Zo! + Sy Smith Performing Together in Atlanta
Saturday, May 5, 2012
64 3rd St. Northwest | Atlanta GA 30308 | (404) 876-5436
18+ | 9pm
Zo! + Sy Smith Performing Together in Atlanta
Saturday, May 5, 2012
64 3rd St. Northwest | Atlanta GA 30308 | (404) 876-5436
18+ | 9pm
Zo! + Sy Smith Performing Together in NYC
May 3, 2012
85 Avenue A | New York City NY 10009 | (212) 777-1157
21+ | 8pm
I may be coming to perform in a city near you… Check the new show dates. I will be announcing some more in the next couple of weeks as well…
For ALL future show information click here
April 21 – With The Foreign Exchange @ Triad College Music Festival – Greensboro, NC BUY TICKETS
May 3 – Zo! + Sy Smith @ DROM – New York City, NY BUY TICKETS
May 5 – Zo! + Sy Smith @ Apache Café – Atlanta, GA BUY TICKETS
May 10 – Zo! + Sy Smith @ 2826 Arnetic – Dallas, TX BUY TICKETS
May 11 – Zo! + Sy Smith @ Fitzgerald’s – Houston, TX BUY TICKETS
June 3 – With The Foreign Exchange @ The 20th Annual Capital Jazz Fest – Columbia, MD BUY TICKETS
June 4 – With The Foreign Exchange @ Music Hall of Williamsburg – Brooklyn, NY BUY TICKETS
June 5 – With The Foreign Exchange @ The Middle East (Downstairs) – Cambridge, MA BUY TICKETS
June 7 – With The Foreign Exchange @ Shaka’s – Virginia Beach, VA BUY TICKETS
June 8 – With The Foreign Exchange @ Lincoln Theatre – Raleigh, NC BUY TICKETS
June 9 – With The Foreign Exchange @ The Emerald Lounge – Asheville, NC BUY TICKETS
June 13 – Zo! + Sy Smith @ Blues Alley – Washington, DC (1st SHOW – 8:00pm) BUY TICKETS
June 13 – Zo! + Sy Smith @ Blues Alley – Washington, DC (2nd SHOW – 10:00pm) BUY TICKETS
Well folks, after you have played a few shows here and there, done some touring with the same brand of equipment and gotten no love from the endorsement side of things after trying repeatedly to contact a Yamaha company that shall remain nameless (oops)… There comes a time for a little something that I like to call “SELF endorsement”…
Endorsing one’s self doesn’t have to involve anything huge like opening a store or starting your own television channel…hell, you don’t even have to involve your ego. Most of the time it simply serves as a brief reminder to folks, corporate and otherwise that, “Hey, us bottom of the barrel musicians who travel the world using nothing but your products are working hard too!” *insert laugh here* With that being said, I’d like to introduce you to a product that was newly delivered to my studio earlier this evening… The “Zotif” Keyboard!
Looks like you may have seen this board before huh? I know, I know… Well, it actually functions verrrry similarly to the Yamaha Motif keyboard, BUT this one is crazy because it actually advertises my logo and new website. *waves index finger and quotes Eddie Murphy’s elder Jewish character from ‘Coming To America’* “Ahhhckkhaaaa!!!!!” I feel extremely privileged because they don’t manufacture too many of these, so I wouldn’t even waste my time on eBay or Craig’s List looking for one. I have heard the numbers from the manufacturer and they’re actually keeping it in the single digits, so I’ll be a nice guy and I’ll let you steal some views of mine… You may see me on stage at an +FE or a Zo! + Sy Smith show with a Zotif sometime soon – Then again now that I think about it some more, you just never know WHEN it may surface…
*end sarcasm*

The ultra rare “Zotif” keyboard…
Source: TheCouchSessions.com • Author: Marcus K. Dowling
For many urban blacks, the election of Barack Obama as President of the United States signified the epitome of crossover achievement. The infusion of culturally inclusive African-American style into mainstream popular culture feels like the harbinger of a brand new time. You remember this era’s precedent, a moment best defined by German producer Harold Faltermeyer’s handling of a minor key synth progression making Eddie Murphy into an iconic film legend. Add in some body rolling and questionable fashion choices from 30 years ago? The spotlights of the past meet the floodlights of the present here. Axel F is not just a showcase of music, but possibly one of America’s most ultimate showcases of the universal crossover potential of African-American excellence.
