Zo! Endorses Moog Music

I’m proud to announce that as of this morning, I have been brought into the highly reputable Moog Music, Inc. circle as an official Moog artist (shouts to my brother, Nicolay for the connection). Already an avid user of Moog products (Voyager & Minitaur), this news makes has me EXTRA excited. Not to mention, this is my very first instrument endorsement… The new year is proving itself to be one of great impact already.

A shot of my Moog Voyager (May, 2012)

The Foreign Exchange at Detroit’s Chene Park – 09.13.12

Phonte, Me, Deborah Bond, Kush El-Amin & Sy Smith backstage after rockin’ Chene Park… Photo courtesy of Drake Phifer

Going back home to perform always seems to disturb my already dysfunctional “sleep-pattern”… I can never get enough rest the night before a Detroit performance – whether it’s a solo show or one with The Foreign Exchange. It’s actually very similar to preparing for a huge game…at home – YET it’s even more special than that because there’s a “we’ve missed you” factor on both sides that can be added into the equation now since I’m not living in the area anymore. As a matter of fact, the only sleep I participated in before this show occurred on the one hour-ten minute flight from Baltimore to Detroit. I was OUT and do not remember taking off at all.. But, I DO remember being awakened by that ridiculously hard ass landing executed by our pilot. I’m talking the type of landing that has been known to make you look extra crazy in public as your sudden waking up from a deep sleep while fighting the air tends to be accompanied by various random, yet well-placed expletives …..I’m not saying this happened to ME on this particular flight, but I’ve heard that’s how it goes down sometimes and you know, uhh… well…… ANYWAY, upon our arrival to DTW Airport, we were to be picked up and taken to the hotel located right along the Detroit Riverwalk. Kush El-Amin (bassist), Deborah Bond (vocalist) and I all walked off of the plane safely and randomly ran into Tim Scott Jr. (drummer) in the baggage claim area. We then caught up to our driver a few minutes later after letting the organizers know that we had arrived into town. The driver was cool as all hell and seemed to be a music head. He also began to hit us with a couple of hilarious quotables and stories… including the one explaining why he wasn’t allowed back on our hotel’s property. We were all in the van like, *crickets*…..  But the brotha got us everywhere we needed to be on time… We just had a bit of a walk ahead of us when we were dropped off on the far side of that hotel damn near by the Jim Crow entrance.

Behind our hotel… The Detroit Riverwalk

After introducing Kush and Deborah to one of my most frequented sammich spots when I lived in MI, *sings* “Tubbyyyy’s Submariiiiiines,” the crew hit up soundcheck at our scheduled time and as I walked up to the stage I could immediately tell that it was about to be a reunion for me… The first person I ran into was Monica Blaire (featured on “MakeLuv2Me”) and right behind her was vocalist, L’Renee whom I hadn’t seen since I moved to Maryland at the beginning of 2006. Then up walked Dwele, who I’ve known since 2003 and would sometimes even jam out with him in Slum Village’s old stomping grounds, Barak Studios in Southfield, MI. He and I got to catch up a bit during his soundcheck… meanwhile, I realized that I knew a few people in his band including drummer Eric “Rain Man” Gaston, keyboardist Brandon “Showtime” Bland, background singer J. Tait, and saxophonist LaDarrel “Saxappeal” Johnson who has played alongside Sy Smith and I twice, at our Detroit (February ’12) and New York City (May ’12) shows. To say that I felt right back at home would be a huge understatement… Now when you’re around all of that talent, not only is there a strong sense of camaraderie but also a feeling of friendly competition as well, which as a former baseball player is something that I will probably never shy away from. It’s natural because you always want to sound your best in front of your peers. With that being said, we sounded our best for about 15 minutes because we were forced into knocking out one of the shortest soundchecks in life (Arrested Development, whose flight was severely delayed had arrived and was on the side of the stage waiting to check after us and the doors were due to open soon after). After our 15 minutes of fame during soundcheck, we made our way back to the hotel for about an hour of down time before it was time to head on back to Chene Park and hit the stage for real this time around.

