Zo! – “We Are On The Move” featuring Eric Roberson and Phonte (OFFICIAL MUSIC VIDEO)

There are only two rules I have for watching this new video:
1. Leave your cool at the door…
2. HAVE SOME FUN.

The day before this video shoot, I was catching up with Eric Roberson in the car where we had the heat blasting as it was cold as shit outside (of course with today’s ‘Polar Vortex’, it probably seems like nothing now). Anyway, as we were talking… almost in mid-sentence Erro stops and said, “Hol’lup, we’re shooting (the video) outside tomorrow?” …To which I responded, “Yeah.” It was supposed to be 30-35 degrees (F) in the morning and top off at about 40 in the afternoon. We all met up at around 7:30a the next morning, threw a couple of dance moves together, looked at each other like, “It’s cold as hell, but we’re out here… Let’s have some damn fun.” And that is EXACTLY what happened…. Enjoy!!!

Zo! “We Are On The Move” featuring Eric Roberson & Phonte (OFFICIAL VIDEO)
Directed by: Kenneth Price

Purchase ManMade HERE • Or on iTunes

Eric Roberson, Darion Alexander, Phonte, and I on set in NC (Dec. 2013)

Eric Roberson, Darion Alexander, Phonte, and I on set in NC (Dec. 2013)

2013 In Pictures

With 2013 being the most successful year in my music career, it’s only right that I share the pictures that documented it. Looking back, I released my newest album, ManMade, and had the pleasure of visiting Brooklyn, Baltimore, D.C., Chicago, Richmond, Philly, Pittsburgh, LA, Tucson, Detroit, Vegas, Seattle, Austin, Durham, Atlanta, Charlotte, San Diego, Houston, Dallas, St. Louis, Indianapolis, and Cleveland in support of it – I was even asked to perform on the eight-day Capital Jazz Cruise at the beginning of November. I contributed to the new The Foreign Exchange album Love In Flying Colors with “Listen To The Rain,” and The Reworks with a remix for Phonte’s “Gonna Be A Beautiful Night”. I hung out with Bobbito and Crazy Legs of Rock Steady in NYC, began endorsing Lewitt Audio, released an ode to Sesame Street in the form of the “Count To Five” video, was the subject of my FIRST documentary, and even had a day named after me in Las Vegas.

Things to look out for in 2014…
• Making the music for Black Dynamite – The Animated Series (Season 2) with Fatin “10” Horton
• My very first trip to South Africa with The Foreign Exchange at the end of March + a world tour with +FE
• A brand new single + video from ManMade + more solo dates
• New, original music… Including a collaborative EP with…………………………

…….anyway, thank you, 2013… Here’s to one helluva productive and positive new year in 2014. Cheers!!

My Capital Jazz Super Cruise VII Experience… 2013

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Waiting at Delta’s ticketing desk at 3:30a… (Nov 2, 2013)

On November 2, 2013, I was picked up by a SuperShuttle van at 2:30am and given a ride to DC’s National Airport arriving at Delta’s ticketing area maybe an hour or so later (after picking up other passengers) – barely awake as the desk hadn’t even open yet. I had a 6am flight to Ft. Lauderdale, FL (connecting in ATL) and the ONLY thing I wanted to do was board the plane and fall asleep. Back in July while the ManMade Tour was in full swing and momentum was building from the release of the new album, I was asked to perform on the 7th annual Capital Jazz Super Cruise. The invitation felt so unbelievable, particularly after I learned about the large pool of artists that I would be included in – Charlie Wilson, Anthony Hamilton, Stephanie Mills, Average White Band, Larry Graham… *record scratch* Wait a minute….. like, Sly and Family Stone LARRY GRAHAM??!? Come on nah!! I’m not sure that “honored” is a strong enough word… So on these flights to Florida, I had NO idea what to expect… none whatsoever. As far as solo performances are concerned, this would probably go down as my most major performance to date, but I wasn’t nervous…. more anxious to see how the next eight days would unfold.

