Zo! + Sy Smith Performing Together in D.C.
Wednesday, June 13, 2012
1073 Wisconsin Ave. NW | Washington DC 20007 | (202) 337-4141
21+ | 8pm and 10pm
Zo! + Sy Smith Performing Together in D.C.
Wednesday, June 13, 2012
1073 Wisconsin Ave. NW | Washington DC 20007 | (202) 337-4141
21+ | 8pm and 10pm
Zo! + Sy Smith Performing Together in Houston
Friday May 11, 2012
2706 White Oak Dr | Houston TX 77007 | (713) 862-3838
8pm
Zo! + Sy Smith Performing Together in Dallas
Thursday, May 10, 2012
2824 Main Street | Dallas TX 75226 | (469) 879-7319
8pm
Zo! + Sy Smith Performing Together in Atlanta
Saturday, May 5, 2012
64 3rd St. Northwest | Atlanta GA 30308 | (404) 876-5436
18+ | 9pm
Zo! + Sy Smith Performing Together in NYC
May 3, 2012
85 Avenue A | New York City NY 10009 | (212) 777-1157
21+ | 8pm
I was just sent this picture from a young lady in Rio de Janeiro of a brand new tattoo that she got that reads “Don’t ever underestimate the power of your mind…” – a quote inspired by “Greatest Weapon Of All Time” from the SunStorm album. The lyrics were written and sung by my a great friend of mine, “tourmate” and sister, Sy Smith… I’m kinda at a loss for words here… but this is real dope – AND on top of all that, the tat looks good!! According to her, “It’s a very special song… Like a way of life…”
Wow… Talk about motivational.
Like I have said before… Sometimes we as artists are reminded why it is important to continue doing what we do. This picture and story is one concrete reminder… Made my day, completely.
May 8, 2011, Mother’s Day…
The +FE crew and I were set to take the short 2-hour and some change drive to Detroit from Cleveland to play our 4th show of the scheduled seven-show tour of Midwest cities. I was up and ready to go this particular morning as we were creeping up on the show date that I was most anticipating. Going back home to perform is always motivational to me because I’m able to catch everyone up on what I have been up to musically – The same people who saw me making music out of my bedroom in my parents’ house in what I used to call “Crowded Room Studios,” as there was more music and equipment in that spot than space to move around. To be able to bring new levels of success home to folks who have supported you from day one is truly a blessing… So needless to say, I was a bit anxious for this one. As soon as I found out the show was confirmed, I started to text a couple folks here and there and sent a few DMs via Twitter just to make sure that kats were blocking that date off far in advance because at that time folks kept asking, “When are y’all gonna come to The D?” …The thing was, May of 2011 wasn’t our first time playing in Detroit. The first +FE show at home was over two years ago in June of 2009 and I remember being hyped up for that one too, but this time was much different. First off, the buzz around the show was crazy and the people who were creating it seemed to be super excited. Secondly, there had been four +FE Music releases since that last show: City Lights 2: Shibuya (Sept. ’09), …just visiting too (Nov. ’09), SunStorm (Jul. ’10) and Authenticity (Oct. ’10). One thing was starting to become crystal clear to us… Detroit was ready, I just didn’t realize how ready.
I’ll put it like this, I was so amped up about the Detroit show that thinking back on it, I barely even remember the actual drive from Cleveland… I remember stopping once for gas after Toledo, but that’s about it. The next thing I remember is checking in to our hotel and asking, “Ayo, who’s coming to the house before soundcheck?” Our bassist, Kush El-Amin and drummer Tim Scott Jr. said that they would roll so we dropped our stuff off in our rooms and proceeded to head out to my parents’ house. As soon as we walked in, I as I normally do when I get home, went straight for the refrigerator to grab a water and a Faygo Redpop to take with me. But to my surprise, Moms had baked a damn sweet poe-tay-toe pie for our arrival… Yep, I said Poe. Tay. TOE. So, uhhh… the three of us had some pie. ….And uhhh…. y’all thought I was greedy as hell? The brotha T. Scott had two pieces.
After we left my parents’ house, I took the fellas to The Bread Basket for a Rueben and some Better Made chips… For the record, I am currently salivating just looking at the picture below.
