Shouts to the homie, Kat!!
Rockin’ the Light Blue Women’s fitted Zo! tee…
•
To see your picture here… Send an email of yourself in a Zo! T-shirt to
C3V5Music (at) gmail (dot) com
Shouts to the homie, Kat!!
Rockin’ the Light Blue Women’s fitted Zo! tee…
•
To see your picture here… Send an email of yourself in a Zo! T-shirt to
C3V5Music (at) gmail (dot) com
Hometown Detroit Love to Eva!!!
Rockin’ the Light Blue Women’s fitted Zo! tee…
•
To see your picture here… Send an email of yourself in a Zo! T-shirt to
C3V5Music (at) gmail (dot) com
So…. I got a text a last night from my former WKU college roommate and teammate with a picture of his daughter….. And what she wore to school yesterday. Young Madelyn then informed him that she… “was representing”.
THAT’S what I’m talkin about!! The young ones know what sounds good AND they’re riding for us!!…
Never forget, +FE Music is for the children.
Shouts to Kevin and Holly… and hugs to Madelyn for “representing” well!
To see your picture here… Send an email of yourself in a Zo! T-shirt to
C3V5Music (at) gmail (dot) com
I was sent another video today, this time by Lisa of Dallas, Texas… Allow me to introduce you to 11-year old Morgan who was riding in the car and rockin’ out to “Greatest Weapon Of All Time” (I was told that this is the song of choice for the morning commute to school). I love it!!
Much love to Lisa and my young fan Morgan for this video… it has truly made my weekend.
I specifically remember composing the foundation of this one on September 26, 2011… I don’t know WHY I remember that date (those who know me will tell you that I’m kind of a “rain man” when it comes to numbers and dates), but I do specifically remember there being a Redskins vs. Cowboys Monday Night Football game that was being tweeted about all night and I didn’t feel like watching it at the time, so I went into the studio clear of ideas… clean slate. Now, it may have been that DAY or within a week or so prior to that time that I saw Jody Watley on Twitter shouting Phonte and I for the song, “Greater Than The Sun” and to say that I was hyped up would be a bit of an understatement. I was a Shalamar fanatic growing up. Between Go For It, Big Fun, and more specifically Three For Love and Friends?! You couldn’t tell me much as a kid about Shalamar, Leon Sylvers III and that “SOLAR Sound” – I was HOOKED. So to have a former member of a group I grew up listening to publicly announce the fact that she’s riding around in her car with MY song playing was a bit inspirational. It was SO inspirational that I decided to use that energy in the studio this particular day by posing the question to myself, “If you were to compose a record for Jody Watley NOW…. What would it sound like?” Well, It would be uptempo and melodic…. But let me give it a change of pace by using some harder drums and I’ll play a hi-hat through the entire song live. Now let me explain something to y’all… The respect I have for drummers is through the roof. The ability to keep time while using your entire body is a TASK. I can’t remember the song’s tempo (BPM) off hand, but the original track for this joint was around 6 minutes long. I can vividly remember how tired my arms were after recording the hi-hat pattern for this… BUT as I prefer with all of my music, I love the “human” feel. This is what makes live music so appealing. If I’m able to capture a live, human elements in the song, I don’t hesitate to record a pass all the way through the entire duration of it.
Once the foundation of this song was recorded (drums, bass, synth pads and chord progression), it was kinda put to the side. I would ride around in the car with it during the creation of ManMade, which did nothing but help it because after months of listening to it, I would start to hear new parts… Suddenly I heard a Moog synth line (which was played over the hook and vamp), a year or so later I heard harmonizing guitar lines at the beginning of the song that when played together had an Earth, Wind & Fire feel to it. This is why making music is not a race, sometimes you have to sit with the stuff you create and allow it to grow. In the end, nobody gives a shit about how quickly you create music… They care about how the final result sounds and how it makes them feel. If you need to live with it while you create, make it happen. There’s nothing better that some slow-cooked, flavorful music anyway.
