooooo!!” I was like, “YO!! This shit is CRAZY!” With all that going on, I still wasn’t quite prepared for what was sent to me about one week later. When I finally got the demoed full vocal version from Nicholas,  I was sitting in my classroom at the end of the school day and was forced to grab some student headphones to plug into my phone just so I was able listen right then and there. When I heard all of what was going on vocally, my only response was, “The hell is this kat DOING?! …..DAMN!! (followed by an additional array of colorful curse words and phrases)” The harmonies were on point, the dude’s runs were precise and not overdone and the original was still in tact. I called Phonte after about three listens and didn’t say much at all.  Phonte responds to me by saying, “Man, he bodied that shit…” Uhh… Yeah, I agree. I actually sat in the studio and soloed a couple parts of his vocals so I could appreciate all of what he did to the song. There’s actually one vocal part that I didn’t even catch until later… The top of the third verse, listen closely to what happens… “There’s no need to explaaaaa-aaaaaa-aaaaa-aaaaaaain…” Nicholas takes the word “explain” and proceeds to drop the note  three times… I didn’t catch it for a month. It may not be a big deal to him or to other kats who can “saing”… But I tried it (while alone, of course), and I sounded like an idiot…. The brotha is talented and I’m glad he got down and did his thing on the album as there aren’t many who can do what he does. 


Sidenote: This was the first song completed for the album…


Download …just visiting three for FREE here

Questlove Takes ‘…just visiting too’ and Passes it Around

I REALLY planned on going to sleep last night at a decent hour (for me, that means before 1am). BUT, I just happened to be wrapping it up on Twitter at about 12:30… and saw a tweet from the brotha Questlove on my timeline that said:

meet Zo @Zo3hree5ive, your favortistist producer. the evidence?http://www.theforeignexchan…!-just_visiting_too.zip
12:40 AM Nov 4th from web

So I’m looking like, ‘Maaaaan, that’s dope! He just shouted me out along with the album…’ But then, it was brought to my attention by a friend of mine that the link he gave out was messed up and didn’t work… DAMMIT (little did I know, this was probably the best thing that could have happened). I sent him a DM (direct message on Twitter)… thanked him for the shout and provided a working link. The next thing I know, not only did he retweet it… but ended up passing the link to individuals making sure they downloaded the album and listened for themselves…

?uest sent the JV2 album link that I sent him to about 14 individuals to begin with…

And even started ‘introducing’ me to a couple of his people…

 

He apparently was hit up by a few people who wanted him to do the same for them… lol

 

Finally shutting it down…

 

A few folks responded…

 

Teedra Moses – music lovers get involved with @zo3hree5ive extremely refreshing music (MUSIC!!!!!!)

@Zo3hree5ive @questlove blessed me with ur beautiful music… just wanted 2 let u kno i luv it…

@questlove i kno im sooo L8…. but thanx 4 that refreshment u sent. GOD… that blessed my ears, heart n soul

 

Jody Watley – @questlove Downloading now. Really digging them, heavy rotation with me..I wanna do bv’s (background vocals) on next one! Thx

 

Bevy Smith – @questlove What a lovely soundtrack 2 wake up 2, thanks for hipping me (I’m 43,I can say hipping)! @Zo3hree5ive divine music, merci baby!

@questlove since you’re probably sleep or having a morning dalliance I googled Zo! He’s giving me Roy Hargrove &amp; “Babies Making Babies” HINT

 

Rachel True – Super groovy, wanna hear more!!! why would i doubt @questlove &amp; countless others!

Stephen Hill – @questlove || appreciate this, my MJ shirt partner!! love good listening!

 

Huge shouts to Questlove once again… He didn’t even have to do this…. but he DID.

Questlove Shows My 6th Period Class Some Love…

This past Friday, I promised my students in the 6th period class that I would take my video camera in if they proved to me on Thursday that they were ready to present some music. On Thursday, we practiced and practiced some more… and they sounded GOOD. So, in keeping my word, I took the camera in the next day (mind you, when I saw them throughout the day they bugged the HELL outta me from the time I arrived until class time – “Did you bring the camera today? Did you bring it?!!?”… YES dammit! LOL). 6th period finally came, I got a good take of them introducing and performing The Roots’ joint “Break You Off” per THEIR request (how ’bout that?). I took the footage home, edited it, and put it up on YouTube Sunday night and tweeted about it. A few folks checked it out, a few others replied and gave the kids their props…

 

 

 

Sunday night, I also decided to DM a link to brother Questlove via Twitter. I figured, if he saw it and said nothing at all… At least he would appreciate what these kids wanted to play, while sounding pretty good actually playing it. Low and behold, Monday night I’m on Twitter and I read via ?uestlove tweet…

now THIS RIGHT HERE?!! is why i don’t mind 18 hour days http://bit.ly/2nOcGF thank you @zo3hree5ive

Yep, it was a link to my students’ video.

I took a screenshot of the tweet and emailed it to myself so I could show the class on Tuesday (I needed a picture because, they wouldn’t have believed me otherwise). When I saw the kids throughout the day, I kept telling them, “Make sure you’re in class today, I’ve got a surprise for y’all.”

Once the class came in, I had them gather around the computer and I asked them if they knew who ?uestlove is – half of um did…pretty good for a group of 16 and 17 year olds in my book. Once I explained that he was the drummer for The Roots (and damn near everybody else), I told them, “Well, he showed y’all some love on Twitter last night.”

Of course then the question became, “How YOU know?!”

So I double clicked the .jpg screenshot of the tweet that he put up…

 

The entire class in unison…. “OHHHHHHHHHHH!!!!!!!!!!!!!!……..”

Questlove Talks About the “Purple Flip” joint…

As y’all may know from the last post, the brotha Ahmir Thompson a/k/a Questlove, the drummer from the Legendary Roots Crew programmed the drums on the “Purple Flip” joint that was leaked yesterday. Well here is what he had to say about the song itself…

Questlove/The Foreign Exchange/Zo!/Carlitta Durand EXCLUSIVE!

Let’s get down to business immediately… I want to drop something new on y’all today. The night before our vacation to Bermuda a couple weeks ago, Phonte hit me up at about 1am and passed me this joint to play on. He was telling me that Questlove had flipped Prince’s “Take Me With You” and that he and Carlitta Durand also did their own take on the lyrics…. Dope. I sent my parts back, Nicolay finished it up while we were gone and now we have a 5-person collaborative effort in tribute to the living legend himself….

PURPLE FLIP [right click and save to download MP3 file]


Ahmir “?uestlove” Thompson– Drums, Samples

Nicolay– Fender Rhodes, acoustic piano

Zo!– Moog synth, additional rhodes

Phonte and Carlitta Durand– Vocals

This is the first in a series of random goodies that we will be periodically dropping off in your mailboxes. (Who loves ya, baby?)

We recorded this over a month ago specifically for a ?uestlove tribute party dedicated to The Purple One himself. Other than passing it off to a few DJ friends who vowed to keep it on some secret squirrel, “bet you aint up on THIS!” status, no one has ever heard it. In the wake of the incredible loss we suffered on June 25 however, this joint took on somewhat of a deeper meaning.

We decided to share it with our fans not only as a token of appreciation, but also as a way of paying respect to one of our last living musical geniuses.

Let’s not wait until tragedy strikes before we show love and gratitude to our heroes, people. Give them their flowers while they live.

This one’s for you, Mr. Nelson. You are loved and appreciated.

Enjoy!

One Love,

‘Tay and Nic

Enjoy this one!…