After taking our food to go, we only had enough time to head back to the hotel and pick up the rest of the crew for soundcheck at the Magic Stick. Upon arriving to the venue, I started feeling anxious… At that point I just wanted the show to BEGIN. I hadn’t gone home to play in a year and a half, hadn’t been home with +FE in two… everyone was sounding all extra excited about the show – I was truly on edge……… A GOOD edge. Plus, the entire crew knew how big this show was for me… With all that said, I still wasn’t aware exactly how big.
We headed back to the hotel in order to change and get everything ready to go right back to the venue for the show. I was surprising cool, but I could feel my heart rate noticeably increase before taking the stage. Everybody in the crew was looking at me like, “You ready? Are you ready?” I was ready as hell… Normally, the time that we have backstage usually drags along anyway. But for the hometown show, time seemed to be moving at 120 seconds per minute. …..When we finally took the stage, I was the first to walk out to a sea of Detroit faces. I thought to myself, “This crowd is KILLIN the last one… They’re ready.” We proceded to start the show and the crowd was with us the entire time. During the set, I saw a ton of familiar faces, which made me feel even more at home… But still once again, I wasn’t ready.
Now… for those of you who have ever attended an +FE show, you know that there is a portion set aside during each show where Phonte introduces the entire crew individually… The order is normally: band members, vocalists, and last, of course is Nicolay. Well… for the first time in our touring history, the introduction order was different and to say that it caught me way off guard would be an understatement. Phonte went through and introduced everyone and I noticed that he skipped me… I was thinking, “Ok, he’ll probably do it after Jeanne and Sy.” Welp! After introducing Jeanne Jolly and Sy Smith…. He introduced Nicolay. *blank stare* I wonder if anyone has pictures of my face during that time, I’d like to see them because in my head it was, “Oh shit! WTF?… I’m going LAST at the CRIB? This is crazy….!” The next thing I knew, Phonte told us to cut the music and proceeded to go into my introduction. I’m sure I was standing there looking silly and lost as hell leading up to….
“Give it up for your own… Lorenzo Ferguson a/k/a Zo! y’all!”
The place just got LOUD…….. and I couldn’t do a damn thing but stand there and cheese. In normal situations, people cheer, yell out, etc. and I’ll show love back by waving, bowing or something to make sure that they know I appreciate them. This time was a little different… Detroit got loud…. Matter of fact, Detroit got loud and HELD it. I was smiling… waving………smiling some more………. waving…… That’s when I first realized, “Oh damn, they’re not stopping!” I was completely in the moment at this point, plus my parents and younger sister were in the audience as well so this just became a helluva moment for me. I didn’t know what to do anymore or how to react – I just started looking around with the “This can’t be real” face on and man, it felt GREAT – SO great that I THEN thought to myself, “Oh ok, I see…. these negroes are tryna make me cry now.” And damn if I didn’t feel a lump in my throat – Man, this ain’t good. I just kept thinking, “Naaaah man, I’m not going… I’m not going. Breeeeeathe.” Of course, the more I thought that…. The louder they seemed to get and the bigger that lump got. THEN, I turned to my left to look at the crew, you know, just to kind of get their take on things and they were no help at all as Sy and Jeanne both had their hands on their mouths in the “Awwwww” position looking like THEY were about to cry. SHIT!! It was settled… I definitely wasn’t looking over at the crew for ANYmore support. The crowd thought they had me though!! – Because after awhile, instinctively I took my cap and covered my face with it while turning around. *sigh* This did nothing but fuel it and made them cheer even louder. Their loud ovation went on for a solid couple of minutes. I know I may seem to be making light of it, but it was by far one of the most unbelievable moments of my music career up to that point. Of course I’ve already had a few of my people jokingly say, “Aw man, you were about to cry, you were about to get emotional?” Maaaaaan listen… You work this hard for this long, keep it up after moving away from home and then return to that type of hometown love… If your throat doesn’t lump up from a reception like that, you may need to check and see if you have a pulse. I have never gotten an ovation like that before or since… That was a moment that left me truly humbled and I will never forget it.