Ex-Washington Post journalist and now full-time deejay Rhome “DJ Stylus” Anderson refers to the party as “a mix of ‘lazer boogie,’ ‘Jheri curl funk’ and ‘champagne soul.’” It’s a celebration of the storm of post-disco crossover R & B, Detroit techno and the Minneapolis sound’s early 80s takeover. Kevin Saunderson, Juan Atkins and Derrick May’s down tempo electro funk was a staple of so many pop radio crossover hits of the era. Furthermore, you can’t tell the story of the 80s without Teena Marie, Prince, Morris Day, Jimmy Jam or Terry Lewis. Stylus continues, “I was hanging out one day with (fellow Axel F resident deejays) Jahsonic and Adrian Loving, and we realized that there were so many classic R & B jams that nobody really played out anymore. We wanted to change that, and for the past year I think we have.”
Much love to everyone who came out to our show in LA… We had a BLAST.
May 8, 2011, Mother’s Day…
The +FE crew and I were set to take the short 2-hour and some change drive to Detroit from Cleveland to play our 4th show of the scheduled seven-show tour of Midwest cities. I was up and ready to go this particular morning as we were creeping up on the show date that I was most anticipating. Going back home to perform is always motivational to me because I’m able to catch everyone up on what I have been up to musically – The same people who saw me making music out of my bedroom in my parents’ house in what I used to call “Crowded Room Studios,” as there was more music and equipment in that spot than space to move around. To be able to bring new levels of success home to folks who have supported you from day one is truly a blessing… So needless to say, I was a bit anxious for this one. As soon as I found out the show was confirmed, I started to text a couple folks here and there and sent a few DMs via Twitter just to make sure that kats were blocking that date off far in advance because at that time folks kept asking, “When are y’all gonna come to The D?” …The thing was, May of 2011 wasn’t our first time playing in Detroit. The first +FE show at home was over two years ago in June of 2009 and I remember being hyped up for that one too, but this time was much different. First off, the buzz around the show was crazy and the people who were creating it seemed to be super excited. Secondly, there had been four +FE Music releases since that last show: City Lights 2: Shibuya (Sept. ’09), …just visiting too (Nov. ’09), SunStorm (Jul. ’10) and Authenticity (Oct. ’10). One thing was starting to become crystal clear to us… Detroit was ready, I just didn’t realize how ready.
I’ll put it like this, I was so amped up about the Detroit show that thinking back on it, I barely even remember the actual drive from Cleveland… I remember stopping once for gas after Toledo, but that’s about it. The next thing I remember is checking in to our hotel and asking, “Ayo, who’s coming to the house before soundcheck?” Our bassist, Kush El-Amin and drummer Tim Scott Jr. said that they would roll so we dropped our stuff off in our rooms and proceeded to head out to my parents’ house. As soon as we walked in, I as I normally do when I get home, went straight for the refrigerator to grab a water and a Faygo Redpop to take with me. But to my surprise, Moms had baked a damn sweet poe-tay-toe pie for our arrival… Yep, I said Poe. Tay. TOE. So, uhhh… the three of us had some pie. ….And uhhh…. y’all thought I was greedy as hell? The brotha T. Scott had two pieces.
After we left my parents’ house, I took the fellas to The Bread Basket for a Rueben and some Better Made chips… For the record, I am currently salivating just looking at the picture below.
After taking our food to go, we only had enough time to head back to the hotel and pick up the rest of the crew for soundcheck at the Magic Stick. Upon arriving to the venue, I started feeling anxious… At that point I just wanted the show to BEGIN. I hadn’t gone home to play in a year and a half, hadn’t been home with +FE in two… everyone was sounding all extra excited about the show – I was truly on edge……… A GOOD edge. Plus, the entire crew knew how big this show was for me… With all that said, I still wasn’t aware exactly how big.
We headed back to the hotel in order to change and get everything ready to go right back to the venue for the show. I was surprising cool, but I could feel my heart rate noticeably increase before taking the stage. Everybody in the crew was looking at me like, “You ready? Are you ready?” I was ready as hell… Normally, the time that we have backstage usually drags along anyway. But for the hometown show, time seemed to be moving at 120 seconds per minute. …..When we finally took the stage, I was the first to walk out to a sea of Detroit faces. I thought to myself, “This crowd is KILLIN the last one… They’re ready.” We proceded to start the show and the crowd was with us the entire time. During the set, I saw a ton of familiar faces, which made me feel even more at home… But still once again, I wasn’t ready.