Fast forward to December 2012… We were starting to wrap up sessions for ManMade and Carmen Rodgers made the trip to Raleigh, NC to knock out the hook for “Show Me The Way”, The Foreign Exchange’s “If I Knew Then” for their Love In Flying Colors album…. and then she then also took care of the hook for this particular track, which at the time I had titled simply “Therapy”. Phonte who is the KAING of calling that good studio audible sent me the song along with a new title, “A Choice Of Weapons”. Interesting. At first, seeing the title damn near caused me to see red on some ole, “Choice of weapons?? WHO WE GOTTA GO TO WAR WITH??!?!?” But I managed to bring it down a few notches in order to take a listen to the song. I can remember hearing those hooks for the first time and thinking, “That sounds PERFECT… and DAMN Carmen sounds great on this!” Everything fit correctly…That crisp, rapid-fire cadence that came with that chord change had me open. Even the fact that it was 20 degrees outside matched the “wintry” feel of the record (pardon my synesthesia, but the colors I “saw” when hearing the music was always shades of blue and light orange). It was just RIGHT to me. But as right as it was, it just didn’t fit into the sequence of what was finished for the album up to that point so it remained on the back burner for a minute…. Then enter Nicholas Ryan Gant. After absolutely blacking out on our “Let It Go” cover for …just visiting three, Phonte reached back out to him to sing lead. And when we got that final vocal reference… Phonte just hit me with the simple, “GMAIL” text. When I get a text from Tay that simply says…. “GMAIL”?!? …That means something SERIOUS is in my inbox. I opened the attachment, hit “play” and proceeded to hear Nicholas Ryan Gant claim “A Choice Of Weapons” as his OWN. The way he came out of that second verse into the hook?!
“Sheeeeeeeeeeeeiiiiiiiiiiiit” © Clayton Bartholomew Davis…
But what I enjoyed most was… the MESSAGE. I love it when kats feel inspired to write positivity over music that I have done and Nicholas was touching on some of that real. Seems like over the last 15+ years or so R&B has become the breakup, drama, you ain’t shit, I’ma fuck ya friend genre of music all of a sudden. Who wants to hear that when you’re at your job struggling to get through the day BECAUSE of some bullshit. Grown folks need uplifting music, man… we get hit with enough throughout a typical week.
“…daylight’s just ahead of you / Hold on to the joy within… ’cause in the end you can WIN”
That line alone would help me while in the gym steadily thinking of an excuse to cut my time short on the elliptical ……while also critiquing the song, of course. Then to hear Nicholas and Phonte trade off adlibs toward the end during the vamp was DOPE to me. I brought the pre-hook handclaps back on that section for an extra bit of (in my Pootie Tang silent voice) “!!!!!!!!!” on it. The last small piece that was added was Phonte’s background vocals on the second verse, which really added some nice dynamics to it and made it move a little bit better. Once that was in place, we had a successful B-Side……. remember those? I LOVE non-album B-Sides. They’re like wild cards. Some of our favorite songs were B-Sides!!! Prince’s “Erotic City”?? Gang Starr’s “DWYCK”???? Going to the record store to grab a handful of singles or 45’s JUST to get the remix or a B-Side that wasn’t included on an album used to be a mission of mine at one time. Now the mission has become to release them so that you all can relive the same feeling that I used to get in those record stores… Listen and purchase below. Enjoy!
“We Are On The Move (Black Coffee Remix)” b/w “A Choice of Weapons” is the new single in promotion of Zo!’s ManMade album. The single bundle is available for purchase on iTunes now and includes the Black Coffee Remix of “We Are On The Move” feat. Eric Roberson & Phonte as well as non-album B-Side “A Choice of Weapons” feat. Nicholas Ryan Gant & Carmen Rodgers.
ManMade is available now on +FE Music.
01. We Are On The Move (Black Coffee Remix)
featuring Eric Roberson
Background Vocals by Gwen Bunn, Sy Smith & Phonte
Remix Produced by Black Coffee
02. A Choice Of Weapons
featuring Nicholas Ryan Gant & Carmen Rodgers
Produced by Zo! for Chapter 3hree, Verse 5ive Music (BMI) and Phonte for The Foreign Exchange Music, LLC
Written by Phonte Coleman for Daddy’s New Bowtie (ASCAP) and Nicholas Ryan Gant for Ghetto Falsetto (ASCAP)
Lead Vocals by Nicolas Ryan Gant
Background Vocals by Carmen Rodgers & Phonte
All Instruments by Zo!