As we rolled back to the venue in preparation for the night’s performance…let’s just say I was a tad bit beyond ready. Momma Zo! had already sent me a text saying that she, Pops Zo!, my sister and her boyfriend were already there and seated. Meanwhile, I was backstage in full out clown mode in order to distract myself from the fact that I was anxious as hell to get out there and murder this +FE set. My adrenaline was on 12 AND I had the nerve to be sipping on a can of Red Bull. Yeah, I know…But I told y’all, show preparation very much parallels getting ready for a big game. Aaaaand, then the time finally came for us to walk out on stage… I arrived at my keyboard rig and started to get everything set up… I then began hearing people start to call my name from the crowd…

“WE LOVE YOU ZO!!!”

Monica Blaire was there hosting the show along with Suga Rae stopped and said,

“Oh… Do we have some Zo fans in here?”

*crowd cheers*

Crazy…

Adrenaline now on 14.

It was finally time to start up and with only 40 minutes to show our people a helluva time, we knew we had to be on level 10 fresh outta the gate……. And that’s exactly what happened. From the jump, the music felt really good, the crowd was with us the entire time, my hands felt loose on the keys, and the added bonus….. I received a standing ovation during our individual introductions, which just put the show over the top for me. Some of y’all have heard me talk some about hometown love and how unbelievable of a feeling it is to get it… This episode was no different. And the fact that my parents and sister were in the crowd both times that it has happened?… Maaaan, come on nah!!

After leaving the stage ablaze by playing what I thought was one of our best sets this year, I decided to try and head out into the crowd so that I could see my family and check out Dwele and Arrested Development’s shows. Man, I got into the crowd and was greeted by friends, fans, and even a few folks I went to high school with whom I had not seen since high school (’96 if ya nosy ass needed to know). Hell, those folks still know me as a baseball player! I found my family in the crowd via “text GPS” a/k/a “Where y’all at?! / We’re right here!!” guidance. My sister and Momma Zo! were rockin’ the crispy ciel blue Zo! T-shirts while Pops came with the suit and tie combo, per usual. ‘Twas all hugs and pictures as I was soon joined by Sy and Deborah not too long afterward. We proceeded to chop it up with my family and enjoy the remainder of the show…. But uhhh, one of the highlights and my personal favorite moments of the entire night was watching +FE’s Director of Operations, Aimee Flint hit the “Baba Oje dance” (skip to 3:36) in the stands with us at the end of Arrested Development’s “People Everyday”… And y’all know exactly what I’m talkin’ about too – the dance he does at the end of said video to accompany his chanting.  She had the shit down PAT!!! We were loving it so much, we couldn’t do anything but join her…

Ok now… The post-show meal came in the form of one of my favorite Downtown Detroit spots…. Bucharest Grill. Phonte and Tim Scott Jr. became instant believers after I successfully put on to their famous chicken shawarmas. C’LAWD!!!!!! Those two brovahs damn near cleaned their plates by the time I had returned back to our table from the bar with drainks! The Bucharest meal accompanied by a strong rum & coke was an excellent ending to another near perfect day and performance by The Foreign Exchange. I’m always looking forward to the next one… Detroit, we love y’all and we’ll see you again in 2013…!!!

PHOTOS from +FE’s Performance at Chene Park

New Show Dates Announced – With Sy Smith & The Foreign Exchange

I may be coming to perform in a city near you… Check the new show dates. I will be announcing some more in the next couple of weeks as well…

For ALL future show information click here

April 21 – With The Foreign Exchange @ Triad College Music Festival – Greensboro, NC  BUY TICKETS

May 3 – Zo! + Sy Smith @ DROM – New York City, NY  BUY TICKETS

May 5 – Zo! + Sy Smith @ Apache Café – Atlanta, GA  BUY TICKETS

May 10 – Zo! + Sy Smith @ 2826 Arnetic – Dallas, TX  BUY TICKETS

May 11 – Zo! + Sy Smith @ Fitzgerald’s – Houston, TX  BUY TICKETS

June 3 – With The Foreign Exchange @ The 20th Annual Capital Jazz Fest – Columbia, MD  BUY TICKETS

June 4 – With The Foreign Exchange @ Music Hall of Williamsburg – Brooklyn, NY  BUY TICKETS

June 5 – With The Foreign Exchange @ The Middle East (Downstairs) – Cambridge, MA  BUY TICKETS

June 7 – With The Foreign Exchange @ Shaka’s – Virginia Beach, VA  BUY TICKETS

June 8 – With The Foreign Exchange @ Lincoln Theatre – Raleigh, NC  BUY TICKETS

June 9 – With The Foreign Exchange @ The Emerald Lounge – Asheville, NC  BUY TICKETS

