Zo! Performing on Vegas FOX5 News at the Gibson Showroom – 07.19.13

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During the afternoon prior to my very first performance in Las Vegas, the crew and I got together at the Gibson Showroom in Henderson, NV and did a taping of the second single from ManMade, “Count To Five” that was aired on Vegas’ FOX5 channel. The players are…

Zo! – Keys
Carmen Rodgers – Vocals
LaDarrel “Saxappeal” Johnson – Saxophone
Tim Scott Jr. – Drums
Darion Alexander – Bass
Zach Cutler – Guitar

Click link below to see the performance…
http://www.fox5vegas.com/video?autoStart=true&topVideoCatNo=default&clipId=9117821

Photos from the Detroit ‘ManMade’ Album Release Concert…

Check out some of the visuals from that epic night in Detroit… Saturday June 29, 2013.

Photos by
Tefari K. Stevenson-Howard
http://www.flickr.com/photos/bygbaby/sets/72157634413800702

Zo! vs. NAMM 2013

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Sy and I performing in the Lewitt Lounge at NAMM 2013. Photo by Kris Crosby

I pulled up to the Anaheim Convention Center on Saturday looking forward to a full day of checking out some new equipment, connecting with some of my musical brethren, walking around to different exhibits until my feet damn near fell off, and simply making it well worth my time. The first thing I planned to do after picking up my badge was head up to the Lewitt Lounge, meet up with Sy Smith and check out her performance. WELP… Good ole See Smit ended up calling a nice audible at the line real quick by calling me before I even got out of the car…

Me: “What it bee like?!”

Sy: “What it bee like! …Hey Zo…….. You wanna play some keys?”

Me: “Heeeell yeah, I wanna play some keys!”

And there it was. The next thing I knew, I was rushing up to the Lewitt Audio Lounge not to check Sy’s performance, but to become a part of it. Sy Smith & Zo! performing together at NAMM? …Not mad at that at all. I walked in, met the musicians, we put together a short list of songs to perform, talked out some of the music because this was our first time playing as a collective and put on a helluva show if I may say so myself. MAN it was a lotta fun rockin’ out with Lemar Carter on drums, Terron Crayton on bass, and Erick Walls who acted a fool on that guitar. An enthusiastic and very receptive crowd gathered and settled into the room for us and it turned out to be a helluva way to kick off my NAMM 2013 experience.

The crew on stage going to work...

The crew on stage going to work… Photo by Kris Crosby

I got to catch up with a few very important folks… My brother Tim Scott Jr., who I tour with, ya know… fairly often (drummer for The Foreign Exchange) and my homeboys Kristopher Crosby, and LaDarrel “Saxappeal” Johnson (keyboardist and saxophonist, respectively for Detroit-based group Collective Peace)… and then it was off to check out the Moog Music spot to meet face-to-face and shake hands with their artist liaison responsible for bringing me on board with the company. So I walked on over to section 5300 and chopped it up a bit with the good folks at Moog. I even got a chance to play around with their brand new synth unveiled just before NAMM, the Sub Phatty. JUST as I finished playing around with this new ‘toy’ and started kicking around ideas in regards to how to possibly get my hands on one, I started hearing someone playing the harmonica. They weren’t playing blues riffs or anything like that, it was a very distinct style and tone…. I thought to myself, “Naaaaaaah, it couldn’t be”   *shaking my head* “Naaaaaaaaaaaaah, that ain’t him….. That’s not him.” I happened to take a glance over my left shoulder and saw a nice-sized crowd starting to develop….. So, naturally I headed on over to see what the big deal was…. PLUS I wanted to see if my ear was on point or if it was deceiving me. ….And dammit, if I didn’t walk over to the next section and see none other than Stevie Wonder playing the harmonica. Now, for those who don’t know, I’m gonna make this perfectly clear to you: In my humble opinion… as a total artist, Stevie is the greatest of all-time. PERIOD. So, I dropped all of my ‘artist’ shit immediately and instantly went into ‘fan’ mode. I pulled that iPhone out, reached my long ass arm up and began snapping pictures. I would have loved to have met him, but I knew that wasn’t happening with the large number of people he attracted. It was DOPE to hear him play up close like that though. These stories continue to multiply, man… I swear.

Stevie At NAMM2013

The greatest of all-time.

Walked away from the Stevie madness and ventured down a little ways to the Hammond section and there sat legendary organist/pianist Dr. Lonnie Smith who was giving a damn CLINIC on one of the Hammond Organs. And please forgive me, because I’m not familiar with the brother who was playing guitar, but he was KILLIN’. The two of them together were running through a few songs while trading off solos. One helluva(n) experience…

Dr. Lonnie Smith

I hope someone helps me I.D. the brother on the guitar… He and Dr. Lonnie Smith took NO prisoners.