I arrived at Ft. Lauderdale’s airport solo as hell. No manager, no assistant… just me, my backpack and roller bag of merch to sell. The very first thing I learned upon arriving to Florida was to make it known to the staff that you are an artist. Maaaaan, I got my luggage from baggage claim and the next thing I knew, my solo ass was being directed to the wrong shuttle (to the ship). Meanwhile, I learned that the artist’s shuttle had left me in the dust….Well damn. That kinda started off on the wrong page. Eventually, I got things straightened out and was given a ride to the ship where I checked in, got my stateroom key, and got on board. I took my things to my room and made absolutely sure to get in contact with ALL vocalists involved in my performance so that we would all be on the same page with everything while we were still docked and could communicate via texting …for FREE. The second thing I learned was… Man, there were a LOT of folks on that damn ship!! I walked up to the 3rd Deck, which served as the main “lobby” area and watched as everyone got on board all excited and ready to party for a week. This is where I caught up to Deborah Bond, DJ Frances Jaye who was spinning in the lobby area and announcing the artists as we walked through, Jarrard Anthony, and the majority of my D.C. kats who played in the house band. After years of being a fan, I finally met Rahsaan Patterson and ran into trumbonist, Jeff Bradshaw. That’s when it started to hit me… Not only is this cruise a music fan’s dream, but there’s a nice musician community on this mug. The entire week I was pretty much on my toes and checking for familiar faces of folks I had either met before, or of those I had simply seen on TV. Before setting sail, I made sure to text and get the room numbers of all the vocalists that would be involved in my performance the next night (Deborah, Jarrard, Chantae Cann, and Eric Roberson) because once we hit the land of ‘roaming’, I knew most peoples’ cell phones would be turned OFF. I was also told that the house band would be rehearsing with Chantae for her own set later on that evening, so I decided to hit that up before checking out the ship’s main restaurant. NOW…. I had to have a pep talk with myself before I got on there, which went something like… PACE. YOUR. GREEDY. ASS. SELF. ON. THE. FOOD. It’s eight days of unlimited whateverthehell, WHENeverthehell. When it comes to food and eating…. I will admit, I have issues…PLENTY… and have for a long time. SO, I had to make it a point to hit the ship’s GYM on a regular basis too. Throughout the week, I would hit the restaurant for a good meal, or the dinner buffet and then hit the gym for a half hour on the elliptical to uhhh…”break even”. What kind of professional fat boy shit is that? …….Well, that was the cruise routine I chose to make me feel less guilty about eating everything under the sun, so there it is. …..The bright side? At least I was working out – which brings me to the third thing I learned. You wanna get to a quiet place on a cruise other than your room?…… Hit that gym up. I would be in that mug working out with the staff.

Anyway, enough about my struggles with fatassedness… My performance date was set for the following day, Sunday November 3rd in what was called the “Underground Lounge” at the International Lounge venue on the ship. It was myself and D.C.’s own, Maimouna Youseff performing at the same show right after Rahsaan Patterson’s two shows. Word. UP. Being as though I wasn’t traveling the same day as the show, I decided to use my time during the day to do something I never do while I’m at home…….. REST and GET SLEEP. Why? Our show BEGAN at 12:30a and I was told that I would be going on last, which meant my set wouldn’t start until about 1:30a or so. Rest is what I needed and dammit… Rest is what I got. When I woke up, I found out that for some reason our soundcheck was canceled…………………

“UH ohhh…” © Carl Lewis

Ok. Well, that’s not really the news I necessarily wanted to wake up to but you learn to expect these things while on the road and then adjust accordingly. In this case, we were gonna have to go in on this set off of what we rehearsed in D.C. four days prior and the vocalists were gonna have to trust us with the music because we had not gotten to run ANY songs with them. With all that said, I got myself prepared for the show that I had anticipated playing for 4-5 months.

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By the time 12:30a came, the ship was rocking…. No, like literally rocking back and forth that night. Maimouna came out and put on a helluva show, which I thoroughly enjoyed. It was my first time seeing her perform and she certainly set a high standard for me to follow. Once it was my turn, we started high energy out of the gate with Deborah singing “The Train” and then “Count To Five”. Most artists will tell you that while we’re on stage there are usually at least few people in the crowd that we channel energy from because they’re either dancing the hardest, know all of the words, etc… Whatever it is, we look to them the most during a show. Well, in this case the person who I saw in the crowd who was rocking the hardest and knew the words?? …Chrisette Michele. She and her people sat at a table right in the middle of the venue and were going in with us the ENTIRE show – it was definitely a treat to see that. Being as though there was so much talent on the ship …..better yet, so much talent that I had worked with on the ship, my show became almost a game of “vocalist musical chairs.” I had a ball bringing up talented cats such as Jarrard Anthony to sing “New In Town (Happy)” with Deborah, and ole saingin’ ass Chantae Cann to do “All Is Well Is Love” as well as my brother Eric Roberson to do “This Could Be the Night” AND “We Are On the Move”. Then to be able to have them ALL come back up on stage together and sing on “Flight Of the Blackbyrd” to close the show out??! Epic music moment in my performance career.  ….and this was only day number TWO.

