Zo! + Sy Smith Performing Together in Atlanta
Saturday, May 5, 2012
64 3rd St. Northwest | Atlanta GA 30308 | (404) 876-5436
18+ | 9pm
Zo! + Sy Smith Performing Together in Atlanta
Saturday, May 5, 2012
64 3rd St. Northwest | Atlanta GA 30308 | (404) 876-5436
18+ | 9pm
Zo! + Sy Smith Performing Together in NYC
May 3, 2012
85 Avenue A | New York City NY 10009 | (212) 777-1157
21+ | 8pm
I may be coming to perform in a city near you… Check the new show dates. I will be announcing some more in the next couple of weeks as well…
For ALL future show information click here
April 21 – With The Foreign Exchange @ Triad College Music Festival – Greensboro, NC BUY TICKETS
May 3 – Zo! + Sy Smith @ DROM – New York City, NY BUY TICKETS
May 5 – Zo! + Sy Smith @ Apache Café – Atlanta, GA BUY TICKETS
May 10 – Zo! + Sy Smith @ 2826 Arnetic – Dallas, TX BUY TICKETS
May 11 – Zo! + Sy Smith @ Fitzgerald’s – Houston, TX BUY TICKETS
June 3 – With The Foreign Exchange @ The 20th Annual Capital Jazz Fest – Columbia, MD BUY TICKETS
June 4 – With The Foreign Exchange @ Music Hall of Williamsburg – Brooklyn, NY BUY TICKETS
June 5 – With The Foreign Exchange @ The Middle East (Downstairs) – Cambridge, MA BUY TICKETS
June 7 – With The Foreign Exchange @ Shaka’s – Virginia Beach, VA BUY TICKETS
June 8 – With The Foreign Exchange @ Lincoln Theatre – Raleigh, NC BUY TICKETS
June 9 – With The Foreign Exchange @ The Emerald Lounge – Asheville, NC BUY TICKETS
June 13 – Zo! + Sy Smith @ Blues Alley – Washington, DC (1st SHOW – 8:00pm) BUY TICKETS
June 13 – Zo! + Sy Smith @ Blues Alley – Washington, DC (2nd SHOW – 10:00pm) BUY TICKETS
Here’s a clip of Sy Smith and I hitting “Nights Over Egypt” (from …just visiting too) at Lola in St. Louis – 02.12.12
Zo! – Keyboard • Sy Smith – Vocals/Synth bass • Grover Stewart – Drums • Scott McGreer – Guitar
Much love to everyone who came out to our show in LA… We had a BLAST.
I was just sent this picture from a young lady in Rio de Janeiro of a brand new tattoo that she got that reads “Don’t ever underestimate the power of your mind…” – a quote inspired by “Greatest Weapon Of All Time” from the SunStorm album. The lyrics were written and sung by my a great friend of mine, “tourmate” and sister, Sy Smith… I’m kinda at a loss for words here… but this is real dope – AND on top of all that, the tat looks good!! According to her, “It’s a very special song… Like a way of life…”
Wow… Talk about motivational.
Like I have said before… Sometimes we as artists are reminded why it is important to continue doing what we do. This picture and story is one concrete reminder… Made my day, completely.
May 8, 2011, Mother’s Day…
The +FE crew and I were set to take the short 2-hour and some change drive to Detroit from Cleveland to play our 4th show of the scheduled seven-show tour of Midwest cities. I was up and ready to go this particular morning as we were creeping up on the show date that I was most anticipating. Going back home to perform is always motivational to me because I’m able to catch everyone up on what I have been up to musically – The same people who saw me making music out of my bedroom in my parents’ house in what I used to call “Crowded Room Studios,” as there was more music and equipment in that spot than space to move around. To be able to bring new levels of success home to folks who have supported you from day one is truly a blessing… So needless to say, I was a bit anxious for this one. As soon as I found out the show was confirmed, I started to text a couple folks here and there and sent a few DMs via Twitter just to make sure that kats were blocking that date off far in advance because at that time folks kept asking, “When are y’all gonna come to The D?” …The thing was, May of 2011 wasn’t our first time playing in Detroit. The first +FE show at home was over two years ago in June of 2009 and I remember being hyped up for that one too, but this time was much different. First off, the buzz around the show was crazy and the people who were creating it seemed to be super excited. Secondly, there had been four +FE Music releases since that last show: City Lights 2: Shibuya (Sept. ’09), …just visiting too (Nov. ’09), SunStorm (Jul. ’10) and Authenticity (Oct. ’10). One thing was starting to become crystal clear to us… Detroit was ready, I just didn’t realize how ready.
I’ll put it like this, I was so amped up about the Detroit show that thinking back on it, I barely even remember the actual drive from Cleveland… I remember stopping once for gas after Toledo, but that’s about it. The next thing I remember is checking in to our hotel and asking, “Ayo, who’s coming to the house before soundcheck?” Our bassist, Kush El-Amin and drummer Tim Scott Jr. said that they would roll so we dropped our stuff off in our rooms and proceeded to head out to my parents’ house. As soon as we walked in, I as I normally do when I get home, went straight for the refrigerator to grab a water and a Faygo Redpop to take with me. But to my surprise, Moms had baked a damn sweet poe-tay-toe pie for our arrival… Yep, I said Poe. Tay. TOE. So, uhhh… the three of us had some pie. ….And uhhh…. y’all thought I was greedy as hell? The brotha T. Scott had two pieces.