After walking around, trying out new instruments, and talking to folks for another hour or so, I made a one-man executive decision to sit my ass down somewhere in order to avoid my body hating my guts later on in the day. I trooped out of the Convention Center and sat on one of the concrete slabs they have available for folks who care about their bodies not falling apart like I do. I got pretty comfortable and was relaxing a bit, checking up on de Tweet Streets, Facebook, email, etc…. And out walks DJ Rhettmatic and DJ Babu (Dilated Peoples) of The Beat Junkies. Now, I need y’all to understand this first… Me and Rhett have been missing each other on the West Coast for a good three years. Every time I’m out there, he’ll be spinning somewhere and I can’t make it… I’ll have a show and he’s booked up, etc. So, I got up off of that concrete and we finally met face-to-face. And Babu… Shit, I’ve been a Dilated fan since college, so it was dope to meet him and hear him say after Rhett introduced us, “Ohhhh, you work with Phonte, right? Y’all did an album together….” WORD UP, BABU! When kats who you’ve listened to forever know some of your work?? That’s ALWAYS dope. As I always say, you never know who’s listening… and possibly enjoying your material. Very humbling.

NAMM 2013… You were good to me. I hope the current year will earn me an invitation to 2014’s event…. That would be…uhhh….well…. Pretty alright.

NAMM 2013

NAMM 2013

2012 in Pictures

"...Give is up for Lorenzo Ferguson a/k/a Zo!, ya'll!!" © Phonte in LA • Photo by Kris Perry (Oct. 2012)

“…Give it up for Lorenzo Ferguson a/k/a Zo!, y’all!!” © Phonte in LA • Photo by Kris Perry (Oct. 2012)

2012 has been another helluva year. I got to do some traveling and play shows in LA, NYC, DC, Chicago, Detroit, Nashville, St. Louis, Bethesda, MD, Greensboro, NC, Atlanta, Dallas, Houston, Columbia MD, Boston, Virginia Beach, Raleigh, Vienna, VA, Memphis, Indianapolis, San Francisco, and Phoenix …..and Durham, NC for this coming New Year’s Eve. I completed my first year as a full-time musician after the school I taught music at closed last year – I was then able to continue teaching by conducting individual piano lessons and workshop to groups of young ones. I began endorsing Moog Music, received another standing ovation during a performance back home in Detroit, and got the bulk of the recording finished for my newest album ManMade. Sy Smith and I did some touring this year playing big solo shows at DC’s Blues Alley and NYC’s Blue Note and received big performance props from Sheila E while I was back on the road with The Foreign Exchange who wrapped up performances for an album we have been touring for two years, Authenticity. I hit my ten-year anniversary of releasing music as well. Outside of all that, it was a fairly quiet twelve months……….

…Looking forward to 2013. Enjoy the photos!!

The Foreign Exchange at Detroit’s Chene Park – 09.13.12

Phonte, Me, Deborah Bond, Kush El-Amin & Sy Smith backstage after rockin’ Chene Park… Photo courtesy of Drake Phifer

Going back home to perform always seems to disturb my already dysfunctional “sleep-pattern”… I can never get enough rest the night before a Detroit performance – whether it’s a solo show or one with The Foreign Exchange. It’s actually very similar to preparing for a huge game…at home – YET it’s even more special than that because there’s a “we’ve missed you” factor on both sides that can be added into the equation now since I’m not living in the area anymore. As a matter of fact, the only sleep I participated in before this show occurred on the one hour-ten minute flight from Baltimore to Detroit. I was OUT and do not remember taking off at all.. But, I DO remember being awakened by that ridiculously hard ass landing executed by our pilot. I’m talking the type of landing that has been known to make you look extra crazy in public as your sudden waking up from a deep sleep while fighting the air tends to be accompanied by various random, yet well-placed expletives …..I’m not saying this happened to ME on this particular flight, but I’ve heard that’s how it goes down sometimes and you know, uhh… well…… ANYWAY, upon our arrival to DTW Airport, we were to be picked up and taken to the hotel located right along the Detroit Riverwalk. Kush El-Amin (bassist), Deborah Bond (vocalist) and I all walked off of the plane safely and randomly ran into Tim Scott Jr. (drummer) in the baggage claim area. We then caught up to our driver a few minutes later after letting the organizers know that we had arrived into town. The driver was cool as all hell and seemed to be a music head. He also began to hit us with a couple of hilarious quotables and stories… including the one explaining why he wasn’t allowed back on our hotel’s property. We were all in the van like, *crickets*…..  But the brotha got us everywhere we needed to be on time… We just had a bit of a walk ahead of us when we were dropped off on the far side of that hotel damn near by the Jim Crow entrance.