Valentine’s Day 2011 – I had just returned home from the school (or “that PLACE” as I would call it) after a typical day of working as a student bodyguard (a/k/a a teacher) and proceeded to send texts to numerous people in my phone letting them know that If they were close to home, pull up in front of the TV real quick and turn on VH1 Soul at 6pm EST… My video for “This Could Be the Night” was set to make its second television appearance (It was run at 10am earlier in the day). I was very promptly informed by my mother who called that morning and left a super excited voicemail, “It came on! Your video was on this morning!!” (To this DAY, she either emails or sends me a text whenever she happens to catch my video) Her voicemail was then accompanied by several texts and tweets that said the same thing. To me, this was pretty exciting being as though prior to the release of SunStorm, I had no videos. We shot footage for “This Could Be the Night” in June of last year. At the time of the shoot, I was told that the final product would be included in the MTV Networks rotation a/k/a VH1 Soul at a later date… after several steps were completed, so I thought to myself, “Just be patient, it’ll show up.” Hell, most times I would pretty much just put it out of my mind for long periods of time so I wouldn’t have to think about it. This was a fairly important accomplishment for me because a producer is normally more behind the scenes and not necessarily looked at as a “frontman.”As a matter of fact, there have been people who I have run into who had been listening to my music for some years, but barely knew what I looked like. So even just for visual’s sake, I felt that a video would be a great look… After seeing the final cut of the video, I was extremely satisfied with the result and couldn’t wait until folks would be able to see me, the crew, and hear my music on a channel that they were familiar with. When the video finally DID air, I stood up so that I was basically positioned in the middle of the living room floor, grabbed the Verizon cable remote and mashed my thumb on the “Volume +” button, which resulted in the TV blaring throughout my house. From there, I was just kinda staring motionless at the screen as if it was the first time I had ever seen my own video… I know that YouTube and other video-based sites are now almost as relevant as television, but there’s still something about seeing and hearing your work of art being displayed on TV that is still rather fascinating to me (you can tell this is my first televised video, huh?). I got on the phone with my parents and spoke with them while one of my cousins called me and screamed into the phone as if she saw me performing at the Super Bowl during halftime. If I remember correctly, the video ran right after The Foreign Exchange’s video for “Maybe She’ll Dream Of Me” – Definitely a surreal moment.
During the space of time that in which I was waiting for “This Could Be the Night” to air, I was contacted by some of vocalist Conya Doss’ people to meet with them about possibly co-starring in a video of hers (“All In You”) that they were set to shoot in November, 2010… Wow, word? Now that was something different and completely unexpected… I’m definitely no actor, nor had I ever been specifically asked to appear in someone’s video before. Regardless, I set up a meeting with them and talked about the “good guy” role I would be playing in the video and I agreed to do it. I ended up shooting the scenes for my part in a day… The next thing I knew, I had “This Could Be the Night” in rotation… and was simultaneously co-starring in another video that was also being run on television. NOW, I get texts and emails from moms that look something like this… “Both videos were on today… Your video came on at 20-after and your acting video came on at 45 after…” (She passes along the times because she knows that the video shows run the videos in the same order each time they air that particular day). That’s her all DAY… Super informative #1 fan.
“Greater Than the Sun” was a video that Phonte and I discussed shooting early on in the planning process of the album, simply because we knew how easy and stress-free it would probably be. When we eventually shot the video back in February, it was the easiest for kats to shoot… we were in Atlanta for a hot second, shot, and rolled out – AND I had some Zaxby’s while on the set!! BUT on the other hand, it has been the most difficult to get into rotation due to editing issues… The most interesting piece to me and my sense of humor is reading the comments made via YouTube as some think that Phonte is the one driving the car, somebody else thinks that Kareem Johnson produced the song and not the video… It kinda had me thinking, “Well shit… What do folks think I do anyway?” haha …Phonte isn’t driving to go and pick himself up from his house in the video! lol Maaaaan, a brovah can’t get credit for shit! LOL But I love how the bright video directly reflects the mood and the content of the song… Perhaps one day soon we’ll be able to enjoy the second video from SunStorm on TV as well…… Two outta three ain’t bad… That’s two more I had on TV this time last year!