I’m honored to have been selected to score a new documentary that is currently in production entitled Undeniable – The Story of The Independent Soul Music Movement. The film’s director and producer, John Jointer contacted me a few months ago to ask me about being a part of the project, to which I was completely down to do. He said that he would be at our Indianapolis show (back in October) to sit down with Carmen Rodgers and I for interviews and to get some show footage. He then asked me if I would be interested in scoring the film as well. Hell YEAH I’d be interested! So there you have it… Between the Vegas Documentary, doing the music for the second season of Black Dynamite – The Animated Series and now this project, I’m really happy with the expansion to television and film. The new year has gotten off to a pretty wonderful start…
With 2013 being the most successful year in my music career, it’s only right that I share the pictures that documented it. Looking back, I released my newest album, ManMade, and had the pleasure of visiting Brooklyn, Baltimore, D.C., Chicago, Richmond, Philly, Pittsburgh, LA, Tucson, Detroit, Vegas, Seattle, Austin, Durham, Atlanta, Charlotte, San Diego, Houston, Dallas, St. Louis, Indianapolis, and Cleveland in support of it – I was even asked to perform on the eight-day Capital Jazz Cruise at the beginning of November. I contributed to the new The Foreign Exchange album Love In Flying Colors with “Listen To The Rain,” and The Reworks with a remix for Phonte’s “Gonna Be A Beautiful Night”. I hung out with Bobbito and Crazy Legs of Rock Steady in NYC, began endorsing Lewitt Audio, released an ode to Sesame Street in the form of the “Count To Five” video, was the subject of my FIRST documentary, and even had a day named after me in Las Vegas.
Things to look out for in 2014…
• Making the music for Black Dynamite – The Animated Series (Season 2) with Fatin “10” Horton
• My very first trip to South Africa with The Foreign Exchange at the end of March + a world tour with +FE
• A brand new single + video from ManMade + more solo dates
• New, original music… Including a collaborative EP with…………………………
…….anyway, thank you, 2013… Here’s to one helluva productive and positive new year in 2014. Cheers!!
On November 2, 2013, I was picked up by a SuperShuttle van at 2:30am and given a ride to DC’s National Airport arriving at Delta’s ticketing area maybe an hour or so later (after picking up other passengers) – barely awake as the desk hadn’t even open yet. I had a 6am flight to Ft. Lauderdale, FL (connecting in ATL) and the ONLY thing I wanted to do was board the plane and fall asleep. Back in July while the ManMade Tour was in full swing and momentum was building from the release of the new album, I was asked to perform on the 7th annual Capital Jazz Super Cruise. The invitation felt so unbelievable, particularly after I learned about the large pool of artists that I would be included in – Charlie Wilson, Anthony Hamilton, Stephanie Mills, Average White Band, Larry Graham… *record scratch* Wait a minute….. like, Sly and Family Stone LARRY GRAHAM??!? Come on nah!! I’m not sure that “honored” is a strong enough word… So on these flights to Florida, I had NO idea what to expect… none whatsoever. As far as solo performances are concerned, this would probably go down as my most major performance to date, but I wasn’t nervous…. more anxious to see how the next eight days would unfold.
I arrived at Ft. Lauderdale’s airport solo as hell. No manager, no assistant… just me, my backpack and roller bag of merch to sell. The very first thing I learned upon arriving to Florida was to make it known to the staff that you are an artist. Maaaaan, I got my luggage from baggage claim and the next thing I knew, my solo ass was being directed to the wrong shuttle (to the ship). Meanwhile, I learned that the artist’s shuttle had left me in the dust….Well damn. That kinda started off on the wrong page. Eventually, I got things straightened out and was given a ride to the ship where I checked in, got my stateroom key, and got on board. I took my things to my room and made absolutely sure to get in contact with ALL vocalists involved in my performance so that we would all be on the same page with everything while we were still docked and could communicate via texting …for FREE. The second thing I learned was… Man, there were a LOT of folks on that damn ship!! I walked up to the 3rd Deck, which served as the main “lobby” area and watched as everyone got on board all excited and ready to party for a week. This is where I caught up to Deborah Bond, DJ Frances Jaye who was spinning in the lobby area and announcing the artists as we walked through, Jarrard Anthony, and the majority of my D.C. kats who played in the house band. After years of being a fan, I finally met Rahsaan Patterson and ran into trumbonist, Jeff Bradshaw. That’s when it started to hit me… Not only is this cruise a music fan’s dream, but there’s a nice musician community on this mug. The entire week I was pretty much on my toes and checking for familiar faces of folks I had either met before, or of those I had simply seen on TV. Before setting sail, I made sure to text and get the room numbers of all the vocalists that would be involved in my performance the next night (Deborah, Jarrard, Chantae Cann, and Eric Roberson) because once we hit the land of ‘roaming’, I knew most peoples’ cell phones would be turned OFF. I was also told that the house band would be rehearsing with Chantae for her own set later on that evening, so I decided to hit that up before checking out the ship’s main restaurant. NOW…. I had to have a pep talk with myself before I got on there, which went something like… PACE. YOUR. GREEDY. ASS. SELF. ON. THE. FOOD. It’s eight days of unlimited whateverthehell, WHENeverthehell. When it comes to food and eating…. I will admit, I have issues…PLENTY… and have for a long time. SO, I had to make it a point to hit the ship’s GYM on a regular basis too. Throughout the week, I would hit the restaurant for a good meal, or the dinner buffet and then hit the gym for a half hour on the elliptical to uhhh…”break even”. What kind of professional fat boy shit is that? …….Well, that was the cruise routine I chose to make me feel less guilty about eating everything under the sun, so there it is. …..The bright side? At least I was working out – which brings me to the third thing I learned. You wanna get to a quiet place on a cruise other than your room?…… Hit that gym up. I would be in that mug working out with the staff.