Behind our hotel… The Detroit Riverwalk

After introducing Kush and Deborah to one of my most frequented sammich spots when I lived in MI, *sings* “Tubbyyyy’s Submariiiiiines,” the crew hit up soundcheck at our scheduled time and as I walked up to the stage I could immediately tell that it was about to be a reunion for me… The first person I ran into was Monica Blaire (featured on “MakeLuv2Me”) and right behind her was vocalist, L’Renee whom I hadn’t seen since I moved to Maryland at the beginning of 2006. Then up walked Dwele, who I’ve known since 2003 and would sometimes even jam out with him in Slum Village’s old stomping grounds, Barak Studios in Southfield, MI. He and I got to catch up a bit during his soundcheck… meanwhile, I realized that I knew a few people in his band including drummer Eric “Rain Man” Gaston, keyboardist Brandon “Showtime” Bland, background singer J. Tait, and saxophonist LaDarrel “Saxappeal” Johnson who has played alongside Sy Smith and I twice, at our Detroit (February ’12) and New York City (May ’12) shows. To say that I felt right back at home would be a huge understatement… Now when you’re around all of that talent, not only is there a strong sense of camaraderie but also a feeling of friendly competition as well, which as a former baseball player is something that I will probably never shy away from. It’s natural because you always want to sound your best in front of your peers. With that being said, we sounded our best for about 15 minutes because we were forced into knocking out one of the shortest soundchecks in life (Arrested Development, whose flight was severely delayed had arrived and was on the side of the stage waiting to check after us and the doors were due to open soon after). After our 15 minutes of fame during soundcheck, we made our way back to the hotel for about an hour of down time before it was time to head on back to Chene Park and hit the stage for real this time around.

As we rolled back to the venue in preparation for the night’s performance…let’s just say I was a tad bit beyond ready. Momma Zo! had already sent me a text saying that she, Pops Zo!, my sister and her boyfriend were already there and seated. Meanwhile, I was backstage in full out clown mode in order to distract myself from the fact that I was anxious as hell to get out there and murder this +FE set. My adrenaline was on 12 AND I had the nerve to be sipping on a can of Red Bull. Yeah, I know…But I told y’all, show preparation very much parallels getting ready for a big game. Aaaaand, then the time finally came for us to walk out on stage… I arrived at my keyboard rig and started to get everything set up… I then began hearing people start to call my name from the crowd…

“WE LOVE YOU ZO!!!”

Monica Blaire was there hosting the show along with Suga Rae stopped and said,

“Oh… Do we have some Zo fans in here?”

*crowd cheers*

Crazy…

Adrenaline now on 14.

It was finally time to start up and with only 40 minutes to show our people a helluva time, we knew we had to be on level 10 fresh outta the gate……. And that’s exactly what happened. From the jump, the music felt really good, the crowd was with us the entire time, my hands felt loose on the keys, and the added bonus….. I received a standing ovation during our individual introductions, which just put the show over the top for me. Some of y’all have heard me talk some about hometown love and how unbelievable of a feeling it is to get it… This episode was no different. And the fact that my parents and sister were in the crowd both times that it has happened?… Maaaan, come on nah!!

After leaving the stage ablaze by playing what I thought was one of our best sets this year, I decided to try and head out into the crowd so that I could see my family and check out Dwele and Arrested Development’s shows. Man, I got into the crowd and was greeted by friends, fans, and even a few folks I went to high school with whom I had not seen since high school (’96 if ya nosy ass needed to know). Hell, those folks still know me as a baseball player! I found my family in the crowd via “text GPS” a/k/a “Where y’all at?! / We’re right here!!” guidance. My sister and Momma Zo! were rockin’ the crispy ciel blue Zo! T-shirts while Pops came with the suit and tie combo, per usual. ‘Twas all hugs and pictures as I was soon joined by Sy and Deborah not too long afterward. We proceeded to chop it up with my family and enjoy the remainder of the show…. But uhhh, one of the highlights and my personal favorite moments of the entire night was watching +FE’s Director of Operations, Aimee Flint hit the “Baba Oje dance” (skip to 3:36) in the stands with us at the end of Arrested Development’s “People Everyday”… And y’all know exactly what I’m talkin’ about too – the dance he does at the end of said video to accompany his chanting.  She had the shit down PAT!!! We were loving it so much, we couldn’t do anything but join her…

Ok now… The post-show meal came in the form of one of my favorite Downtown Detroit spots…. Bucharest Grill. Phonte and Tim Scott Jr. became instant believers after I successfully put on to their famous chicken shawarmas. C’LAWD!!!!!! Those two brovahs damn near cleaned their plates by the time I had returned back to our table from the bar with drainks! The Bucharest meal accompanied by a strong rum & coke was an excellent ending to another near perfect day and performance by The Foreign Exchange. I’m always looking forward to the next one… Detroit, we love y’all and we’ll see you again in 2013…!!!