Whenever I do a cover of a song, or in this case an original piece that serves as dedication track paying homage a favorite group (The Blackbyrds) and favorite production team (The Mizell Brothers), the way that I judge the finished product is by asking myself, “Do you think that this piece can be presented to the original artist… WITH confidence?” If the answer to that question is a “yes”… I keep it. If I feel otherwise, I will not hesitate to start over or completely scrap something I don’t deem high-quality enough to keep around. With that being said, let’s discuss a phone call I received the afternoon of January 18th while I was in the classroom teaching… I couldn’t get to my phone obviously, so I let it go to voicemail. When I finally had a free minute to check it, I looked and saw that it was saxophonist and original Blackbyrds band member, Allan Barnes who called. Oh damn, word?! Now, I had not talked to him since the summer of 2007 when I went back home to play keys in Detroit’s CityFest with my former band, The Gorilla Funk Mob (ironically, I actually JUST found footage of this performance on YouTube last month). From checking the voice mail, he was giving me a shout letting me know that he was in D.C. for a day or two… Alright, sounds good to me. So, I called him back and we chopped it up about that for a few minutes. Suddenly, it hit me… I need to ask him about hearing “Flight Of the Blackbyrd” from SunStorm!! A friend of mine and GFM drummer, Tate McBroom told me that he played the record for him a few months prior… Being an original Blackbyrd, I was anxious to hear his opinion first-hand…
Me: I’ve been meaning to ask you about this for a minute…. Have you heard the “Flight Of the Blackbyrd” joint?
Allan Barnes: What? Your joint?
Me: Yeah… The one that just came out last year.
AB: Oh yeeeeeeeah!! That’s the SHIT man!!
Me: *Trying my best not to attempt a back flip that I know I can’t execute*
It was probably the shortest and most direct approval I had ever received, but it didn’t lessen how humbled I was, especially being as though the only other song I have ever received praise for from the original artist was my cover of “Star Of the Story” by Heatwave… Of course as soon as I got off the phone with AB… I passed the positive news along to Phonte.
Allan’s words came in addition to what happened soon after SunStorm was released in July of 2010. Larry Mizell Jr. tweeted Phonte and I regarding “Flight Of the Blackbyrd” giving the Mizell Family’s approval… (I wish I would have favorited that tweet). Talk about HONORED. You never know who is listening and possibly enjoying your music – particularly when your music is “to” them…
Music is pretty funny….. Scratch that. Music is hilarious – Particularly when it comes to its creation. I’d like to consider myself a free thinker when it comes to making music mostly because it eliminates any boundaries, but also because music can be so unpredictable… ALL the time. Being that this is the last SCS for …just visiting three, it’s only right that this one is probably the most interesting. So with that being said, I will begin the story by saying that “Playing Your Game, Baby” was chosen and re-created for none other than one of my favorite emcees of all-time (in my “Top 5” EASILY)… Tariq Trotter a/k/a Black Thought. Rewind back to 2009 when Phonte was working with The Roots on the How I Got Over album… He gave me a call after the work was finished and told me how big of a fan Black Thought was of our Zo! & Tigallo Love the 80’s album AND said that he was wanting to get on something in the future… I damn near dropped the phone. All I could manage to do or say was the brilliant, “WORD?!” But yeah, I was ready to run laps around Maryland… YES, the state. So, about a year or so later at the Roots Picnic in June of 2010, I was there with The Foreign Exchange relaxing, taking part in some good food and helluva jokes before going on stage to perform. Well, the next you know, Black Thought walked up to our table. We met and talked just a little bit after Phonte introduced everybody and after telling him that I was a huge fan he said, “I’ve gotta get up on one of your joints…” *insert silence here* I was pretty proud of myself at the way I played it off… Because I FELT like saying, “OH SHIT! LET’S WORK TOMORROW THEN!!” …..But, I didn’t. We exchanged info and kept it moving…………. And I was hyped up about it, hell I can’t lie. Been listening to this brotha since ’93/’94 I had a right to be…!! Since SunStorm was already completed and manufactured by that time, the question then became, “Ok, HOW should we work? What would be the best situation?”