June 13 – Zo! + Sy Smith @ Blues Alley – Washington, DC (1st SHOW – 8:00pm)  BUY TICKETS

June 13 – Zo! + Sy Smith @ Blues Alley – Washington, DC (2nd SHOW – 10:00pm) BUY TICKETS

Zo!’s Top Five Moments of 2011 – #1 Going Home and Receiving A Long Ovation at The Foreign Exchange Show in Detroit

May 8, 2011, Mother’s Day…

The +FE crew and I were set to take the short 2-hour and some change drive to Detroit from Cleveland to play our 4th show of the scheduled seven-show tour of Midwest cities. I was up and ready to go this particular morning as we were creeping up on the show date that I was most anticipating. Going back home to perform is always motivational to me because I’m able to catch everyone up on what I have been up to musically  – The same people who saw me making music out of my bedroom in my parents’ house in what I used to call “Crowded Room Studios,” as there was more music and equipment in that spot than space to move around. To be able to bring new levels of success home to folks who have supported you from day one is truly a blessing… So needless to say, I was a bit anxious for this one. As soon as I found out the show was confirmed, I started to text a couple folks here and there and sent a few DMs via Twitter just to make sure that kats were blocking that date off far in advance because at that time folks kept asking, “When are y’all gonna come to The D?”  …The thing was, May of 2011 wasn’t our first time playing in Detroit. The first +FE show at home was over two years ago in June of 2009 and I remember being hyped up for that one too, but this time was much different. First off, the buzz around the show was crazy and the people who were creating it seemed to be super excited. Secondly, there had been four +FE Music releases since that last show: City Lights 2: Shibuya (Sept. ’09), …just visiting too (Nov. ’09),  SunStorm (Jul. ’10) and Authenticity (Oct. ’10). One thing was starting to become crystal clear to us… Detroit was ready, I just didn’t realize how ready.

I’ll put it like this, I was so amped up about the Detroit show that thinking back on it, I barely even remember the actual drive from Cleveland… I remember stopping once for gas after Toledo, but that’s about it. The next thing I remember is checking in to our hotel and asking, “Ayo, who’s coming to the house before soundcheck?” Our bassist, Kush El-Amin and drummer Tim Scott Jr. said that they would roll so we dropped our stuff off in our rooms and proceeded to head out to my parents’ house. As soon as we walked in, I as I normally do when I get home, went straight for the refrigerator to grab a water and a Faygo Redpop to take with me. But to my surprise, Moms had baked a damn sweet poe-tay-toe pie for our arrival… Yep, I said Poe. Tay. TOE. So, uhhh… the three of us had some pie. ….And uhhh…. y’all thought I was greedy as hell? The brotha T. Scott had two pieces.

After we left my parents’ house, I took the fellas to The Bread Basket for a Rueben and some Better Made chips…  For the record, I am currently salivating just looking at the picture below.

After taking our food to go, we only had enough time to head back to the hotel and pick up the rest of the crew for soundcheck at the Magic Stick. Upon arriving to the venue, I started feeling anxious… At that point I just wanted the show to BEGIN. I hadn’t gone home to play in a year and a half, hadn’t been home with +FE in two… everyone was sounding all extra excited about the show – I was truly on edge……… A GOOD edge. Plus, the entire crew knew how big this show was for me… With all that said, I still wasn’t aware exactly how big.

We headed back to the hotel in order to change and get everything ready to go right back to the venue for the show. I was surprising cool, but I could feel my heart rate noticeably increase before taking the stage. Everybody in the crew was looking at me like, “You ready? Are you ready?” I was ready as hell… Normally, the time that we have backstage usually drags along anyway. But for the hometown show, time seemed to be moving at 120 seconds per minute. …..When we finally took the stage, I was the first to walk out to a sea of Detroit faces. I thought to myself, “This crowd is KILLIN the last one… They’re ready.” We proceded to start the show and the crowd was with us the entire time. During the set, I saw a ton of familiar faces, which made me feel even more at home… But still once again, I wasn’t ready.