Eric Roberson, me & my stank face that made a few appearances during the show.

Eric Roberson, me and my stank face that apparently made a few appearances during the show.

I woke up Monday morning and opened the curtain of my Deck 1 stateroom to a small ferry full of people from the cruise right outside my window waiting to ride over to Half Moon Cay, Bahamas from where we docked…. To be honest, I was just glad I had all of my clothes on or else my nekkid ass may have ended up floating down someone’s Twitter feed that week. I didn’t get off of the ship that day to check out the island, all of my energy was still being occupied by the show the previous night – not to mention the fact that we all hung out afterward until about 4 or 5am. But the next day, I got back up with most of the band and we stepped off of the ship to check out the Dominican Republic for a hot second. We ran into comedian Michael Colyar at the gift shop and when we spoke to him and took our picture, he hit me with… “Oh, the bald guy wants a picture!!” …To which I responded, “But you were at my show on Sunday.” Silliness all the way around, he was cool as hell. I actually think I saw him around the ship all week more than any of the other performers. He was out and about quite a bit.

Me with Michael Coylar

With Michael Coylar

So we got back on the ship and met up on the 3rd floor in the lobby for a nice mid-day drink. Now, the thing I like about cruise bartenders is that they tend to be pretty heavy handed. When I got up to the lobby, the band was finishing up these drinks that were blue… so I walked up talking shit, “What are these ole weak ass lookin’ drainks?” They were ALL like, “Nah, you need one of these!” …I hit the bartender with the, “Let me get whatever you made for them.” He nodded as if to say, “You really don’t know what the hell you’ve just got yourself into.” Needless to say, no more than 10 minutes after receiving this blue draink of fury, I was feeling pret-ty damn alright on that there cruise… The next thing I knew, we looked up and almost did a double-take as Larry Graham was just casually walking through the lobby. I was in straight “fan” mode as I walked up and asked to take a picture with him. It’s definitely not everyday that you’re in the presence of living legends… Hell, we all got pics with him.

Me and Larry Graham

With Larry Graham

One night after catching a late show at the ship’s the main stage, I decided to be greedy and go see what was up on the 9th Deck where the all-night buffets were. I was casually walking through and glanced to the right of me and it was none other than who I thought was Master Gee of the Sugarhill Gang…. I say that I thought it was him because I never saw them listed on the roster of artists. I found out later that they were billed as ‘surprise guests’ so it kinda threw me off to even see him on the boat. After I got my food and walked back through I saw he was still sitting there, this time with Hen Dog (one of their new members). I stopped to speak to both of them and salute one of hip-hop’s groundbreakers. Then next thing I knew, we were conversing for a little while, it was dope. But that’s how the cruise went – a bunch of legendary folks and kats we grew up listening to just casually walking around, lounging and humbly having a great time like the rest of us. Gee was real cool and I gained even more respect for him after meeting and talking with him… A couple of days later, I ended up meeting the other original Sugarhill member, Wonder Mike while having breakfast. As a matter of fact, another morning at breakfast I got up to grab some juice… walked through the door to where I could get a refill and heard someone say, “What’s up ole strong brotha?” …..At first I thought it was one of the band members trying to light me up real quick because the shirt I had on just to walk around the ship and eventually workout was kinda young. NOPE, I turned around to look and it was damn comedian, Bruce Bruce. He was obviously sitting in a strategic spot in the cafeteria where he could pretty much blast on any and everybody who walked through that door – I know about this, I do the same thing, so I had to laugh. I walked over to him, gave him a pound and told him I was a fan.

Cruise Sunset

Sunset after leaving Aruba

Perhaps the best performance I saw on the cruise was by none other than “Unkuh Chaa-lee” better known as Charlie Wilson. He played his set outdoors on the 9th deck as we were leaving the island of Curaçao – very dope setup. I caught a workout before hanging a couple hours before with Biscuit Bynum (drummer) and Dre King (keyboardist/house band Music) to check out his soundcheck and more importantly to lock in a solid spot to actually see the show as folks were starting to gather earrrrrrrrly to see one of the cruise’s main attractions. To see grown ass folks bickering over seats and attempt to create their own seating situation was pretty hilarious, to say the absolute least. But folks finally settled in and partied hard as Charlie and his band put on a helluva show. Now the fun part was AFTER the show when the entire house band from the Underground Lounge met up and we were getting chastised by Charlie Wilson fans because we were intentionally messing up the lyrics to, “First name, Charlie…. Last name, Wilson.” WE were singing……..