Now… for those of you who have ever attended an +FE show, you know that there is a portion set aside during each show where Phonte introduces the entire crew individually… The order is normally: band members, vocalists, and last, of course is Nicolay. Well… for the first time in our touring history, the introduction order was different and to say that it caught me way off guard would be an understatement. Phonte went through and introduced everyone and I noticed that he skipped me… I was thinking, “Ok, he’ll probably do it after Jeanne and Sy.” Welp! After introducing Jeanne Jolly and Sy Smith…. He introduced Nicolay. *blank stare* I wonder if anyone has pictures of my face during that time, I’d like to see them because in my head it was, “Oh shit! WTF?… I’m going LAST at the CRIB? This is crazy….!” The next thing I knew, Phonte told us to cut the music and proceeded to go into my introduction. I’m sure I was standing there looking silly and lost as hell leading up to….
“Give it up for your own… Lorenzo Ferguson a/k/a Zo! y’all!”
The place just got LOUD…….. and I couldn’t do a damn thing but stand there and cheese. In normal situations, people cheer, yell out, etc. and I’ll show love back by waving, bowing or something to make sure that they know I appreciate them. This time was a little different… Detroit got loud…. Matter of fact, Detroit got loud and HELD it. I was smiling… waving………smiling some more………. waving…… That’s when I first realized, “Oh damn, they’re not stopping!” I was completely in the moment at this point, plus my parents and younger sister were in the audience as well so this just became a helluva moment for me. I didn’t know what to do anymore or how to react – I just started looking around with the “This can’t be real” face on and man, it felt GREAT – SO great that I THEN thought to myself, “Oh ok, I see…. these negroes are tryna make me cry now.” And damn if I didn’t feel a lump in my throat – Man, this ain’t good. I just kept thinking, “Naaaah man, I’m not going… I’m not going. Breeeeeathe.” Of course, the more I thought that…. The louder they seemed to get and the bigger that lump got. THEN, I turned to my left to look at the crew, you know, just to kind of get their take on things and they were no help at all as Sy and Jeanne both had their hands on their mouths in the “Awwwww” position looking like THEY were about to cry. SHIT!! It was settled… I definitely wasn’t looking over at the crew for ANYmore support. The crowd thought they had me though!! – Because after awhile, instinctively I took my cap and covered my face with it while turning around. *sigh* This did nothing but fuel it and made them cheer even louder. Their loud ovation went on for a solid couple of minutes. I know I may seem to be making light of it, but it was by far one of the most unbelievable moments of my music career up to that point. Of course I’ve already had a few of my people jokingly say, “Aw man, you were about to cry, you were about to get emotional?” Maaaaaan listen… You work this hard for this long, keep it up after moving away from home and then return to that type of hometown love… If your throat doesn’t lump up from a reception like that, you may need to check and see if you have a pulse. I have never gotten an ovation like that before or since… That was a moment that left me truly humbled and I will never forget it.
I’ll be traveling west to perform with my sister in music, the wonderfully talented, Sy Smith to perform our intimate, acoustic set in Portland and Seattle at the end of this week and LA in January…
Zo! + Sy Smith @ The Crown Room – Portland, OR
December 22, 2011
9:30p
Zo! + Sy Smith @ Nectar Lounge – Seattle, WA
December 23, 2011
9:00p
Zo! + Sy Smith @ Little Temple – Los Angeles, CA
(Limited Discount Tickets Available Now – $5)
January 19, 2012
9:00p
Source: Nu Jazz Spirit
My friends,
After a pause for a week, I am back on the blogosphere with some newness! But before, let me share with you my impressions after attending maybe one of the best Soul shows so far this year. It was held on March 5th in Paris. Funnily enough, I was not supposed to be there that night. But apparently fate decided for me. SY SMITH & ZO! ,members of The Foreign Exchange, hit Paris for their 1st solo show together. They performed live at the Bizz’Art. The show was set up by Soulissime. A shame that this event did not create a buzz However, the venue was packed ! Absolutely!
Click Here to continue reading: Nu Jazz Spirit – Zo! + Sy Smith Paris Show Review
I’m very excited to announce that I’ll be co-headlining the Jazz Café in London on March 6th, 2011 with one of my favorite people… the immensely talented Sy Smith. I’m really looking forward to making my Jazz Café debut as I have been told for years that it’s one of the historically rich spots to play in… aaaand my pulse rate spiked as I just typed that.
UK, it looks like I will now see you in January AND in March. Have some good food waiting for me please….!!