Now… for those of you who have ever attended an +FE show, you know that there is a portion set aside during each show where Phonte introduces the entire crew individually… The order is normally: band members, vocalists, and last, of course is Nicolay. Well… for the first time in our touring history, the introduction order was different and to say that it caught me way off guard would be an understatement. Phonte went through and introduced everyone and I noticed that he skipped me… I was thinking, “Ok, he’ll probably do it after Jeanne and Sy.” Welp! After introducing Jeanne Jolly and Sy Smith…. He introduced Nicolay. *blank stare* I wonder if anyone has pictures of my face during that time, I’d like to see them because in my head it was, “Oh shit! WTF?… I’m going LAST at the CRIB? This is crazy….!” The next thing I knew, Phonte told us to cut the music and proceeded to go into my introduction. I’m sure I was standing there looking silly and lost as hell leading up to….

“Give it up for your own… Lorenzo Ferguson a/k/a Zo! y’all!”

The place just got LOUD…….. and I couldn’t do a damn thing but stand there and cheese.  In normal situations, people cheer, yell out, etc. and I’ll show love back by waving, bowing or something to make sure that they know I appreciate them. This time was a little different… Detroit got loud…. Matter of fact, Detroit got loud and HELD it. I was smiling… waving………smiling some more………. waving……  That’s when I first realized, “Oh damn, they’re not stopping!” I was completely in the moment at this point, plus my parents and younger sister were in the audience as well so this just became a helluva moment for me. I didn’t know what to do anymore or how to react – I just started looking around with the “This can’t be real” face on and man, it felt GREAT – SO great that I THEN thought to myself, “Oh ok, I see…. these negroes are tryna make me cry now.” And damn if I didn’t feel a lump in my throat – Man, this ain’t good. I just kept thinking, “Naaaah man, I’m not going… I’m not going. Breeeeeathe.” Of course, the more I thought that…. The louder they seemed to get and the bigger that lump got. THEN, I turned to my left to look at the crew, you know, just to kind of get their take on things and they were no help at all as Sy and Jeanne both had their hands on their mouths in the “Awwwww” position looking like THEY were about to cry. SHIT!! It was settled… I definitely wasn’t looking over at the crew for ANYmore support. The crowd thought they had me though!! – Because after awhile, instinctively I took my cap and covered my face with it while turning around. *sigh* This did nothing but fuel it and made them cheer even louder. Their loud ovation went on for a solid couple of minutes. I know I may seem to be making light of it, but it was by far one of the most unbelievable moments of my music career up to that point. Of course I’ve already had a few of my people jokingly say, “Aw man, you were about to cry, you were about to get emotional?” Maaaaaan listen… You work this hard for this long, keep it up after moving away from home and then return to that type of hometown love… If your throat doesn’t lump up from a reception like that, you may need to check and see if you have a pulse. I have never gotten an ovation like that before or since… That was a moment that left me truly humbled and I will never forget it.

“Laughing At Your Plans” (from Dear Friends: An Evening With The Foreign Exchange)

Clip taken from the upcoming live acoustic CD/DVD “Dear Friends: An Evening With The Foreign Exchange”, available June 28 2011 on +FE Music. Directed and edited by John Elliot Gray.

Source: Parallellogram · Directed by John Elliott Gray

Recorded and filmed live at SoundPure Studios in Durham NC on February 20 2011

Phonte: Vocals – Nicolay: Acoustic guitar – Jeanne Jolly: Vocals – Sy Smith: vocals – Zo!: grand piano – Chris Boerner: Acoustic guitar – Kush El-Amin: Acoustic bass guitar – Tim Scott Jr.: Drums

SoulBounce Names Zo! Their 2010 Producer Of the Year!


Source: SoulBounce · By Ivory

While here at the SB headquarters we don’t always see eye-to-eye in terms of music, one thing we do agree on is that 2010 was, indeed, the year of Lorenzo Ferguson better known to all as Zo!. Many of the Detroit-bred, D.C.-based multi-instrumentalist and producer’s melodies provided the soundtrack to our 2010. Let’s face it, he seemed to be everywhere this year. Zo! managed to hit us off with stellar production work nearly every season this year, making him easily the SoulBounce Honors 2010 Producer of the Year.

Zo! kicked things off in the spring, when his fellow Foreign Exchange Music labelmate YahZarah released her highly-anticipated album, The Ballad of Purple Saint James. He lent his production talents to her single “Cry Over You” featuring Phonte. The funky, upbeat track provided the perfect backdrop for YahZarah’s sassy rebound tale.