After we left my parents’ house, I took the fellas to The Bread Basket for a Rueben and some Better Made chips… For the record, I am currently salivating just looking at the picture below.
After taking our food to go, we only had enough time to head back to the hotel and pick up the rest of the crew for soundcheck at the Magic Stick. Upon arriving to the venue, I started feeling anxious… At that point I just wanted the show to BEGIN. I hadn’t gone home to play in a year and a half, hadn’t been home with +FE in two… everyone was sounding all extra excited about the show – I was truly on edge……… A GOOD edge. Plus, the entire crew knew how big this show was for me… With all that said, I still wasn’t aware exactly how big.
We headed back to the hotel in order to change and get everything ready to go right back to the venue for the show. I was surprising cool, but I could feel my heart rate noticeably increase before taking the stage. Everybody in the crew was looking at me like, “You ready? Are you ready?” I was ready as hell… Normally, the time that we have backstage usually drags along anyway. But for the hometown show, time seemed to be moving at 120 seconds per minute. …..When we finally took the stage, I was the first to walk out to a sea of Detroit faces. I thought to myself, “This crowd is KILLIN the last one… They’re ready.” We proceded to start the show and the crowd was with us the entire time. During the set, I saw a ton of familiar faces, which made me feel even more at home… But still once again, I wasn’t ready.
Now… for those of you who have ever attended an +FE show, you know that there is a portion set aside during each show where Phonte introduces the entire crew individually… The order is normally: band members, vocalists, and last, of course is Nicolay. Well… for the first time in our touring history, the introduction order was different and to say that it caught me way off guard would be an understatement. Phonte went through and introduced everyone and I noticed that he skipped me… I was thinking, “Ok, he’ll probably do it after Jeanne and Sy.” Welp! After introducing Jeanne Jolly and Sy Smith…. He introduced Nicolay. *blank stare* I wonder if anyone has pictures of my face during that time, I’d like to see them because in my head it was, “Oh shit! WTF?… I’m going LAST at the CRIB? This is crazy….!” The next thing I knew, Phonte told us to cut the music and proceeded to go into my introduction. I’m sure I was standing there looking silly and lost as hell leading up to….
“Give it up for your own… Lorenzo Ferguson a/k/a Zo! y’all!”
The place just got LOUD…….. and I couldn’t do a damn thing but stand there and cheese. In normal situations, people cheer, yell out, etc. and I’ll show love back by waving, bowing or something to make sure that they know I appreciate them. This time was a little different… Detroit got loud…. Matter of fact, Detroit got loud and HELD it. I was smiling… waving………smiling some more………. waving…… That’s when I first realized, “Oh damn, they’re not stopping!” I was completely in the moment at this point, plus my parents and younger sister were in the audience as well so this just became a helluva moment for me. I didn’t know what to do anymore or how to react – I just started looking around with the “This can’t be real” face on and man, it felt GREAT – SO great that I THEN thought to myself, “Oh ok, I see…. these negroes are tryna make me cry now.” And damn if I didn’t feel a lump in my throat – Man, this ain’t good. I just kept thinking, “Naaaah man, I’m not going… I’m not going. Breeeeeathe.” Of course, the more I thought that…. The louder they seemed to get and the bigger that lump got. THEN, I turned to my left to look at the crew, you know, just to kind of get their take on things and they were no help at all as Sy and Jeanne both had their hands on their mouths in the “Awwwww” position looking like THEY were about to cry. SHIT!! It was settled… I definitely wasn’t looking over at the crew for ANYmore support. The crowd thought they had me though!! – Because after awhile, instinctively I took my cap and covered my face with it while turning around. *sigh* This did nothing but fuel it and made them cheer even louder. Their loud ovation went on for a solid couple of minutes. I know I may seem to be making light of it, but it was by far one of the most unbelievable moments of my music career up to that point. Of course I’ve already had a few of my people jokingly say, “Aw man, you were about to cry, you were about to get emotional?” Maaaaaan listen… You work this hard for this long, keep it up after moving away from home and then return to that type of hometown love… If your throat doesn’t lump up from a reception like that, you may need to check and see if you have a pulse. I have never gotten an ovation like that before or since… That was a moment that left me truly humbled and I will never forget it.
I’ll be traveling west to perform with my sister in music, the wonderfully talented, Sy Smith to perform our intimate, acoustic set in Portland and Seattle at the end of this week and LA in January…
Zo! + Sy Smith @ The Crown Room – Portland, OR
December 22, 2011
9:30p
Zo! + Sy Smith @ Nectar Lounge – Seattle, WA
December 23, 2011
9:00p
Zo! + Sy Smith @ Little Temple – Los Angeles, CA
(Limited Discount Tickets Available Now – $5)
January 19, 2012
9:00p
It seems as though all of the stories for …just visiting three begin with a phone conversation between Phonte and I. Welp, I guess with that being said………..