Anyway, enough about my struggles with fatassedness… My performance date was set for the following day, Sunday November 3rd in what was called the “Underground Lounge” at the International Lounge venue on the ship. It was myself and D.C.’s own, Maimouna Youseff performing at the same show right after Rahsaan Patterson’s two shows. Word. UP. Being as though I wasn’t traveling the same day as the show, I decided to use my time during the day to do something I never do while I’m at home…….. REST and GET SLEEP. Why? Our show BEGAN at 12:30a and I was told that I would be going on last, which meant my set wouldn’t start until about 1:30a or so. Rest is what I needed and dammit… Rest is what I got. When I woke up, I found out that for some reason our soundcheck was canceled…………………
“UH ohhh…” © Carl Lewis
Ok. Well, that’s not really the news I necessarily wanted to wake up to but you learn to expect these things while on the road and then adjust accordingly. In this case, we were gonna have to go in on this set off of what we rehearsed in D.C. four days prior and the vocalists were gonna have to trust us with the music because we had not gotten to run ANY songs with them. With all that said, I got myself prepared for the show that I had anticipated playing for 4-5 months.
By the time 12:30a came, the ship was rocking…. No, like literally rocking back and forth that night. Maimouna came out and put on a helluva show, which I thoroughly enjoyed. It was my first time seeing her perform and she certainly set a high standard for me to follow. Once it was my turn, we started high energy out of the gate with Deborah singing “The Train” and then “Count To Five”. Most artists will tell you that while we’re on stage there are usually at least few people in the crowd that we channel energy from because they’re either dancing the hardest, know all of the words, etc… Whatever it is, we look to them the most during a show. Well, in this case the person who I saw in the crowd who was rocking the hardest and knew the words?? …Chrisette Michele. She and her people sat at a table right in the middle of the venue and were going in with us the ENTIRE show – it was definitely a treat to see that. Being as though there was so much talent on the ship …..better yet, so much talent that I had worked with on the ship, my show became almost a game of “vocalist musical chairs.” I had a ball bringing up talented cats such as Jarrard Anthony to sing “New In Town (Happy)” with Deborah, and ole saingin’ ass Chantae Cann to do “All Is Well Is Love” as well as my brother Eric Roberson to do “This Could Be the Night” AND “We Are On the Move”. Then to be able to have them ALL come back up on stage together and sing on “Flight Of the Blackbyrd” to close the show out??! Epic music moment in my performance career. ….and this was only day number TWO.
I woke up Monday morning and opened the curtain of my Deck 1 stateroom to a small ferry full of people from the cruise right outside my window waiting to ride over to Half Moon Cay, Bahamas from where we docked…. To be honest, I was just glad I had all of my clothes on or else my nekkid ass may have ended up floating down someone’s Twitter feed that week. I didn’t get off of the ship that day to check out the island, all of my energy was still being occupied by the show the previous night – not to mention the fact that we all hung out afterward until about 4 or 5am. But the next day, I got back up with most of the band and we stepped off of the ship to check out the Dominican Republic for a hot second. We ran into comedian Michael Colyar at the gift shop and when we spoke to him and took our picture, he hit me with… “Oh, the bald guy wants a picture!!” …To which I responded, “But you were at my show on Sunday.” Silliness all the way around, he was cool as hell. I actually think I saw him around the ship all week more than any of the other performers. He was out and about quite a bit.