By the time the summer release of his own full-length FE Music debut, SunStorm, we were practically foaming at the mouth with anticipation of the musical delicacies our ears were about to feast on. And boy, did he not disappoint. Drawing comparisions to Stevie Wonder‘s Songs in the Key of Life, SunStorm served up a delicious composition of musicianship and artistry. As previously stated in our review of the album, “While some producers may stumble when their musical ambitions find them dabbling in different genres, Zo! expertly navigates vast musical terrain.” Nearly six months later, this album continues to amaze with his wide-range of talents, sprinkling in a dash of jazz here, a spoonful of broken beat there and a whole lotta fun, spirited soul and hip-hop ingredients in between.

In with the cool weather of the fall, came the equally-cool third group project, Authenticity, from The Foreign Exchange. While most production was still held-down by FE co-founder Nicolay, Zo!’s fingerprints still remained all over this album. Picking up where the group’s previous project, Leave It All Behind, left all, this album was melancholy and slightly-experimental, where LIAB was hopeful and soulful. Zo! even took a turn on the mic–albeit a talkbox mic–on “Don’t Wait.” Whether he was leading us through the highs of love or guiding us through the dreary days of heartbreak, Zo! consistently used his musical prowess to help bring the vivid emotions to life. Through his fingertips, we were able to feel sentiment just as clearly as we could hear it.

And to think, Zo! managed to deliver a crop of good music all while holding down a full-time gig as a music teacher in Washington, D.C. By showcasing us such a versatile range of musical portraits in 2010, we can only imagine what Zo! has in store for us in 2011. If next year is anything like this past one has been, then you better make room on your iPods for more phenemonal music.

Studio Campfire Stories: The "SunStorm" Edition – "This Could Be the Night" and "Flight of the Blackbyrd"

9. This Could Be the Night (feat. Eric Roberson, Darien Brockington & Rapper Big Pooh)
The funny thing about making music, or art for that matter is that you never know what you’re sitting on. I had been sitting on this drum pattern for about 2 or 3 years not knowing what to do with it… just the bare drums exactly how you hear them in the final song. It was something that I would listen to every quarter or so, mess around with it, get mad with what I recorded and scrap it altogether. I had even done a song where that drum pattern’s tempo was cut in HALF… It just still wasn’t there yet. FINALLY, one day during the recording of SunStorm, I finally came up with a chord progression that I was happy with and actually kept it! But the joint had been sitting for so long that even when I found the progression that worked, I was still skeptical. Even when I would include it on a CD with the rest of the album formulated around it as just an instrumental, I would think, “It will get life once vocals are recorded on it.” I ended up tracking it out and sending it through to Phonte so we could have the usual “who do you think would fit on this joint” talk. We talked about Erro (Eric Roberson) being a part of the album pretty much from the beginning… in fact, when I first met him back in December 2007 in Chicago, we spoke about working together, but it just never came together……

The first time I heard vocals on the joint, it was Phonte demoing the hook that he wrote for it. That is what changed my whole perspective… “WOW, this may become a JOINT!” The next version I heard was Darien’s verse and his re-singing of the hook…. Ok, now we’re getting somewhere. The NEXT version I heard was of Erro’s verse and hook. We then combined that with D. Brock’s and dammit we had a song!… It wasn’t done yet though… My two brothas FROM Little Brother decided to pull a ‘fast one’ on me… So after receiving the next draft of vocals, I heard the ‘announcer’ list the performers. Eric Roberson… check, Darien Brockington, check… The Rapper Big Pooh…. HOL’LUP, WORD?! I actually brought it back some so make sure I was hearing it correctly… NICE! At that point, I had know idea. So of course, once Big Pooh’s verse came on, I damn near started partying in the studio because the joint was RIGHT on time and was an excellent addition to the song. Eight bars of energy, where the music drops and it’s just he and the drums mainly… The change follows behind with D. Brock for four bars and right back into the closing hook and vamp… All of a sudden, this 2 to 3 year drum pattern had a promising pulse. Once again, you NEVER know what your music or art may become. I can never really explain it straight up… I can only continue to share these stories with you all and allow you to find out for yourselves.