I was having a conversation with Phonte one day…… and he was telling me about a recent connection he made with a certain well-known female vocalist who essentially made it known that she was down to be on the album. Now knowing how things can change on a dime in music without much warning, I decided very early that I wasn’t gonna get too excited until I was listening to a final version of a song with her vocals on it. A few days later, Phonte sent me a folder of four joints, which included the song “Driving” by Everything But the Girl. I’ll admit, I remembered the song VERY vaguely… BUT out of the four that he sent, this is the one that both of us gravitated toward. Technically speaking, when I listened to the song and heard it bounce back and forth basically between two or three chords, I thought to myself, this is gonna be a pretty easy song to redo… This shouldn’t be a problem at all – That is, until I listened closer and heard about 593 layers of synth in the joint. It seemed like every time I listened, a brand new synth patch would mysteriously appear – the track was VERY deceiving. Even when I sent what I thought was the final music to Phonte… he hit me back right back, “Ayo… There’s a synth line that you missed. Go to (insert minute mark value here) and check it out…” DAMN!! I thought I GOT all of um!!! *Angrily opens Pro Tools file back up*
I actually finished a “to be recorded to” draft of the song pretty early… and THAT’S when the real fun began. Once Phonte got back in touch with the originally chosen vocalist, we discovered that her schedule, our album deadline, combined with our touring schedule probably wouldn’t work out – So we ended up having to look elsewhere. But I’m sure we will get to work with her in the near future on some original material… So we turned our attention to Paris, Amber, and Anita… otherwise known collectively as KING to handle the vocals. They were completely down AND were already familiar with the song, ok… dope! Well…… That is, until they were called on to do a small gig opening up at the LA Forum for uhhh….. none other than….. well, this kat outta Minneapolis, MN named…… Prince Rogers Nelson. We were REALLY happy for them landing that show and with the rehearsal schedule they were gonna have to keep, there was no way that they would have been able to record this song and we understood that completely. Meanwhile, during the creation of the JV3, I already knew that it was a must that I had to have a joint with my sister Sy Smith a/k/a “See Smeet”… I always tell people, Sy is one of the sweetest, most down-to-earth people you’ll ever come across…. AND she’s probably also “more real” than a lot of dudes you know – love her to death. And while I was racking my brain trying to think of a song to redo that would be tailor-made to fit her vocally, the answer was sitting right in front of my face the entire time. “Driving” was for Sy Smith… Period. Phonte and I were already plotting on her to record the joint before she even knew about it or heard it! I finally ended up playing the instrumental for her in the van while we were on the road with The Foreign Exchange traveling from Chicago to Indianapolis back in May and she loved it. After we went home from that Midwest run, she got together with Phonte and recorded her vocals. Once I heard the vocal draft, I thought to myself, “She sounds a little different than normal… But it sounds dope as HELL.” I couldn’t quite put my finger on what the difference was or why she sounded the way she did… I just knew that I loved it. When I got Phonte on the phone, he told me that Sy didn’t feel too well while recording it… Ahhhhhhhhh, NOW it makes sense. To me, her not feeling 100% ADDED to the emotion and the sincerity of what she was singing about and it also helped to make it her song. To drive that point home even further, I wanted to change the song at the end into one of my all-time favorite slow joints, “Inside My Love” by Minnie Riperton. When arranging in my head what I wanted to do to re-create “Driving”, the first song I thought about was “Inside My Love”… the drums had a similar feel to me. So I allowed that particular drum pattern from the intro and the verses of Minnie’s song be the influence for the entire cover… I love Sy’s interpolation with the lyrics during that piece. She took Minnie’s opening “Two people….” line and played with it just enough to let the listener know what song we were changing into, but still subtle enough to where it may not hit you until the change is almost over……. Pretty sneaky there, See Smeet.
One of the best parts about working on a song with a vocalist or a collective of vocalists is… well, actually HEARING the vocals over your music! In this case I was extra hyped up because after working on the demo version for “Black Cow”, I immediately jumped over to start working on the music for “Marzipan.” So to have received the vocals to that FIRST joint was an accomplishment – It always kinda serves as the album’s “ice breaker” to where, this is the project’s first major progression….NOW we’re off and running. And what a helluva progression it was. To hear Phonte “Donald” Fagen holding down the lead vocals almost brought back the same feeling I had hearing his vocals for our cover of Toto’s “Africa” four years prior. Right as I was thinking and saying to myself while listening to the first couple of bars, “You’ve GOT to be kidding me…. THIS is CRA….. *out of nowhere the harmony part with Sy comes in “Yooooooooou were high!!”* ……………………*BLANK STARE* “…OH ok, these kats are TRULY whylin’ out right now!!” From there, I re-laid my key parts which included the rhodes solo, added a live hi-hat to complete the drum pattern, and some additional strings at the end to add some dynamics. I know that I’ve heard that Steely Dan isn’t too keen on people sampling them, but I would LOVE for Donald Fagen and Walter Becker to hear our version just to get their thoughts… That would be an honor.
Download …just visiting three for free here…