Fast forward to the top of 2011….. …just visiting three was in the middle of production and Phonte put Black Thought’s name out there as someone we should work with on the album. BET! Let’s do that!! Phonte hit him up, he said he was down… It was looking great. The only issue was…. What the hell song are we gonna have him sing?!?!!! A month went by……….. Two months………. We would go back to the conversation every now and then to see if there were ANY new ideas. There were a couple of joints in mind including one by uhh…. J.B. (not James Brown). Finally, a week or so after that conversation.. Phonte and I got back on the phone to decide once and for all what Tariq would be singing. Once again, I went to my trusty laptop and started scrolling through my iTunes selections. To be honest with you, I cannot remember who suggested Barry White… But I do remember picking the song “Playing Your Game, Baby” out directly from my iTunes library. From that, Phonte gave me the, “I’m wit that” and we moved forward in sending it and the lyrics through to Thought… In the meantime, I went in the studio to attempt to recreate this damn masterpiece of a song. Let me tell y’all something… The bond that me and “Playing Your Game, Baby” have formed over the years going all the way back to my days as a child is unbreakable. When Black Moon sampled it for the “I Got Cha Opin (Remix)” in ’94, I LOVED the joint. I even felt it when Ill Al Skratch used it for “Where My Homiez?” It’s just something about the big orchestration over that simplistic GROOVE. And one thing that I never realized until Anthony David and I talked about it later on was how simple Barry’s writing and vocals were. There was ONE vocal track, no adlibs, no harmonies… Not saying that this formula works all the time, but for this song it was a perfect compliment to what was going on musically.
Being that this song is another one of my personal favorites, I took great pride in wanting to do it correctly and do it some justice. I knew that the first things I thought about when someone talks about “Playing Your Game, Baby” are how crispy and pronounced the drums are and that simple but nasty and well-placed bassline. So that’s what I recorded first… I made sure the drums that I programmed were close to the original and I played the hi-hat out live. Once that was laid, I grabbed the bass guitar and and recorded it keeping it close to the original but adding a couple of my own licks here and there. The rhodes piece followed and then…. The strings. Man, man, MAN. That was a piece that would make or break the song. If the strings weren’t right, I would have scrapped the entire song without hesitation. BUT, they actually met my own skeptic ass approval and that particular draft was sent over to Black Thought to record to. Soon after we sent the music off, the horns were added. When I heard those horns on the track for the first time, I damn near turned my own computer over. They sounded GREAT!!! Now, we ran into trouble at this point because the brotha Tariq Trotter is BUSY AS ALL HELL. I don’t know if the dude ever stops going… He’s on constantly on the road and appearing on the Jimmy Fallon Show with The Roots, in the studio recording, popping up at spots performing internationally…. With that type of schedule, I was patient and understanding. If he couldn’t record it, not a problem at all – There will be time to work on something else in the future, I was definitely sure of that. But as we inched closer to the end of production for the album and its deadline, we had to figure something out. Who out here is gonna sing…. No, no, no… who out here is gonna SAING Barry White?! I mentioned Anthony David one time… Phonte and I talked about it briefly and let it sit for about a week or more. Finally, Phonte hit up A.D. and put him on alert… “Ayo, we may need you to come through and knock this Barry White joint out for the new album, you down to do it just in case?” He said he was down… So the music and the lyrics were sent to him. If I remember correctly, I think he was on the road doing some shows on the East Coast when he received the files. He said that once he got back home, he’d take care of it. Aaaaand just a few days later, I had an email with a file labeled “Playing Your Game AD Vox” ready to be downloaded. I damn near jumped outta my seat because these vocals were the LAST things needed for the album. I downloaded it and quickly played it in iTunes… I wasn’t patient enough to listen through the minute and a half long instrumental piece in the beginning, I scrolled right to the vocals and waited………… As SOON as I heard that first bar I said to myself… but outloud, “Maaaaan THIS dude is WHYLIN!” Ok, ok, ok…. He’s got the verse part down. NOW, let’s see what it’s lookin’ like when this hook comes in when Barry raises his voice and really let’s the girl know what’s on his mind…. *the hook comes and I hear Anthony David say* “Ya PLAYIN’ A GAAAAAME!!! IT’S SO PLAAAAAIN!!” And then the END of the hook when he hit the, “Nobody but YOOOOOUUUUUUUU AAAAAND MEEEEEEEE!!” ….Maaaaaaaaaaan, you would have thought a Detroit team had won a World Championship the way I was acting after hearing that – because without even hearing the rest of the song, I knew he had nailed it. To have come through in such a huge way, the respect I already HAD for the brotha tripled… And to this day, he and I have never even met face-to-face. Crazy, right?
I think with this song being one of the more familiar selections on the album along with the fact that it vamped out a little longer at the end musically, it was the perfect closing track. As I said at the beginning, music is totally unpredictable, but I’m extremely happy with how things turned out in the long run as I couldn’t have asked for better performances. I can’t wait to get up with everyone again for the next album….