Oh and make sure you read the story behind the making of the video for “This Could Be the Night” as well…


10. Flight Of the Blackbyrd (ft. Phonte)
The actual motivation behind this song is pretty interesting. Those who know me personally understand that I am pretty laid back for the most part, but that I am very competitive. It is part of my personality, it’s a motivator for me, and I guess it’s simply just the way I am wired. Hell, I played baseball through college so it was a NECESSARY trait if anything and I definitely have not “grown out of it”. The reason why I remember the exact date of my creating this song is because another one of my brothers and great friends in music, Nicolay released his excellent City Lights 2: Shibuya album. Where’s the connection? Well, I haven’t even told Nic this… But I remember sitting at the computer and logging on to Twitter and seeing everyone talking about the new City Lights 2 album. So I’m reading, retweeting the album link, checking out all the positive comments…. and it hit me. My competitive side began to talk shit to me…

“Uhhh… what the hell are YOU doing right now?! Your people are releasing dope albums and you’re sitting up on TWITTER. GET yo punk ass in the studio!!” © My Competitive Conscience

This is yet another advantage to working closely with kats who are so great at what they do, because it causes you to HAVE to be on point at all times. I put my computer to sleep and walked into the studio and a drum pattern just kinda came to me (higher power) that happened to be written in 3/4… Hmmmm, that’s kinda different already. The chord progression soon followed and not too long after that, a “B” part (a section where there is a change in the music – kind of a “part 2”). I laid the song out FULLY, the intro piece, main part, the piano solo, the percussion breakdown (where I used percussion instruments that I bought specifically for the “Perfect Angel” remake), and the B part. …I got Phonte on the phone and told him I would be sending a new one through. I sent him the instrumental and heard nothing back……………

…The next morning, I woke up to a text at about 6:55am……

Phonte: You at the crib?

Me:Yeah

P:
SENT.

M:Got it… putting it on the iPod and listening on the way to the craziness (a/k/a WORK)

P: Nigga, call/text/IM/two-way/smoke signal me as SOON as you finish that shit

Maaaan, look. There are some songs that you listen to the first minute or two of them and know you’re sitting on something special… THIS was that song. As soon as I heard Phonte’s vocals come in, I was like… “This is it, this shit is CRAZY.” I called him right back on the way to work and we were hyped up about this new joint… and the ideas started pouring. The next thing I know, here’s a final version of the song with trumpeter Stan Graham goin’ off on the joint with Phonte doing horn arrangements. DOPE. Overall, this joint took us the least amount of time to complete… Less than a day.

Musically, this was my “show off” joint all because my competitive side took over for a minute. Thanks to my FE family for pushing me to make music like this joint in particular and not even realizing it! lol

Download YahZarah’s “Why Dontcha Call Me No More”

I took an overnight trip to Raleigh, NC in late December armed with just a change of clothes, a few toiletries, and my bass guitar. The mission: Play on a couple of joints for YahZarah’s new album The Ballad Of Purple St. James. Phonte picked me up from the airport, we made a couple of stops before heading right over to SoundPure Studios to meet up with Yahz and guitarist/engineer Chris Boerner. I had already done my homework on the joints, learned all the changes and nuances in hopes to knocking um out in a single take… Drummer Lil’ John Roberts walked in and was ready to work… BUT, first things first, we ordered some sammiches, ate, and we were finally ready to go. John cut his drum parts first and was ridiculously on-point – Hell, the brotha has already worked with a who’s who of kats, including regularly touring with the one and only, Janet Jackson. I was next up on the bass… A couple of takes later, it was knocked out.


Editing took place throughout most of the night and “Why Dontcha Call Me No More” was born…

The Foreign Exchange in SF on Sept. 12th and TWO nights in LA, Sept. 13th & 14th

I woke up this morning to the news that The Foreign Exchange will be playing a show out in San Francisco on Saturday, September 12th @ Yoshi’s. I hope to see my West Coast kats out there. Here are all of the details…

 

We will also be back in Los Angeles for TWO dates at the Roxy Theatre. Kats had so much fun playing the venue in June, we had to come back and do it TWICE. Click here for the details…

New Foreign Exchange Dates Announced (Indianapolis, Cleveland, Seattle, and LA)

In addition to the August 8th date in Maryland this month (The Spirit Festival), there have also been stops added in Indianapolis, Cleveland, and Seattle. Here’s the info… Mark your calendars!

 

The Foreign Exchange @ The Athenaeum, Indianapolis IN

Saturday, August 15th, 2009

The Foreign Exchange @ Grog Shop, Cleveland OH

Sunday, August 16th, 2009

The Foreign Exchange @ Nectar Lounge, Seattle WA

Thursday, September 15, 2009

ALSO

The Foreign Exchange in Los Angeles

Sunday and Monday September 13 & 14, 2009

Venue: The Roxy Theatre