“First name, Chaaaaarlie….. Last name, Wiiiilkins!”
“First name, Chaaaaarlie….. Last name, Wiiiiilliams!”
“First name, Chaaaaarlie….. Last name, Wiiiiinans!!”

Folks walking by us were mad as hell… We’d hear, “YOU don’t even know his name!!” and “That’s a SHAME. It’s Chah-leh WILSON!” Angry asses… Talk about late night comedy at its finest.

I wrapped up the cruise by participating in a two-hour Soul Music panel along with Chantae, Ty Causey, Pete Belasco, Jeff Bradshaw, and Baltimore’s own, J. Soul. It was kinda dope to see all of us huddled up after the event in order get each other’s contacts. Overall, I had a ball on the cruise and walked off of there with plenty of new contacts, a few new friends, and a whole helluva lot of new stories. I got to check out shows by Incognito, Anthony Hamilton, Eric Roberson, Chantae Cann, Jarrard Anthony, J. Soul, Pete Belasco, Chrisette Michele, Average White Band, Charlie Wilson, Phil Perry for de FREE??!?! Count me ALL the way in for future cruises.

Cruise Cake

‘ManMade’ is #8 on Nu-Soul Magazine’s “Top 13 Nu-Soul Albums of 2013”

ManMade

The sophomore release from multi-instrumentalist Zo! (of the Foreign Exchange fame) was everything we have come to love about the talented artist. Classy, head nodding soul music with some of the best singers in the game including Sy Smith, Choklate, Eric Roberson and more, Manmade was a master class in modern R&B/soul.

READ FULL ARTICLE

+FE Music Is For the Children…

Sent to me last night from @missmalumo from South Africa… This is her niece Zawadi Lalah who has decided to pick up her pink microphone, introduce herself, groove to the intro music some and then sing the first 7-8 bars of “We Are On The Move”….

Maybe I need to consider having Zawadi on the next album…. I love it!!

The 2013 SoulTracks Readers’ Choice Awards Finalists Announced!!

2013 SoulTracks Readers Choice Logo

The 2013 SoulTracks Readers’ Choice Awards finalists were announced the other night and it looks like I made the list in two categories…

Independent Album Of The Year
Zo! – ManMade

and

Song Of The Year
Zo! featuring Eric Roberson – “We Are On The Move”

Make sure you click here to subscribe and VOTE between October 18th and 30th of 2013. The winners will be announced via international broadcast on December 9th. Let’s make it happen! Thanks y’all…

Studio Campfire Stories: ‘ManMade’ Edition – “We Are On The Move” (feat. Eric Roberson, Gwen Bunn & Sy Smith)

Eric-Roberson-575-2011

Those who know me and my preferred musical tastes are fully aware of how much love the music catalog of the great Leon Sylvers III. As a kid, there were two albums that I would run REPEATEDLY… Shalamar’s “Three For Love” and “Friends” where Mr. Sylvers was the producer on both. Matter of fact, I used to love anything on that Solar Records label ….Why? Because not only was there some great music being released through them, but I used to get a kick out of how dope the vinyl label looked as it was spinning around on the turntable. That alone would fascinate me for at least a song or two… Once I got older, picked up the bass guitar and revisited some of these songs that I grew up with I noticed that the basslines within Leon Sylvers’ production work were pretty challenging. The bass is so noticeable that instead of playing a supportive role, it’s damn near carrying the entire tune. When I found out that he was also the one playing these lines?!… I got SUPER inspired. So much so that his work was added to my “go to” list in regards to shedding on the bass (Jamerson’s work, some disco jams, and various mid and up-tempo 70’s/80’s songs are my other “go tos”). So one day I was messing around on the bass and kinda thought to myself, “I don’t even have an uptempo ‘jheri curl jam’ in my catalog… It would at least be FUN to try and construct one.”

“We Are On The Move” began on the bass… It was actually the only song on ManMade that I wrote on the bass guitar. I wanted the bassline to move, be playful….but remain funky – I wanted it to “carry” the record. A good number of uptempo records from the late 70’s/early 80’s have very memorable basslines and I wanted this one to be no different… PLUS, I’d be lying if I said I didn’t want to show off my bass playing a little bit. A lot of folks aren’t aware that I play anything outside of the keys. ……Soooooo with that being said, I wanted to make sure to add in a guitar part in there as well. What it ended up becoming was 30 seconds of me playing two instruments that most of my listeners don’t even know I play… bass and guitar. Once the keys roll up into the first chord, that’s a clear indication of jheri curl juice beginning to be flung freely from that “yellow bottle” saturated moistness of a hairdo a/k/a …the official start of the party.