PHOTOS from +FE’s Performance at Chene Park

One For the Road: Zo! + Sy Smith in New York City (May 3, 2012)

The stare down… Photo by Sean J Rhinehart

The journey to New York City began early Thursday morning when I hopped on the DC Metro and made my way to Union Station. I must have gotten there almost two hours before my train was scheduled to depart (because half of the time, I don’t trust the Metro to get me to my destination without breaking down). I was able to take my time, grab something to eat, pick up my Amtrak ticket and relax until it was time for the train to depart… Our guitarist, Zach Cutler who was also on the same train walked up to the gate, guitar on his back ready to go. We finally boarded the train and everything was smooth sailing… Well, until some lady who smelled like a can of Glade sat next to me and would periodically turn around to her husband and converse loud as hell with him, which turned into no sleep on this train for me! Then, halfway into the ride, the power on the train decided that it wanted to take a break and soon after we began to gradually slow to a stop. We sat there motionless for about five minutes and the train conductor got on the intercom system and announced, “The train is having engine troubles… We are gonna have to reset the engine.” RESET the engine?… Is it WiFi? Call me slow, but I’ve never heard of resetting an engine before. Well, whatever they had to do worked because a few minutes after that announcement, the power was back on and we were moving again (the power continued to cut in and out throughout the remainder of our trip). When we finally arrived at NYC’s Penn Station, I was just happy to be there without any further engine resetting episodes. I got in touch with the promoter as he was en route to pick us up… He got us and took us to the hotel to check-in. I think I had time enough to unpack what I needed for the show and take a quick shower. Not too long after that we had to hop right back in the car and head down to DROM for load-in and soundcheck. But FIRST… We stopped by some spot (I can’t think of the name of the place right now) and I ordered a helluva gyro, it MAY have even been called “Helluva Gyro” on the menu…… Well, maybe not… But maybe that’s how I should have placed my order with the waiter. Lawd, the damn sauce that came with it??!! Once I got it and took it outta there, the thing lasted all of five minutes in the car… I was ignoring texts and missing phone calls because of this food. The joint reminded me of Olga’s Kitchen or Coney Island back home… All I needed was a damn Faygo Redpop with it to make it complete *slips into a detailed daydream*  ……………………… *shakes out of it* Anyway… We hit soundcheck at about 4pm at DROM – walked inside and Sy and flautist Monet Cherise were already in the spot so knowing that we were kinda pressed for time, we quickly set everything up and prepared to run through the set with everyone. Our drummer Brandon Williams came through and set up the kit some time later and we knocked most of the set out during our soundcheck time that was seemingly cut very short. We were also joined by saxophonist LaDarrel “Saxappeal” Johnson who along with Brandon was there all the way from Detroit (they both played with us at our Detroit show), so we were all hyped up and ready to put it on the NYC crowd…

Sy rockin’ the synth bass and Zach Cutler behind her on guitar. Photo by Sean J Rhinehart

When showtime finally arrived, there was a brotha onstage who I guess was the host for the night?… Perhaps? He was telling some half assed jokes and seemingly killing time that we didn’t really have. As a matter of fact, he was so busy joking that he failed to introduce the two of us as a duo. We both walked on stage after the introduction and I walked behind dude and put my arm around his neck to choke him…….. jokingly – I was a good sport about it and focused on the task at hand, which was putting on a great show. But the next time a host fails to simply READ or do their research and introduces us as just Sy Smith… Or just Zo!, I’m clowning that individual thoroughly before we begin our show…

Me on keys and Monet on flute. Photo by Sean J Rhinehart

The show began on a high note and remained that way… I was impressed with the New York crowd because they were PARTYING, which was different because I normally see NYC as the cool, laid back kats who wait until AFTER the show to give you proper praising….. Not at DROM, they were IN it and we loved every minute of it. Sy’s good friend, talented vocalist and musician Gordon Chambers came on stage and joined us for our rendition of Sy Smith’s “Nights (Feel Like Getting Down)” – and the brotha showed no mercy on that second verse, c’Lawd!! At another point in the show somebody yelled for us to do “Groove Is In the Heart” by Deee-Lite – random as shit, yes I know…. BUT Sy “You didn’t think I was gonna take your off-the-wall request and put it overtop of some shit you’d NEVER expect and still kill it” Smith obliged by singing it over the intro music to “MakeLuv2Me”. How ’bout THAT for a crowd pleaser?… Just a FUN, fun show. The fact that we had Sax and Monet to sit in with us with the woodwind instruments just added to the musical chemistry that was in place on stage. The feedback that I received after the show was that people left the show on a musical high, which always gets me excited because I feel as though we have done our job… I got to catch up with a few great friends of mine immediately following the show, including my musical brother AB, Darien Dean, and EVEN saw my dude Illmind in the crowd rockin’ with us… That was dope being as though he and I haven’t chopped it up since around 2006. So we packed it on up and got ready to get on down to Atlanta the next day…