So we got back on the ship and met up on the 3rd floor in the lobby for a nice mid-day drink. Now, the thing I like about cruise bartenders is that they tend to be pretty heavy handed. When I got up to the lobby, the band was finishing up these drinks that were blue… so I walked up talking shit, “What are these ole weak ass lookin’ drainks?” They were ALL like, “Nah, you need one of these!” …I hit the bartender with the, “Let me get whatever you made for them.” He nodded as if to say, “You really don’t know what the hell you’ve just got yourself into.” Needless to say, no more than 10 minutes after receiving this blue draink of fury, I was feeling pret-ty damn alright on that there cruise… The next thing I knew, we looked up and almost did a double-take as Larry Graham was just casually walking through the lobby. I was in straight “fan” mode as I walked up and asked to take a picture with him. It’s definitely not everyday that you’re in the presence of living legends… Hell, we all got pics with him.
One night after catching a late show at the ship’s the main stage, I decided to be greedy and go see what was up on the 9th Deck where the all-night buffets were. I was casually walking through and glanced to the right of me and it was none other than who I thought was Master Gee of the Sugarhill Gang…. I say that I thought it was him because I never saw them listed on the roster of artists. I found out later that they were billed as ‘surprise guests’ so it kinda threw me off to even see him on the boat. After I got my food and walked back through I saw he was still sitting there, this time with Hen Dog (one of their new members). I stopped to speak to both of them and salute one of hip-hop’s groundbreakers. Then next thing I knew, we were conversing for a little while, it was dope. But that’s how the cruise went – a bunch of legendary folks and kats we grew up listening to just casually walking around, lounging and humbly having a great time like the rest of us. Gee was real cool and I gained even more respect for him after meeting and talking with him… A couple of days later, I ended up meeting the other original Sugarhill member, Wonder Mike while having breakfast. As a matter of fact, another morning at breakfast I got up to grab some juice… walked through the door to where I could get a refill and heard someone say, “What’s up ole strong brotha?” …..At first I thought it was one of the band members trying to light me up real quick because the shirt I had on just to walk around the ship and eventually workout was kinda young. NOPE, I turned around to look and it was damn comedian, Bruce Bruce. He was obviously sitting in a strategic spot in the cafeteria where he could pretty much blast on any and everybody who walked through that door – I know about this, I do the same thing, so I had to laugh. I walked over to him, gave him a pound and told him I was a fan.
Perhaps the best performance I saw on the cruise was by none other than “Unkuh Chaa-lee” better known as Charlie Wilson. He played his set outdoors on the 9th deck as we were leaving the island of Curaçao – very dope setup. I caught a workout before hanging a couple hours before with Biscuit Bynum (drummer) and Dre King (keyboardist/house band Music) to check out his soundcheck and more importantly to lock in a solid spot to actually see the show as folks were starting to gather earrrrrrrrly to see one of the cruise’s main attractions. To see grown ass folks bickering over seats and attempt to create their own seating situation was pretty hilarious, to say the absolute least. But folks finally settled in and partied hard as Charlie and his band put on a helluva show. Now the fun part was AFTER the show when the entire house band from the Underground Lounge met up and we were getting chastised by Charlie Wilson fans because we were intentionally messing up the lyrics to, “First name, Charlie…. Last name, Wilson.” WE were singing……..
“First name, Chaaaaarlie….. Last name, Wiiiilkins!”
“First name, Chaaaaarlie….. Last name, Wiiiiilliams!”
“First name, Chaaaaarlie….. Last name, Wiiiiinans!!”
Folks walking by us were mad as hell… We’d hear, “YOU don’t even know his name!!” and “That’s a SHAME. It’s Chah-leh WILSON!” Angry asses… Talk about late night comedy at its finest.
I wrapped up the cruise by participating in a two-hour Soul Music panel along with Chantae, Ty Causey, Pete Belasco, Jeff Bradshaw, and Baltimore’s own, J. Soul. It was kinda dope to see all of us huddled up after the event in order get each other’s contacts. Overall, I had a ball on the cruise and walked off of there with plenty of new contacts, a few new friends, and a whole helluva lot of new stories. I got to check out shows by Incognito, Anthony Hamilton, Eric Roberson, Chantae Cann, Jarrard Anthony, J. Soul, Pete Belasco, Chrisette Michele, Average White Band, Charlie Wilson, Phil Perry for de FREE??!?! Count me ALL the way in for future cruises.
Jamall Bufford (Buff1)
“Nineteen”
Produced by 14KT & Zo!
Keys and Moog Synth by Zo!
From the album Victim Of A Modern Age
Buy Here