The original instrumental for this joint was titled “Eighty Three” as in the year 1983 for obvious reasons. The music for the joint literally took me back to that particular era. I can remember playing this one for everybody in The Foreign Exchange live collective at my house the night before we hit the Capital Jazz Fest stage last year and from their reactions to the just the music, I could tell that I had something pretty special on my hands. Once the crew and I returned hom from that early/mid June 2012 +FE run, Phonte and I got to work. Phonte was sent the instrumental and immediately sent me a vocal referenced version back. We had ideas…. We had HUGE ideas. And they seemed to come through for this one piece by piece….

First of all, I think I let out a clear, “OH SHIT!!” when I heard Gwen Bunn hit that “Get ready!!” on the hook because I didn’t tell Phonte exactly where I pulled inspiration from to create the music, yet he wrote an almost Shalamar-inspired hook for it providing me with further evidence as to why we work so well in that studio. We had a couple of challenges in getting a lead vocalist, that is until we turned to the brotha Eric Roberson. Now as busy as Erro remains with EVERYTHING, he always seems to have time for our music and it’s a blessing to have a kat that talented in your corner – especially since I was a fan of his before we started working together. Now he has appeared on my last THREE albums (ManMade, …just visiting three & SunStorm). Phonte hit Erro up with the reference and he turned it around in less than a week… I mean, the dude is a PROFESSIONAL and I love working with him for that very reason. He simply gets the music, walks in a studio, murders it, sends it back to you, and keeps it moving like nothing ever happened…. But right before the final lead vocal was done on it, Phonte said, “Ive got an idea for the ending… just give me a minute.” …..Ok, bet. Now, I admit I can be a bit impatient sometimes. So I created an ending of my own…. One that has a few percussion instruments on it and once the song is completely over, it breaks off into a SECOND part… and that was cool. But one morning at about 6am, I got one of those, “G MUTHAFUCKIN MAIL” texts from Phonte and I already KNEW what the deal was. I opened the email and there was a new version of the song. I played it through and didn’t notice anything different…..UNTIL

*chiiiiiimes* into……. *conga playing*

“Wait…… Hol’lup. Who?……. What the f…… YOOOOOOOOOOO!!!!!!!!!!”

Phonte had gotten Brevan Hampden to add some live percussion playing at the end of the song and it took on a whole new LIFE. I think I played that shit about 25 times in a row that morning. From there, I added a synth line and rhodes key chops at the very end of it so that the joint would in the words of Phonte, “go out in a blaze of glory”. We wanted the listener to be PARTYING by the end of the song. And then to hear Sy Smith, Erro and Phonte go back and forth as if all three of them are on stage together clowning out…. maaaaan, that was a treat for me. And when Erro says, “Come on, come ON, Come OWN, COME OWWWN!!!!” …That’s when the stage is set for a full out “dance as if you could give a damn about ANYthing else in your life right now.” Brotha was tryna bring some MJ to the table on this joint… We hear you brotha Erro, we hear you.

Purchase ManMade HERE • Or on iTunes

Zo! – ‘ManMade’ (2013) FULL Album Credits

ManMade

Zo!
ManMade
PURCHASE ALBUM
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-Listed at #3 on CentricTV’s Best R&B Albums of 2013-
“…the album maintains an easy elegance and never derails.”
-AllMusic.com

01. The Train featuring Sy Smith
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI)
Written by Sy Smith for Sybersong Publishing (ASCAP)
Vocals Recorded and Mixed by Grant “G-Nick” Nicholas
All Vocals by Sy Smith
All Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and Rumbo Studios, Winnetka, CA

02. Count To Five featuring Gwen Bunn
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Lead Vocals by Gwen Bunn
Background Vocals by Phonte and Gwen Bunn
All Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

03. New In Town (Happy) featuring 1-O.A.K. and Carlitta Durand
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP) and Carlitta Durand for Durand Music Group (ASCAP)
Lead and Background Vocals by 1-O.A.K. and Carlitta Durand
Additional Background Vocals by Phonte
All Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

04. Making Time featuring Phonte and Choklate
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP) and Choklate for Chokolesta Music (ASCAP)
Lead Vocals by Phonte
Background Vocals by Choklate and Phonte
Trumpet by Al Strong IV
Trombone by Andrew Kleindienst
All Other Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

05. Tell Me Something New featuring Jeanne Jolly
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
All Vocals by Jeanne Jolly
All Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

06. ManMade featuring Phonte
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
All Vocals by Phonte
All Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

07. We Are On The Move featuring Eric Roberson
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Lead Vocals by Eric Roberson
Background Vocals by Gwen Bunn, Phonte and Sy Smith
Congas, Timbales and Other Percussion by Brevan Hampden
All Other Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

08. Show Me The Way featuring Anthony David and Carmen Rodgers
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP) and Walter Baker for Songs For The Rebel (ASCAP)
Lead Vocals by Anthony David
Background Vocals by Carmen Rodgers
Additional Background Vocals by Phonte
All Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

09. For Tina
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
All Vocals by Sy Smith
Flute by Claudia Hayden
All Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

10. Out In The World featuring Choklate
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Choklate for Chokolesta Music (ASCAP) and Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Lead Vocals by Choklate
Additional Background Vocals and Rap by Phonte
All Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

11. Body Rock featuring Sy Smith
Produced by Zo! & Phonte for Chapter 3hree, Verse 5ive Music, LLC/The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP)
Lead Vocals by Sy Smith
Background Vocals by Sy Smith and Phonte
Flute by Tim Smith
All Other Instruments by Zo!
Recorded at East Wing Studios, Silver Spring, MD and The Peanut Gallery, Raleigh, NC

Mixed and Mastered by Chris Boerner at The Burlap Palace, Raleigh, NC

© 2013 The Foreign Exchange Music, LLC
P.O. Box 12208
Wilmington, NC 28405

Zo! – ManMade

ManMade

The sophomore release from producer/keyboardist Zo! of The Foreign Exchange’s +FE Music family. Includes appearances from Phonte, Eric Roberson, Sy Smith, Jeanne Jolly, Carmen Rodgers, Anthony David and more.

1. The Train feat. Sy Smith
2. Count To Five feat. Gwen Bunn (VIDEO)
3. New In Town (Happy) feat. 1-O.A.K. & Carlitta Durand
4. Making Time feat. Phonte & Choklate
5. Tell Me Something New feat. Jeanne Jolly
6. ManMade feat. Phonte
7. We Are On The Move feat. Eric Roberson (VIDEO)
8. Show Me The Way feat. Anthony David & Carmen Rodgers
9. For Tina
10. Out In The World feat. Choklate & Phonte
11. Body Rock feat. Sy Smith

PURCHASE CD DIGIPAK + FREE MP3 DOWNLOAD

PURCHASE FROM ITUNES

PURCHASE FROM AMAZON

• #3 Best R&B Album of 2013 by CentricTV
“ManMade is a complete work — his best creation yet.” -Andy Kellman, AllMusic.com

‘ManMade’ Album Review via AllMusic.com

Source: AllMusic.com
Author: Andy Kellman

One sign of a great album is when its last track is as stimulating as its first track. “Body Rock” ends Lorenzo Ferguson‘s second album for the Foreign Exchange label with eight minutes of heavenly, faultlessly crafted quiet storm. Thirty-eight minutes earlier, at the beginning, there’s the deeply contrasting “The Train,” a blissful machine-soul jam where Ferguson displays mastery of the synthetic and the organic. Those highlights feature two of Sy Smith‘s sweetest and best vocal performances, and they surround a high quantity of strong songs. Make that stronger songs: while ManMade has much in common with 2010’s fine SunStorm, this particular set of relaxed and mature R&B is a little more complex and nuanced, yet the instant appeal remains. As with Ferguson‘s previous album, the moods here are predominantly romantic and relentlessly positive, even when it briefly confronts the pressures expressed by Phonte in “Out in the World.” ManMade features some of the same collaborators, including not just Smith and frequent background and foreground presence Phonte, but also Carlitta Durand and Eric Roberson, the latter of whom leads the sophisticated twilight funk of “We Are on the Move.” Whether the leads are supplied by labelmate Jeanne Jolly, the higher profile Anthony David, up-and-comers Gwen Bunn and 1-O.A.K., or underexposed veterans like Choklate and Carmen Rodgers, the album maintains an easy elegance and never derails. For all the help he receives, this is Ferguson‘s show. On each track, he’s credited with either “all instruments” or “all other instruments,” which means that he played everything but some flute, horns, and percussion. ManMade is a complete work — his best creation yet.

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